Hello, I’ve been kind of hesitant of writing this post, and honestly I don’t even know if anyone will read this (it’s going to be kind of long), I’ve searched for similar posts but honestly no one seems to be in this sort of situation. there might be typos, I didn’t double check.
Honestly I don’t know where to start, I’m 17 and have absolutely NO friends, I talk to no one at school and during lunch I just leave the school and walk around the vomit inducing repetitive suburbs for the whole hour just so I wouldn’t need to bare the embarrassment of walking in loops around the school alone when everyone’s sitting in a group and actually engaging socially. Needless to say my grades are shit (failing 2 classes, dropped one) and so is my attendance (60% at best) yesterday I had a physics quiz, I skipped, no biggie, right?
What’s funny is that it wasn’t always like this. A year ago I moved from a whole different nation which basically changed everything for me. I used to have a huge friend group and basically knew everyone at my old school, I used to have good grades and actually enjoy my life. Nowadays all I do is f*p, watch YouTube and eat with a shitty sleep schedule. I tried to change more times than I can count, I tried talking to my guidance counselor atleast 4 times, I tried talking to classmates, tried getting a job(impossible), gym, diet, dopamine detox, nofap, water fasts, you name it. I tried it all, and what comes out the other end? Just the same old “me”, just a ghost, were it to disappear no one would even notice. I’m actually so sick of trying to change, all to result in the same me, I hate this. Im literally just a spectator, constantly consuming, never contributing, constantly looking at others online, praising/criticizing people I actually don’t give a single fuck about. Bad case of ADHD? Maybe. Lazy fuck? Definetly.
The last year has been absolute hell for me and I don’t think I can do this much longer. I have no motivation, no self esteem, I literally BAIL ON PLANS without cancelling just because I’m too scared to admit I’m embarrassed and broke (I guess that also makes me an asshole).
Hell, my family fucking hates me too, it gets bad to an unnecessarily “physical” point with both parents and siblings, I also caught unwillingly picking up their mannerisms which made me extremely ashamed and disgusted with myself (I smacked my dog on one occasion). With no job, no friends, no (real) family and no education. The only place I see myself in a year is either the street or the coffin. I’d buy a car if the job market wasn’t so shitty and impossible to get into.
The only thing keeping me somewhat down to earth is my friends from back home who I still talk to sometimes. I have a vague vision of where I want to be in the future, but I just, do not put the work into it. I tried to just “put my head down and grind”, and it doesn’t work, maybe I didn’t try hard enough. The reason I made this post is with some sort of hope that someone will suggest something that I never tried, someone will suggest something that will actually make me want to live again, someone that once was where I am right now and can look back and say “I’m glad I pushed through”. Take this as a last call out for help lol. My life is a continuous stream of boredom, shame, and most of all, disappointment. Thanks for listening to my vent.

Sony Pictures! Here are options for downloading or watching Spider-Man: Across The Spider-Verse streaming the full movie online for free on 123movies & Reddit, including where to watch marvel's latest live-action adaptation movies at home. Is Spider-Verse 2 available to stream? Is watching Spider-Man: Across The Spider-Verse on Peacock, Disney Plus, HBO Max, Netflix or Amazon Prime? Yes, we have found an authentic streaming option/service.

Click Here Spider Man: Across the Spider Verse FullMovie Link

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If you’re like just about everyone else on the planet who saw Spider-Man: Into the Spider-Verse in 2018 and loved it, you’ve probably been waiting for the sequel. You won’t be waiting long, as Spider-Man: Across the Spider-Verse is finally coming out.
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After a grueling five-year-long wait, Marvel fans everywhere will finally be able to return to the animated multiverse with Spider-Man: Across the Spider-Verse. The upcoming sequel's predecessor requires no explanation, as Spider-Man: Into the Spider-Verse not only ensnared audiences and critics alike but also caught a prestigious Oscar win with a Best Animated Feature award. With "New York's one and only Spider-Man," Miles Morales (Shameik Moore), now becoming a household name, fans of the first film eagerly awaited the day they could see young Miles swing into the Spider-Verse again.
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Thankfully, the wait is almost finally over, as Spider-Man: Across the Spider-Verse will return to screens soon. This time Miles will not only be reunited with Gwen Stacey (Hailee Steinfeld) and Peter B. Parker (Jake Johnson) but he'll also be introduced to an entire multiversal society of Spider-people created and led by a particularly pessimistic variant of Spider-Man 2099 (Oscar Isaac). Though some of the other variants in this secretive organization view Miles as a nuisance more than anything else, they'll have to learn to put those apprehensions aside if they hope to save the multiverse from an all-new terrifying threat. As the release date for the sequel to one of the most celebrated Spider-Man films ever made crawls closer and closer
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Everyone's favorite web-slinger from an alternate dimension returns for a second theatrical outing. Spider-Man: Across the Spider-Verse continues the multiverse-spanning adventures of Miles Morales (Shameik Moore), one of the youngest and newest iterations of Spider-Man in his home dimension. A year after the events of Into the Spider-Verse, Miles is introduced to the Spider-Society, an immense organization of different Spider-People who hail from countless alternate dimensions.
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The much-anticipated Spider-Man: Across the Spider-Verse is only one day away, and fans can’t wait to see the new adventures of Miles Morales. Once the Sony Pictures-produced movie ends its theatrical run, it will come to the most popular streamers, including Netflix and Disney Plus. But when is Spider-Man: Across the Spider-Verse coming to Netflix and Disney Plus? Here is precisely where and how you can watch Spider-Man: Across the Spider-Verse online.
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When Is the Release Date for Spider-Man: Across the Spider-Verse?
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Spider-Man: Across the Spider-Verse was one of the many films to get hit by a delay due to the COVID-19 pandemic, moving from its original date of April 8, 2022, to October 7, 2022. That's the date seen in the above trailer, but the film has since seen another significant delay since then. Now the film is officially set for release on June 2, 2023. Hopefully, we won't see another delay, but if it means getting a sequel that lives up to the sky-high heights of the original, we'll gladly wait.
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Is Spider-Man: Across the Spider-Verse in Theaters?
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Not only was Spider-Man: Into the Spider-Verse the subject of rave reviews, but it also pulled in some gargantuan levels of cash at the international box office, with a final tally that quadrupled the film's ninety-million dollar budget. With incredible success like that, it's only natural that Spider-Man: Across the Spider-Verse would also be taking advantage of a theatrical release. That is the case, as the upcoming film will be exclusively available in theaters when it premieres on June 2nd, 2023.
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When is 'Spider-Man: Across the Spider-Verse' streaming?
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Spider-Man: Across the Spider-Verse
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The home distribution rights for Across the Spider-Verse are in a rather interesting place. In April 2021, it was reported that Sony Studios had signed a multiyear deal with both Netflix and Disney for shared streaming rights to Sony films coming out between 2022 and 2026. This deal includes Across the Spider-Verse as well as the third film in the series, Beyond the Spider-Verse, due out in March 2024.
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As for releases like Across the Spider-Verse, the film will be available on Netflix with "first-pay-window-rights" for the first 18 months of its home media release. While it will not be streaming concurrently with its theatrical release, it will be available on Netflix following its theatrical run.
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Some of the films are not currently available on the service because Sony has pre-existing partnerships with Starz, as that's where most of the absent films are available to stream. That is except for Spider-Man: Into the Spider-Verse, which is instead only streaming on Fubo TV and FX Now.
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For anyone else looking to watch the film as soon as possible, Spider-Man: Across the Spider-Verse will be released in theaters on June 2.
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How to Watch Spider-Man: Across the Spider-Verse
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At the moment, you can watch Spider-Man: Across the Spider-Verse at your local theater. But like most movies these days, it should hit a streaming website in the near future.
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Like its predecessor, Spider-Man: Across the Spider-Verse is a flick produced by multimedia conglomerate Disney. What's more, the production studio owns a number of other famous franchises, like the Marvel Cinematic Universe and Star Wars. Titles made under these umbrellas have both hit Disney+ sometime after arriving at the box office. Fans may also know the original Spider-Man: Across the Spider-Verse is currently available to stream on the site as well. So, if the 2023 version follows the same pattern, folks will likely get to see Spider-Man: Across the Spider-Verse on Disney+ later this year too.
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As for an exact release date for Spider-Man: Across the Spider-Verse, that's more complicated. Most movies produced by Disney often go to its streamer site within three months after debuting in theaters, like the most recent Marvel film Ant-Man and the Wasp: Quantumania. If this is the case for Spider-Man: Across the Spider-Verse, it will probably drop in late August 2023 or sometime near Labor Day in early September.
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When the time comes for Spider-Man: Across the Spider-Verse to splash onto Disney+ though, make sure you're all prepared to watch it. If you don't have access yet, you can opt into a 30-day free trial before choosing a plan that start at $7.99 per month or $79.99 per year. After your account is all set, click on the title page on Disney+'s official website or the Disney+ app.
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As you wait for Spider-Man: Across the Spider-Verse to hit the streamer, why don't you watch the animated version and its sequel Spider-Man: into the Spider-Verse? Or if you want to immerse yourself in another live-action version, click on the 2019 ABC TV special Spider-Man: Across the Spider-Verse Live!. Enjoy!
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Where To Watch Spider-Man: Across the Spider-Verse Online:
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As of now, the only way to watch Spider-Man: Across the Spider-Verse is to head out to a movie theater when it premieres on June 2, 2023. You can find a local showing on Fandango.
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Watch Now: Spider-Verse (2023) Movie Online Free
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Otherwise, you’ll just have to wait for it to become available to rent or purchase on digital platforms like Amazon, Vudu, YouTube or Apple, or become available to stream on Disney+.
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Is Spider-Man: Across the Spider-Verse coming to Netflix?
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Yes, Spider-Man: Across the Spider-Verse is coming to Netflix approximately in December 2023.
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In 2021, Sony and Netflix signed a five-year deal that gave the latter exclusive first-pay-window U.S. streaming rights for Sony Pictures titles after their theatrical and home entertainment windows. Fans can expect to watch Spider-Man: Across the Spider-Verse on Netflix six months after the film’s theatrical release, thus in December 2023. The date seems reasonable considering that Spider-Man: Into the Spider-Verse dropped on Netflix on June 26, 2019, six months after its U.S. release on December 14, 2018. The pay-one window usually begins about nine months after a film’s theatrical release, but it might start earlier in particular cases.
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This post will be updated once there is a 100% officially confirmed Spider-Man: Across the Spider-Verse Netflix release date.

Hello. I'm 32m, It’s been more than 1 year that I live in Tokyo (minami-azabu). I have visited some famous places i.e. parks / temples / shrines / viewpoints and that was quite boring experience (may be because I was alone). I don't go to bars, clubs etc. and eating / travelling alone is a hell. As a tech / games enthusiast I visit the Akihabara once in a month and for shopping I usually go to Ginza or Odaiba. I'm here for 2 more years and I find it hard to make friends or do conversation with people mainly due to language barrier.
Any suggestion to explore places for alone person and where to find some one for hangout / travel / coffee / chat etc.
(please don't suggest dating apps)

Hey all,
I’m desperate to find this book, I was enamored with it back in my middle school years 2000-2004, and I’d love to read them again as I’m pretty sure I didn’t finish the series.
The book I THINK was published in the 90s or late 80s. It was a series. I remember one of the book covers being black with green/lime green. The books were smaller, hardback and had small writing, so the books were thinner. There were at least three books at the time I read them. Main characters were a teen/early 20s female and male. Male was either alien or had some sort of technological being. Male was described as blond. In this setting there was something going on in the town having to do with aliens or futuristic technology, I think an evil company was behind the “invasion”
One scene I recall, the two main characters went to a hospital and they were trying to figure out what was wrong with the male character as they didn’t know why he was being affected and what the cause was. Another scene, at the end of one of the books, I remember the male character was carrying another male character ( I think it was a father figure?), he had to go through some like green portal in order to get the father figure help. The female character watched them leave and was upset. The two main characters had a romantic dynamic.
I know, vague as hell, but I LOVED it when I was younger! Not the Animorphs series, and it was on the high school teen/college age reading than elementary school level.
Thank you for reading!

There’s been constant controversy regarding the Dimensional Tiering system lately, so earlier today I decided to see if I could make an alternative that could still be used by those who dimensionally tier. If ya’ll think its a reasonable system, do let me know and feel free to spread it around. If you think its crazy feel free to give an explanation of why you think that, and what you think is wrong with it. If any big community adopted it, I’d prefer it be CSAP since I vsBattle kinda sucks, a lot, and I’d like for CSAP to become the default potentially with this new system which would include anytype of Verse regardless of design.
If you don’t feel like reading the rest then heres the link to the “Stratum Tiering System”. It was the best name I could think of at the moment.
Do note: I’m not expert in this subject and only really have basic knowledge, but I still think this system potentially could work far better than Dimensional Tiering and fit any Verse regardless if their Dimensions are considered planes of existence or not. I did also incorporate some additional terminology, though I left the old as well. Lastly, I tooks specific inspiration from the cosmology of two of my own Verses, which is what made me think to redo 1A & 1S, based on the size of my own Verses. You can view my cosmology here in my Informative Lore Book “Void Legends” if you wish to see how I based some of the system, scroll to section 3.
The other reason I felt the need to change Extraversal os because it just looked like a copy of High Outer and seemed pretty pointless. But not it could be a specific spot for higher entities that virtually trump all, in technically a greater representative way then old Extraversal.
So the first set isn’t much different than the original Tier 2. All I really did was just change them to planes of existence instead of Dimensions. Though, in this system spatial dimensions won’t get you to Uni+. Instead Uni+ feats would require one to destroy the entire universe including its temporal dimension to qualify for Uni+. Whether the Universe has 5 spatial dimensions or an infinite amount would be irrelevant in this case as they are all contained by the same higher plane. The very fabric of the universe itself wouldn’f be dimensional but instead, a structure to contain as many dimensions as necessary.
The reason I felt this way made more sense is that the only difference between dimensions is a higher dimensions possession of an additional coordinate axis and a lower dimensions lack thereof. Though one could argue that it’d take more than an infinite amount of squares to fill a cube, and they aren’t necessarily wrong about that, it's more that it's simply impossible to fill the cube if they lack the coordinate axis to do so. In short, it's not a matter of quantity but instead a matter of accessibility.
Plus, there’s nothing saying one can’t kill a 4D being by destroying the 3D cross-section that intersects our 3D World. For example, if you stuck your finger through a 2D world, they could possibly split the 2D cross-section of your finger, potentially cutting it off. I could very well be over thinking that part though.
As far as the 4th Dimension, I’m pretty sure everyone is aware of the common misconception that its Time. That said, its both correct and incorrect. Ordinally there are three spatial dimensions, that if an additional dimension was added it would also be spatial. Cardinally there are four dimensions, three spatial and a fourth dimension (not fourth as in order of rank, but as in an additional) of time. The reason I made Time the required factor for Uni+ was because Time ecompasses all spatial dimensions and seems to be superior if not only equal.
This system would put ALOT of Verses below Uni+ do to the disregarding of Dimensions, unless those Dimensions are specifically stated/implied to be higher planes of existence that are superiotranscendent to lower ones. In tandem with that, it would also mean that Transcending Space, Time, & or Dimensionality would grant baseline Uni+, and no longer grant baseline Outer since dimensionality, space, & time would no longer apply exterior to a Uni+ unless otherwise stated by a specific for that Verse.
The major plus to this system is it could potentailly remove a majority of the dimensionality wanking and improper scaling. It would also sideline most dimensional feats to being hax or potentially even just higher dimensional awareness/interaction.
I’ll use Goku for example, he’s considered 5D or whatever, but lets just say he can destroy one universe (from dragonball) which is like four or something. So if he destroyed U7 and took out all the realms (lets assume there are four, and assume they all have they’re own individual temporal dimension), he’d be Low Multiversal or 4-1DP (4 1st Degree Planes). No dimensions needed.
Another simple scale altering would be that, CCC Gilgamesh’s 8D scaling would no longer amount to anything significant or qualifying of Uni+ or higher unless the Spatial Dimensions are considered highetranscendent planes of existence.
Many Verses like Tensura, Immortal King, Void Expanse Verses (my collection of Verses), WoD, SCP, DC, Marvel, Featherine, Bleach, & maybe even DMC are some decently big hitters who would remain virtually unaffected. But Fate, GoW (possibly), Misfit (possibly), whatever the hell Suggsverse is, and any others that heavily rely on Dimensionality would likely lose a few tiers.
Another good thing is that it’ll leave 1A only for the real strongest Verses/Characters instead of the overcrowded mess it is now.
A Plane is a cosmic structures that is equal to or larger than a Universe. and ranked in magnitude by Degree. Degrees are also going to be used to measure the power of beings who are capable of destroying a universe and higher. The number preceding “Degree” indicated the magnitude of the structure, for example, A Plane of the 1st-Degree is equivalent in magnitude to a Universe, thus an entity of the 1st-Degree can create/destroy a Universe. A Plane of the 2nd-Degree is equivalent in magnitude to a Multiverse (previously a 5D Space) that contains an Infinite amount of Universes, thus an entity of the 2nd-Degree can create/destroy a Multiverse.

Hello, I’ve been kind of hesitant of writing this post, and honestly I don’t even know if anyone will read this (it’s going to be kind of long), I’ve searched for similar posts but honestly no one seems to be in this sort of situation. I might post this in a few different places incase you see this twice and there might be typos, I didn’t double check.
Honestly I don’t know where to start, I’m 17 and have absolutely NO friends, I talk to no one at school and during lunch I just leave the school and walk around the vomit inducing repetitive suburbs for the whole hour just so I wouldn’t need to bare the embarrassment of walking in loops around the school alone when everyone’s sitting in a group and actually engaging socially. Needless to say my grades are shit (failing 2 classes, dropped one) and so is my attendance (60% at best) yesterday I had a physics quiz, I skipped, no biggie, right?
What’s funny is that it wasn’t always like this. A year ago I moved from a whole different nation which basically changed everything for me. I used to have a huge friend group and basically knew everyone at my old school, I used to have good grades and actually enjoy my life. Nowadays all I do is f*p, watch YouTube and eat with a shitty sleep schedule. I tried to change more times than I can count, I tried talking to my guidance counselor atleast 4 times, I tried talking to classmates, tried getting a job(impossible), gym, diet, dopamine detox, nofap, water fasts, you name it. I tried it all, and what comes out the other end? Just the same old “me”, just a ghost, were it to disappear no one would even notice. I’m actually so sick of trying to change, all to result in the same me, I hate this. Im literally just a spectator, constantly consuming, never contributing, constantly looking at others online, praising/criticizing people I actually don’t give a single fuck about. Bad case of ADHD? Maybe. Lazy fuck? Definetly.
The last year has been absolute hell for me and I don’t think I can do this much longer. I have no motivation, no self esteem, I literally BAIL ON PLANS without cancelling just because I’m too scared to admit I’m embarrassed and broke (I guess that also makes me an asshole).
Hell, my family fucking hates me too, it gets bad to an unnecessarily “physical” point with both parents and siblings, I also caught unwillingly picking up their mannerisms which made me extremely ashamed and disgusted with myself (I smacked my dog on one occasion). With no job, no friends, no (real) family and no education. The only place I see myself in a year is either the street or the coffin. I’d buy a car if the job market wasn’t so shitty and impossible to get into.
The only thing keeping me somewhat down to earth is my friends from back home who I still talk to sometimes. I have a vague vision of where I want to be in the future, but I just, do not put the work into it. I tried to just “put my head down and grind”, and it doesn’t work, maybe I didn’t try hard enough. The reason I made this post is with some sort of hope that someone will suggest something that I never tried, someone will suggest something that will actually make me want to live again, someone that once was where I am right now and can look back and say “I’m glad I pushed through”. Take this as a last call out for help lol. My life is a continuous stream of boredom, shame, and most of all, disappointment. Thanks for listening to my vent.

Side note: I've added a password, so read carefully. If you message me WITHOUT the password, your messages are automatically IGNORED. tired of getting hit up with people who don't read 😒. It's ridiculous cause I've ignored 5+ chats cause none of them contained the password. Things are written for a reason.
Facts about me:

• I have been roleplaying since 2012. Yes, I got experience under my belt, and yes, my ideas usually have really long reads, but don't let that scare you off! After the starter is off, I may lower myself down to a decent paragraph or two, sometimes three! It all depends on what I've got to work with.
  
• My timezone is EST. I'm awake from 9am - 2am and I'm usually free unless I'm busy doing house chores, out of the house, asleep, or playing video games on my switch. I'm usually become REALLY active at or around 8pm.
  

Rules:
1: if you don't like 50/50 mixture of sex scenes and story, don't bother hopping into my inbox. I'm fine with sex scenes, but when it's constantly back to back, the roleplay itself gets boring.
2: Be literate. No one liners. I like to write..it's annoying when I send a 2-3 paragraph response and I get 3 lines...just...no. I am not accepting people who are just starting out! If you aren't experienced in writing or roleplaying, kindly stay out of my inbox.
3: Be okay with playing canon characters. I'm mainly doing fandom roleplays right now and it's going to be Canon x my oc. No, I'm not doing double ups. Do not even ask, because the answer will be no every time. I do not give a shit if you think that makes me 'lazy' or 'selfish', if you've got a problem, you can simply ignore or block me. Commenting on my post to bitch and whine about me not doubling up will only result in me blocking you. The ONLY time I'll double up, and if I'm confident enough, I'll only do female characters. I suck at males. Got a problem? Not my issue. Block and move on.
4: Roleplay in third person. I can't and won't adapt to first. Don't even bring up the idea of you playing first person and me playing third. Believe it or not, I've been asked this twice and that is just a hell no for me. The only time I do first, is when I'm writing into my book.
5: if you don't know how to share ideas, then don't bother messaging me. I'm tired of carrying the story when the other person doesn't help. If you've got ideas, then PLEASE speak up! Your opinion on the roleplay matters too! I'm an easy going person, and easy to get along with (dispite my rules).
6: DO NOT control my character. I control what she says, does, hears, sees, ect. I don't control yours, so don't control mine. HOWEVER, if it's highly necessary and needed, then run it by me first and ask me. Just leave me some wiggle room so I can make a decent response. Failure to comply by this rule, results in immediate drop of the rp.
End Note:
Yes, I've updated my rules just a tad. I do not care if it makes me sound mean or rude, because I'm neither of these things. I'm just tired of putting these rules down for a specific reason and they go ignored because I can tell when someone hasn't read them, and lied about it. I'm just trying to get my point across and roleplay. I'm a very easy going person who loves to make friends on the side (which I've somewhat given up on making friends...only a selective few have actually gained my friendship).
Do not hop into my inbox with a simple 'hey' 'hi' 'sup', etc and for God's sake, don't message me with a 'rp?'and proceed me to flash me with your talliwhacker. I promise you, you'll get your feelings hurt and I'll be here laughing at ya 😂. Nobody wants a peen on their screen. Do not send me an image of your one eyed noodle. Thank you. The password is pineapple.
Fandoms & Pairings
Deadpool (Wade x my oc)
The Adam's family
Pokemon ((MAYBE. Don't be nasty about it either!))
Bridgerton (or something like it. Can be Oc x Oc)
Disney Decedent's (or anything Disney) (oc x oc)
Orange is the new black (this can be oc x oc).
Criminal Minds (REALLY wanna do)
Marvel:
Loki x my oc
Spiderman (Tom Holland) x my oc
Dog The Bounty Hunter (REALLY wanna do):
Dog Chapman x my oc
The walking dead (REALLY wanna do!!):
Daryl X my oc
Batman x my oc
Lucifer (Netflix show series) x my oc (really wanna do)
The Originals: Klaus x my oc (PLEASE !! I REALLY wanna do this one!)
American Horror Story: Tate x my oc (REALLY wanna do)
Dragon Ball Z - Super (vegeta x my oc) (really wanna do)
Naruto: Minato x my oc
Harry Potter (thanks to the wonderful world of rp, the characters will be 18 or older. For me, I'd like it if it was Draco x my oc. REALLY wanna do)
Game Of Thrones (I'm still very early in the show, but I think we could think of something!)
Once Upon A Time:
killian x my oc, REALLY wanna do 🥺.
Avatar the last Airbender:
Zuko x my oc
Twilight:
Jacob x my oc
(Course, our version will be alot better than the movies).
If any of these interests you, message me!
End note part 2:
Congratulations! You've made it to the end. Still interested? You've got the password. Message me and let's get started 😁.

I don't post often for fear of posting in the wrong spots, and if is the wrong forum I apologize. For brevities sake, I will try to get straight to the point but this will be long. To any one that makes it to the end, thank you in advance. If you want to skip to the last five paragraphs you will get the jist of what I am trying to say. I am trying to avoid getting put on probation for disciplinary actions, but they won't be clear with what I have done wrong. I am willing to reconcile at work but I don't want to leave this job without trying to take the proper steps to make things better.
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I'm low man on the totem pole for a big company. A big one, that some might say is too big to fail. What I can say that it is in sales. My issue stems from the fact that I'm just not comfortable enough to chit chat with managers about the topics they want to talk about, which are either inappropriate, distracting me from work, or super personal. I've felt like they've wanted me gone for a minute, but I just don't fit in so I mind my business and do my job to the best of my ability.
Recently I was threatened to be put in a program to correct behaviors they don't like, but Im not officially on this probation. When I asked what the issue was they said certain team members feel I'm not approachable and or they don't like how I walk away when certain managers come over. While I believe I am operating within the rules of engagement, given that their topics make me uncomfortable and Ive chosen not to formally file any complaints, yet.
Here are a couple true examples of why I don't like to chit chat with the managers at work:
Manager 1: Likes to sneak up on you and talk about their sexual escapades they had over the weekend. I personally am not comfortable with this type of conversation at work and when they trap my in a conversation I freeze and draw blanks. I come off as cold because my appearance is intimidating, but I'm truly so uncomfortable I just freeze. When I try to probe and get to know them, the get turned off if I ask them the wrong question. I asked a manager if they watched a certain show and they got upset, said no, and ended the conversation. This same manager is high ranking, and will open a conversation talking about getting caught performing fellatio on a beach in Mexico. This was a true interaction and I wasn't interested.
Manager 2: Likes to take every opportunity to talk about themselves and their plans for vacation, but has literally cost me sales and reprimanded me for it later. This person is very touchy feely, and will subtly force you to shake their hand. I always shake for fear of retaliation but this manager will literally throw you under the bus if you treat them like they aren't a god. This manager will have me do things their way when we were trained to do it another way but the inconsistency causes friction between the rest of the team and I pay the price for that when this manager isn't around.
Manager 3: Very nice and very sweet, but they won't have my back about certain instances for fear of being on the outs with the other managers. But when we are alone, they tend agree with me. This person is new and I care for them but they allow the more tenured managers to gaslight me about any issue I bring up. I still truly care for this person, and don't want them to risk their future when I am just an associate so I just deal with it.
Manager 4: The same as manager 3, but not as nice. And we don't have the rapport for me to really go to them about my problems. They were on leave for a while and came back happy to see me, [they asked first] then gave me a hug, but before the day was over they wouldn't even look at me.
Manager 5: This manager does this weird thing where they ask you how you're doing, ask you something you're passionate about, and then they walk away... Literally just like that. I am getting reprimanded for not being open enough to conform to the culture of the company, but every time this manager asks me how my fishing is going, or if I was gaming last night, in the middle of my response they walk and it hurts every single time. They do this to everyone.
Manager 6: Replaced the manager that hired me and ultimately just won't ever let me plead my case. This manager is a nice person, but I understand this person cares more about appeasing the other managers versus actually getting to the root of the issue. Truly a nice person though, I won't take that away from them.
Manager 7: The big boss. I rarely see this person. They usually don't talk to me unless we cross paths, but for the most part they try to not even look my way. It really sucks because I feel me and this person have the most in common of all the managers. They know what's going on, but they stay out of it. I find this hard to respect none the less.
I know I'm writing a lot but I promise I am leaving a lot of relevant info out. I constantly get praise for holding myself accountable at work, the same people tell me I need to hold myself accountable when it comes to the friction between me and my coworkers. The issue is, I get along pretty well with many of them, and the others I don't chat with, we just don't chat but not for any particular reason. That's just how life works. I also took it upon myself to meet everyone, I learned about 40 names my first week out of over 100 employees and out of no where, the whole store stopped talking to me. I really don't know what I did, and it was too obvious to not feel it was orchestrated behind closed doors, but of course they will never admit to this. They try to make it seem like its the whole store, but I know the people I don't get along with; leadership just won't tell me.
In my meeting today, two managers threatened to put me on a probation of sorts and the focus would be coworker rapport. My sales metrics are trash this quarter but they told me they weren't worried about that. They told me it would last two months, and every week we would go over that week and I would be graded. They said the issues that warranted this meeting were because I walk away when I see managers coming, I have team members that aren't comfortable talking to me, and they were upset because I had an incident where a manager where I refused to shake his hand. If you read the descriptions about the managers above, I feel like most would understand.
I won't parade around like I am innocent, but I don't go out of my way to bother anyone, and I do everything they ask me to do. So I am not insubordinate. Here are the things I know I've done wrong recently, and or things I feel I could have handled better:
--I have been tardy for work maybe three times the past couple of weeks, and I've left early from feeling ill. I don't have a rep for either of these things but I've been stressed out over a recent move and am just falling into a new routine, but I am back on track.
--When I arrive, I go into the break room to clock in and I go straight to the floor. I don't mingle in the back because the managers and their buddies literally stop talking when I come around. I am so uncomfortable I just need to get out of that room. I literally have days where a person I had a good conversation with the day before won't even acknowledge me in the break room because the managers or leads are around. It kinda hurts my feelings, so to keep myself in good spirits to start my shift, I go in the back, and jump right on the sales floor. I know I could afford to play the games they play, but I'm just not built like that. I don't even feel welcomed to eat lunch in the break room. For the past 10 months I sit alone in my car on break.
--I am quiet when I am not around the coworkers I trust. Certain team members have really betrayed me, and don't know that I know that they take everything I tell them to a manager and they talk about it in the breakroom. It's so predictable that I only tell them stuff I want everyone to know. I find it serves my mental health and my ability to sell stuff better to keep conversations with these coworkers superficial and light hearted or avoid them all together but they will literally go tell on me if I don't tell them personal stuff about my life.
--I am a bit short with a particular manager, but never what I would deem disrespectful. I know I should just suck it up and play the game, but this manager makes my days hell at work, does stuff to spite me, and hurts my sales as a result of their inadequacies. They are the manager of sales, and can provide no support or advice to help me as a sales person. I honestly feel alone and lost when they are on they floor, and when I give feedback I get their response "well this is how I do it'. Manager number 2 if you didn't guess already. The other managers won't accept that I've already done everything they've asked me to do as far attempting to connect with everyone.
When I was talking to the managers today, a situation that happened a couple of days ago came up and I quickly realized the scenario was the catalyst for this awkward meeting. My boss singled me out and asked me to do something that would jeopardize my relationship with the other team members but I prepared myself to do it anyway. The following shift, I went home sick and on my way out he tried to give me a high five but I just couldn't bring myself to comply because I had had enough. I told him "no more dap, handshakes, or anything like that; especially after what you did the other night.".
I know I could have handled that differently, but that was the point they chose to take action. They brought up older scenarios that I have already mentioned but they failed to address those situations when they happened. They told me that certain people feel a way about me, but they won't say who. I am entitled to zero due process apparently. Not once did they mention my terrible sales numbers. They have plenty of ammo to use if they wanted a formal and documented meeting, but they only ever come to me when someone who I don't know has their feelings hurt.
I was writing a letter to [redacted] support because our HR isn't truly an HR and they are in the clique of spies utilized by the managers. I figured I would ask the reddit community first what they would do, because this site has really saved my life. I had two weeks of bliss at this job, then the team wouldn't even look at me. It almost brought me to tears many times, but I stuck it out and just grew closer to the people that accepted me when it wasn't cool to stand next to me. Now all of a sudden, I am at risk of being terminated because I refused to fist bump a manager, when truthfully there are other mistakes I've made that they don't even bring up. So I know they are building a case against me and it's fucked up because I gave my all to this company.
What should I do? I am definitely going to apply for new jobs, but I can't just keep running from my problems and starting over in a new place hoping for a change. I need to make a fundamental change in my behavior, or I need to swallow my pride and suck up to the bosses but they constantly move the goal post so I really can't make any progress even if I wanted to. I am fearful of retaliation if I go above the store manager because the regional manager knows what's going on. I am also afraid of retaliation if manager number 2 holds for a fist bump again and I refuse. I am not ready to leave until I hit my sales goals. I owe myself that much.
This company is slick, and if I make the wrong move they will bring up my tardies and other fireable offenses but I have really tried to be an exemplary employee thus far and my team agrees. I will be under the microscope and eventually on probation. Please help, I know quitting is the move, but I gotta change some things before that happens. I knew this was coming, because the behaviors are so predictable, but my journal has but only two entries. I am not the vengeful type, but I don't believe in bullying no matter how passive.
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Thank you,
Your neighborhood, friendly dread head.

Id like to start by saying for me this game has lived up to what I was hoping for, a darker, grittier game with lots of content, and fantastic art style and story. The gameplay is fun and dynamic, and the difficulty at certain times makes killing a boss, or completing a capstone feel very rewarding. There are a few quality of life changes i would like to see such as.
I am so hyped and happy with this game I had a DIV cake made for a launch party at a friends, and i had bought the collectors edition months ago which came today and i am incredibly happy with it. (Pictures below).
-I shouldnt have to explore the whole map again after doing it on my main. Very Tedious
- It seems there is a VRam leak. Can blizz confirm and/or acknowledge if they know and are looking into it.
-Inventory space should be at least 1 row bigger, with gems going into a tab on their own like aspects, and consumables do.
-An action bar above the main abilities that can be keybinded for things like the consumable potions. Being able to have like a quick option that isnt the wheel which is clunky would be nice.
-Poison puddles for enemies vs friendly poison puddles for rogues in your party should be slightly easier to differntiate.
- Mounts are very clunky. Considering Blizz has dealt with mounts very well in WoW for over 10 years this shouldnt feel as horrible to use as it does.
-Being on a mount should be a flat 100% increase in movement speed over being on foot not practically the same unless you super spam space bar.
- Please let me use movement abilities in town, traversing the map quickly only to not be allowed to go fast in the town, we are not going around a swimming pool or through a corridor, running should be allowed.
-Being able to zoom out of the minimap, or main map just by another 10% would be incredible.
-Photo mode, our characters look badass, would love to take pics of them that look great within the environment.
This is all i can think of now, and i hope blizz sees it. Please share your thoughts below but please keep it kind. And upvote and share if you agree.
Keep enjoying DIV and hope to see you in Hell!.

My sister in law has confided in me that my brother has been mistreating her pretty badly. I do consider there to be a small chance that he's not, but I've heard stories from other family members about him acting badly when drunk/high, so I tend to believe her.
I can't say whether or not any of these are 100% true because I've never witnessed any of them, but she has told me that he has done the following:
1) They have a child together and she says that he threatens that if she were to leave him, she would never see her son again. (I told her this wasn't true since she was also the child's parent and, barring a court order that I don't think he could get, she would have at least visitation).
2) Has threatened to and has kicked her out of their apartment and locked her out. Apparently this involved some shoving. This has happened more than once apparently.
3) My brother is fairly affluent. SIL signed a prenup and believes that that means she isn't entitled to any of their money except stuff in her bank account. (I think this is wrong, I believe a prenup describes how you divide up assets in the case of divorce, but I've never been married so this could be very wrong).
4) My SIL is an immigrant that has since gained her citizenship. He has regularly accused her of using him to get a green card. I think SIL may be afraid she could suffer consequences if brother claimed that the marriage was a sham green card marriage.
5) Threatened to kick her out permanently and keep their son from her, claiming that the judge would side with brother since she was homeless.
6) Constantly accused her of taking advantage of him.
7) Apparently been gaslighting her a bit.
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I have told her she needs to talk to a family law or divorce attorney immediately. I also told her that I'm fairly certain that she is entitled to money in his account, at least as long as they're married. Also I believe most lawyers will do an initial free consultation, so she shouldn't worry too much about costs.
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My plan is to show her this thread when I next have a chance to see her alone. I would appreciate any kind comments, advice (We're in nyc, so that may affect what advice you can give), maybe even point to local resources that would help her find a family law attorney that would be able to help her, I would really appreciate it. Thank you all for your time.

Hello!
Idk if someone made this list na. A quick search in this sub did not yield the results I was looking for.
To preface this: Yes, we can study in our dorms / houses. Minsan talaga, we need that change of scenery when studying, especially during the height of exams season. Plus, hindi lahat may rooms na always conducive for studying. I am of the opinion na okay lang twice or thrice in a semester mag-study outside (arbitrary numbers).
Some of the cons that keep me from studying out are:

• SAFETY. I lived in Cebu since college (2015), so di na ako new sa environment. Pero with news about gun shootings sa cafe (to be fair, I'm only aware of one during college, pero schoolmate ko kasi ang victim so it hit closer to home), I have my reservations. PLEASE BE MINDFUL OF YOUR SAFETY DIN, can't stress this enough. It's a scary world.
• My chair sa room is so comfortable, my desk is wide and tama ang height. Well-lit din because lamp.
• Sadly, since the pandemic, parang shiny rare Pokemon na ang 24-hour places :(((
• Mas mahirap umuwi at night because less na ang jeeps that ply the road. Truly missing the pre-pandemic time vis-a-vis studying out and 24-hr places.

​

• For USC students, okay mag study sa library. They adjust their operating hours depende sa demand. Bring jacket!!! The library has a small retail corner (library and bar ops) where u can buy instant sachets ng kape, biscuits, candies, ordinary medicine like biogesic na you don't need prescription for, papers, pens, highlighters, drinks, may water dispenser for hot and cold water, may 7/11 across the street. If you prefer, be friends sa blockmates mo, order kayo sa Grab for food and coffee, share sa delivery fee. There's wifi but mahina sa library. You can mobile hotspot pero parang mahina ang Globe din there. Stay safe and vigilant pauwi at night.
• Library in your school / university if meron and conducive for studying. Take advantage sa binabayaran mong tuition. Plus, if you need to more references, chances are may books available kasi nga library: this dawned on me a little too late.
• IT Park has a lot of study places.
  • My favorite in undergrad was Krispy Kreme (coz hello donuts and relatively cheaper coffee) and Bo's Coffee yung near sa Jollibee/Chowking. Closed na ni nga branch sa Bo's, I think? No wifi na yata ang KK and di na 24 hours. I forgot when siya mag-close. Baka open pa ang Bo's Coffee branch in the same bloc where Krispy Kreme is.
  • Recently, may Dunkin Donuts na but they close mga 8 PM yata? For sure walang wifi. Idk okay lang mag-aral there. Takeout ka na lang ng kape.
  • Starbucks near the louvre triangle thingy na closed na today and near Sugbo Mercado. Closes like 2 AM as far a I know. Madaling mapuno. Don't finish 2 venti espresso-based coffee in a span of 4 hours before your big exam. I think no outlets? I haven't seen any. There's a Starbucks near Krispy Kreme/Jollibee/KFC din, pero I haven't tried.
  • Civet Coffee, pre-pandemic hanging 4 AM yata sila. Small tables, small chairs. Idk, my friends liked it there.
• MangoSix. Salinas Drive. Parang gusto ka na nilang paalisin sa lamig ng AC nila. I don't think you know what is cold before you experienced MangoSix cold. Bring jacket. Maybe may times na it won't be as cold. They have wifi. Contrary to (my) expectation, they don't just serve mango stuff, hehe. Limited outlets.
• Idk if Cafe Talk in Escario St. is still open for studying. Poor cell reception inside. Last time I was there was in undergrad, they have a box-like set up: you're inside a cubicle na sa sides ang opening so may ceiling ka, you squat inside like a Japanese would for meals. They had outlets per cubicle back then. Idk now.
• Bo's Coffee near Cebu Doc. I haven't tried, but I always see med students study here.
• Dunkin Donut, Fuente Circle. I think 24 hours sila, pero when I was there, they had to close at like 2 AM kasi they have to clean up, mag-open again in a few hours. For sure open na sila by 6 AM kasi I used to get my coffee there before I go to work. No outlet. No wifi. Love their coffee. Cheap, strong, good taste.
• Tom N Toms. Idk their operating hours sa new na location nila at 88th Avenue. Con is tuyoon kayo siya murag di for students and convenient lang if naay kay car? FOR ME. Back in undergrad, I studied sa branches nila in front of SM City Cebu (APM mall) and yung near sa Greenery. Okay study atmosphere. These 2 branches are already closed na today, sayang.
• Bo's Coffee sa Ramos, I haven't tried studying here. Saba daw here based sa naka-try. I think maraming med students here since near siya to medical schools. Maka-order ko sa foodpanda at dawn so I think 24 hours ni.
• Starbucks Colon, closes by 8 PM I think, small area. Madaling mapuno. May outlets daw but limited. The baristas are kind.
• *Dunkin Donuts, Colon - under construction pa I think, but may tarpaulin sila showing Dunkin, Idk when mag-open, high hopes for this place.
• Starbucks - BPI Ayala. I love it here sa morning kasi wala masyadong tao. Jazzy, quiet, chill vibe. Mapuno late in the afternoon, becomes noisy, closes at 12 AM I think. Their staff is accommodating and approachable. Poor cell reception sa Globe. Wifi is gosurfwifi.

If possible and you're lucky enough na you can have them in your space, get a comfortable chair with back support, a wide desk na appropriate say ang height, and a good lamp. This saves you the trouble of going out. SAFETY FIRST. Pa-deliver ka na lang ng kape.
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Do you know of other studying out places in Cebu City na you'd like to share? (10%) char.

Hello moms, I need your help/guidance. I have been with my husband for almost 8 years and married just over a year and am at a standstill.
We have a 4m old son together. I, unfortunately, lost my high paying remote job a couple weeks before our wedding date last year. I thought I’d be able to find work again quick bc I have my MBA but I got pregnant a few weeks after we got married and my first trimester was a nightmare to say the least so I haven’t worked since April 2022.
A few job opportunities fell through last minute for me so I didn’t work the entire time I was pregnant. My husband was never pleased with this, though I tried my best to keep up with all the household duties in return.
My husband works remotely as a software engineer and makes around $135k and we live in a rural part of AL, so you’d think finances wouldn’t really be a struggle for us. Technically it’s not, but I think a part of him felt used or taken for granted because I never found work even though I tried and have always been thankful and appreciative of him.
To make matters worse, the first few months our son was born he was not supportive. He barely helped me with our son. He said it wasn’t his responsibility and I think he felt detached bc if my son wasn’t sleeping or nursing he was crying. Which of course is typical of a newborn but my husband failed to really understand that. I would beg him to feed our son or hang out with him and he just wouldn’t.
Only recently we started going to couples counseling and he agreed he would start watching our son for 1 hour a day. He hasn’t done this consistently but at least does it maybe 4-5 times a week. The problem is once his hour is over he doesn’t think he has any more responsibilities with our son.
Today, my mother-in-law watched our son for a few hours and it was the first time since my son was born that my husband and I got alone time. That almost didn’t happen tho bc his friend is in town visiting and he wanted to hang with him instead. Priorities right? He did end up taking me out to a bar and grill type place for a drink and appetizer, which was nice I suppose. But after we picked up our son, he went to dinner and hung out with his friend, and he’s still doing that right now as I’ve tried for the last 2 hours to get our son to sleep.
Normally, I’m fine with him hanging with a friend, but it’s just frustrating living with someone who is supposed to be your spouse but chooses to hardly ever be around you. I understand him working til 4:30ish every weekday but after that he rarely spends time with us. I just don’t know if this is normal. It feels lonely honestly. All my family lives on the west coast so I’m really here alone just for him. I understand we are under the same roof everyday which can be tedious, but to be fair, his office is downstairs and I’m upstairs all day so there is a little bit of separation.
Even if we work on our relationship though, I can’t make my husband want to spend more time with me or our son. I just don’t know what to do. As a SAHM I feel stuck and don’t know if anything will actually ever change. I also don’t know if it’s normal for a spouse/new dad to be this way. Any help, advice or suggestions are welcomed. Thank you!

The Holocaust often comes up in debates about religion. Usually the debate centers around Gods morality, and how he could "allow" terrible things like the Holocaust to happen. This becomes a question of free will, and a debate about the extent to which God is allowed to interfere in his Earth experiment. I think this entire debate glosses over the most likely explanation for the Holocaust when it is viewed through a biblical lens. That it was a direct action taken by God to punish the victims for something. Some reasons for thinking this:
When it comes time to punish someone, God does not care about respecting free will. A great example of this would be the ordeal of the bitter water. If a woman who is pregnant has committed adultery, then God will give the woman a miscarriage as punishment. By taking the unborn childs life, he has robbed it of free will. But punishing the mother takes precedence over that babies free will and even its life. This is a theme we see over and over in the bible. The Great Flood would've robbed many people and unborn children of an equal opportunity to live and find God on their own. The same can be said for the victims of other God endorsed atrocities, throughout the bible. These punishments are often collective, with whole civilizations feeling God's wrath because of decisions made by their leaders, or priests. So God is not a free will absolutist. When it is time for plagues, floods, and pregnant women to be dashed to pieces by Assyrians, God does not bother worrying about peoples free will. There's no reason to think Hitler would be immune to being punished by God on earth. The God of the bible would've burned all of Germany to the ground if Hitler and the top Nazi officials had offended him badly enough.
That leaves us with two explanations for what happened in Europe during the Holocaust. The first is the one that tries to paint God in a positive light. The Nazi leaders were acting of their own accord, against the will of God, but their crimes did not cross the threshold where God would feel the need to intervene to punish them/us. Hundreds of thousands of prayers came up from people in the concentration camps each night, and each night, God refused to protect them from tomorrows horror, because reasons. The more likely reason is that it all happened at God's direction, and everything went according to his plan. If it wasn't according to his plan, he would've intervened. The biblical God has his hand in all of the major historical events in the bible. It's not consistent to think that he had no role at all in the Holocaust, which is among the most significant events in the 21st century.
God will use non-believers and the wicked to punish those he wants punished. The sacking of Samaria was perpetrated by the Assyrians, but the bible is clear that this event was Gods punishment. The Assyrians were the hammer, but it was God who swung his arm. The Assyrians aren't looked at too kindly in the bible, but it is clear that the crimes they committed in Jerusalem were sanctioned by God. Had God not tipped the scales, then the Assyrians would've made their own decisions, the Jews would've made their decisions, the results would've been a result of all these decisions, and the integrity of everyone's free will would've been maintained. But God pushed the Assyrians to victory because, surprise, it was time to punish some people. With very few changes, the story of Samaria could be the story of a Jewish people facing divine judgement at the hands of the Nazi's over some trumped up religious charges. While I have no doubt the bible would paint the Nazi's in a negative light, it's still probable that if the authors of the Bible got to write a chapter 3 picking up where the new testament left off, they would claim the Holocaust had happened at God's direction, and that the victims deserved it for turning their back on God.
God is a genocidal monster who is very much the sort to plan and carry out an act of mass murder like the Holocaust. He routinely flies off the handle into fits of jealous rage. He demands absolute subservience with cruel, barbaric punishments for the ignorant or for those who resist. He manipulates and controls his subjects with terror, collective punishment, and the sort of surveillance state Saddam, Stalin, and Hitler could only dream of. He even committed his own acts of genocide long before the Nazi's existed. If Hitler had been acting as the hand of God during the Holocaust instead of according to his own free will, would we even be able to tell the difference? Probably not. Yet this discussion is framed as though it's obvious God would be against the Holocaust, and he simply couldn't/wouldn't stop it for some high-minded moral reason outside of our understanding. This is nonsense.
In conclusion, I'd like to be clear that I do not believe the bible. I do not think God was behind the Holocaust, and I do not think that the victims of the Holocaust deserved it. I think the reality is that the authors of the Bible did the same thing that the authors of most religious texts do. They incorporated mythology about their God into their historical record as a means to explain why things happened. When something good happens, it's because we have done something right, and God has rewarded us. When something bad happens, it's because we sinned, and God punished us. When the authors of the Bible looked back on the suffering during the exile, it was only natural that they would blame their leaders, or their priests, and weave a narrative about how the whole thing was a righteous punishment. Nobody wants a God who would allow them to be subjected to these kinds of horrors without having a damn good reason. So they believe what they want to believe, to get some comfort from the reality of the world.
When a modern audience looks at an event like the Assyrian conquest of Israel, it doesn't come with the same emotional connotations that the Holocaust does. Almost nobody has a frame of reference for what happened during that event. So when someone says "these people sinned and the fall of Samaria was their punishment," we don't have the same kind of reaction to it as we would if someone said that the Jews had sinned and the Holocaust was their punishment. We've all seen the footage of the horrors perpetrated by the Nazi's, against victims who are clearly not deserving of the suffering. But go read Lamentations, and see the state of affairs in Jerusalem during the fall and the exile of the Jews. Imagine seeing photos and videos of what happened there. You had babies starving to death in their parents arms, and all kinds of horrific imagery that would be right at home in a concentration camp. If we had a similar kind of emotional reaction to what happened in Samaria as we did to what happened in Auschwitz, there would be no doubt in anyone's mind that the victims didn't deserve it, and that the perpetrator, in this case God, could only be a monster.
So while Christians today may not like to associate their God with such acts of wanton cruelty, I think it's far more likely that the God character in the bible would commit a Holocaust rather than ignore one.

When I was getting started, an actor I knew gave me some really good advice. While deciding whether or not to take a certain role, consider three factors: the money, the show, and the people. If at least two of those things are good, accept the job. If they’re paying you well and you love the play, you won’t mind putting up with shitty people. If it’s a great show with a cast full of friends, but you’re not getting paid so well, that’s still alright, it’ll be artistically fulfilling. If it’s a bad show but you love the cast and you’re making money, you’ll probably have the time of your life making fun of the playwright backstage and laughing all the way to the bank.
What my friend failed to mention is that as an aspiring actor, you don’t usually get to be that picky. When I got the call from my agent that a production of The Bacchae was urgently seeking a new chorus member, all I could see were dollar signs. My survival job had just fallen through (the family I nannied for was moving upstate, insisting that Manhattan had just gotten “too dangerous” for their toddler), and my savings were only going to cover my rent for another month.
It was raining the day of my audition, and my train got delayed. I showed up panting (I had to run from the subway station) and my hair a disaster. Luckily, in The Bacchae, the chorus is full of… well… Bacchae. Fervent followers of Dionysus, wild women, drunk and running through the countryside. In the climax of the play, they crowd the protagonist in a frenzy, literally ripping him limb from limb.
I’ll never know if it was my frenetic energy from barely making it to the theater on time, or my actual acting, but I got the part. My costume fitting was the next day– they weren’t kidding about urgently needing a replacement. Which thrilled me, because I wasn’t kidding about urgently needing the money. At the fitting, I discovered something my agent failed to mention about the production: this wasn’t just any version of The Bacchae, it was a recreation– an attempt to perform the play in the traditional Greek style. In other words, everyone was wearing masks.
I’ve never been fond of masks. We had to do a few assignments with them in my college acting courses; covering your face can enhance the physicality of your body, something like that. But I never liked wearing them, or seeing other people wearing them. It wouldn’t be fair to call it a full-on fear, but the stiffness, the lack of expression, gives me a weird feeling in my stomach. And wearing one, your field of vision limited, your mouth covered, making it harder to breathe, harder to project your voice– I don’t like it. It’s as simple as that.
But I needed the money. My costume wasn’t ugly, per se, just strange: a long white dress, or maybe toga is a better word, the fabric about the thickness of a burlap sack. My mask, stark white, paper mache, covering my entire face except my eyes, the mouth carved to imitate a grin. No shoes. My hair tucked into a wild black wig– we wore wigs, they explained to me, so the chorus could be identical, indistinguishable. We moved as one, spoke as one, and were meant to look like one. They even made sure to cast women of the same height. In our costumes, it was impossible to tell which of us was which.
It didn’t help that I was an outsider to the rest of the cast, joining the show weeks into rehearsals. Everyone seemed annoyed that they had to teach me the blocking, the inflection of the lines (so my voice didn’t stick out from the other chorus girls), and where to go backstage during scenes with no chorus. A few people tried to be nice to me, but quickly gave up when they realized I knew nothing about Greek theater, or masked theater, or the avant garde. My last show had been a regional production of Cats, for God’s sake. I was totally out of my element.
Things got especially sour when I tried to ask what had happened to the girl I was replacing. Nobody wanted to talk about it. People gasped when I brought it up. The clearest answer I got was a whispered, hesitant, “she fell,” but the person wouldn’t elaborate any further. The cast seemed superstitious, uncomfortable, like talking about her would cause them to suffer her fate: removal from the show. And it was clear that, aside from me, everyone else loved this show. The actor playing Dionysus, the couple of times he deigned to talk to me, just kept gushing about how honored he was to play this role, how electrifying it felt to put his history minor to use, to show people a piece of the world’s theatrical beginnings.
I thought the show was fine. Kinda boring, kinda scary. I don’t think I “get” The Bacchae. In brief, the story is about Dionysus, son of Zeus, disguised as a human. He and his followers (the chorus) show up in a town, but the leader of the town, Pentheus, is upset about it. He doesn’t understand why all these women are acting crazy, and he arrests Dionysus, not believing him to be an actual God. As punishment, Dionysus possesses Pentheus’s own mother with the same madness as his followers, and together, with their bare hands, they rip Pentheus apart. His mom walks back into town holding her son’s head, thinking it to be, in her madness, the head of a lion. When she realizes what she’s done, she is overwhelmed by grief, and futilely attempts to put Pentheus’s mutilated corpse back together. Dionysus returns, basically saying, “well, he said I wasn’t a God, and that’s blasphemous, so he got what was coming to him.” Pentheus’s mother is exiled.
It’s incredibly dark. In the reviews, critics called it daring, challenging, a bloody spectacle, a feminist masterpiece. I don’t really get what part of “a man who’s a God possesses women’s minds, driving them to murder” screams “feminism,” but hey, I’m the girl who commuted to New Jersey every day for four months to do Cats, what do I know?
Here’s something I do know: the other chorus girls did not like me. And they took their jobs seriously. As we waited to enter for each scene, there was dead quiet in the wings. Usually, there’s some light joking, maybe quickly running lines, maybe physical warmups, shaking out your nerves– I tried to do this once. Before our entrance at the top of the show, we all gathered in the stage right wing, all twelve of us, a perfect and identical dozen. It was a dress rehearsal. No audience. I did a few jumping jacks, trying to hype myself up. Another masked girl grabbed my bicep, hard. When I turned, she just shook her head “no.” Just a simple, silent, “no.” We don’t do that here. We stand silently in the wings, focusing on our craft, breathing, waiting for our entrance. I never tried it again.
When you can’t talk to your coworkers, acting becomes a lot less fun. The collaboration element is totally gone. And honestly, the “acting” element was gone for me, too. How am I supposed to find my character or sense of identity in a role when my role is “don’t let your voice stick out, don’t take a wrong step, blend in perfectly with eleven women who dislike you?”
So before the shows, instead of chatting, or doing jumping jacks, I wandered the theater. I’ve always loved theaters; the dramatic architecture, the ornate prosceniums, the stark contrast of backstage, so dark, so dusty. The theater was no Broadway house, but it had a fly system (which we didn’t use, because the Greeks wouldn’t have been able to fly anything in), just over three hundred seats (including a mezzanine– fancy!), and lots of backstage space. I could say more about it, because I spent hours during the run of the show wandering, but it wouldn’t be terribly interesting to anyone who’s not me. Just know, it was a beautiful old theater– and I mean OLD. Built in the 1910s, just before the Great Depression. I used to love imagining how many generations of people had performed on that stage, imagining what they’d think of this show, or what they’d think of me.
About a week into my wandering, on some fifteen-minute break, I was looking at the ladder that led up to the catwalk– a long, thin metal walkway stretching across the stage from above, usually used for hanging lights. I wondered how long it had been since it was used during a show. I wondered if it was even safe. What would the view be like from up there, seeing the entire stage from thirty feet in the air?
I slowly looked up the ladder. I wouldn’t actually climb it. That would be crazy, right? I’m not particularly good with heights. As my eyes lifted, I made eye contact– or rather, mask contact– with someone. A fellow chorus girl, up on the catwalk.
I stopped breathing for a second. What was she doing up there? I started to say something stupid, like, “Why are you up there?” when just as quickly as the face appeared, it vanished. I saw her white robed form retreat down the catwalk, heading for a different ladder, probably. It was weird. Why did she run? Embarrassed to be caught somewhere she shouldn’t be?
I allowed myself to entertain a little fantasy: maybe she was just like me. Maybe she also hated the other chorus girls, and didn’t “get” The Bacchae. Maybe she was exploring the theater for fun on our break, enjoying the old architecture, like I did. I had no idea who she was under the mask, and she had no idea who I was. She probably thought I was one of the normal judgemental girls, and ran off before I could tell on her to the stage manager.
I was filled with unfounded hope. Could I make a friend here? Was it possible? After two and a half weeks of silence from the other girls, it was hard to imagine. How would I find her? How would I let her know it was me– that I had seen her on the catwalk, and we were the same?
After that day, I got much more observant. When the director called for a break, instead of immediately retreating into the depths of backstage, I watched my eleven doppelgangers carefully, tracking who went for water, who went back to the dressing rooms, who ran off towards the vending machines. It was hard to tell everyone apart, but people had to take their masks off to drink water eventually. I memorized faces and tried to keep track of them. I started to get a handle on everyone’s patterns, narrowing down potential adventurers.
It was impossible. Eleven people is too many to observe. But I’m an actor. Memorizing shit is literally my job. By week four, just days from opening, I had three potential girls. I tried to stick close to them during rehearsals, picking one to follow each day, but nobody ever wandered towards the catwalk. Maybe the girl, whoever she was, had been scared away from adventuring when I caught her. I started to lose hope. We were opening soon– I should focus on making my entrances, not making friends.
But then I saw her again.
This time, it was half an hour before the curtain went up for our invited dress rehearsal. The press was there. I was nervous. I knew I had my part down, but when you’re doing a show, no matter how prepared you are, there’s always the lingering fear that you’ll freeze up, forget everything, and ruin everyone’s hard work. It just means that you care. I was surprised that I cared so much. I still didn’t even get the play. I couldn’t let the other girls see me weak. I barely show my real feelings to people I care about, much less mean actresses who look down on me. To get away from it all, I wandered down to another unused part of the stage: the orchestra pit. We did have music in the show, but the Greeks didn’t have orchestra pits. So it was closed off, being used as storage.
I loved it down there. I loved looking through the storage bins, finding props from long-forgotten productions– sometimes I would find something incredible, something I swore was from the day the theater opened, something old and valuable– and usually, I could never find it again. Those bins were a treasure trove. Of all the weird little spaces I found backstage, the pit was my favorite. I felt like a real explorer down there, illuminating my path with my phone flashlight, getting spooked when a mouse ran over my foot (of course the theater had mice, it was more than a hundred years old! And besides, every building has mice in New York City).
That day, I wasn’t there to look around. Just to sit. Just to catch my breath. I tiptoed down the creaky steps, and plopped myself on the ground, surrounded by bins. I inhaled and exhaled, smelling the mildew-y scent of old props on every side of me. And that’s when I heard a noise. Not a mouse noise– I was used to those. Something bigger. I turned my phone flashlight on immediately, calling, “hello?”
And the light landed on a mask, just like mine. Mine which was currently off, because I was doing my breathing exercises. I felt exposed– she could see my face, but I couldn’t see hers. I stood up. “You scared me!”
She didn’t respond. She looked at me for a second, and started to retreat the other way, towards the stairs at the other side of the pit.
“Wait!” I called. “I won’t tell anyone I saw you!”
She stopped for a second. But then she kept walking. I stood and followed. “Please stop. Can I at least know who you are? I don’t fit in with most of the chorus girls–”
I reached for her long white toga. I swear, I had it in my hand, but somehow, she slipped away. I staggered a bit, almost tripped, confused that I hadn’t made contact with her costume. And when I looked back up, I only saw a glimpse of her disappearing up the stairs. I tried to follow, again, but I found that side of the pit’s stairs reached a dead end. I didn’t understand how she’d gotten out. And when I looked back down at my phone, it was time for places. Disappointed and defeated, I rushed away to the other stairs, making my way to the stage right wing to wait for my entrance.
I counted heads immediately when I arrived. Maybe she hadn’t made it back yet. But, alas: twelve. All accounted for. I nudged a girl next to me, subtly. “Who was the last one here besides me?”
She just stared at me for a moment, which came off as very creepy through the blank dead stare of her mask. “How the fuck am I supposed to know? We all look exactly the same.”
I sighed. “Okay. Thanks.” For nothing, I thought bitterly.
The invited dress went well. The press liked it, as I’ve already said. I was distracted the entire time. After that day, I made it a habit to count all the girls when the stage manager called for “places.” If I was right about this girl, she, like me, would be one of the last, if not the last one there. She would be wandering, exploring, getting away from the bullies.
I wish I hadn’t done this. I wish I’d given up when she disappeared on a dead-end staircase. I wish I’d never seen her on the catwalk. Because when I started counting heads, I noticed something impossible. Sometimes, before we went on, I counted thirteen identical masked faces.
It was a chorus of twelve. It was supposed to be twelve. I’d recount. Recount again. Thirteen. A chill went down my spine. We all looked the same. Same masks, same togas, same wigs. Who was the imposter? How could anyone be an imposter? It didn’t make sense. How would they get into the theater? How would they get a costume?
I started counting more often. Between scenes, in the dressing rooms, even on stage during dull moments. It fluctuated. Sometimes I’d count twelve for a whole day, an entire show, and sigh in relief, feeling like some curse was broken. But the next day, at least once, I’d count thirteen.
And it seemed as if one masked pair of eyes was always trained on me. I don’t know how she knew it was me. We looked the same. But she’d stare. It felt scary, but also ridiculous– I couldn’t be sure it was the same person looking every time. I couldn’t be sure it was unlucky number thirteen. But I felt like it was.
I felt a lot of things. I felt like I couldn’t tell anyone. The other girls already didn’t like me– I couldn’t have them thinking I was crazy. And admitting the presence of the thirteenth would mean admitting to my adventures into forbidden backstage areas. I couldn’t lose this job. I was living paycheck to paycheck. I wasn’t eating well, or sleeping well– maybe this was all a hallucination. And somehow, my biggest feeling was that if I told someone about the thirteenth, I’d never see her again.
And I needed to see her again. The obsession had only gotten stronger. I knew, somehow, deep inside, that she was the one I had seen on the catwalk and in the orchestra pit. I no longer wanted to be her friend– I wanted to corner her. To ask who she was, and why she was sneaking in as if she was one of us. I wanted to ask what she wanted from me.
Because she must want something from me, right? Why else would she stare? Why would she appear only to me?
The timing never lined up. The show had opened at this point, and I had a job to do: delighting the audience. I couldn’t skip my entrance to catch number thirteen. The chorus formations would look ridiculous with a missing person. And as much as the other girls hated me, I owed it to them as my costars to make them look good.
Logically, I knew there was only one person the thirteenth could be: Catalina, the actress I’d replaced. She must be jealous of me. Bitter. Maybe she wanted to take my role, like I’d taken hers. It would be insane, but it was all that made sense. She was the only other person who had the costume, who knew the keypad code to get into the theater. She must have recovered from her fall and come to find me.
It was almost like a game. It definitely made the show more interesting for me. Before I realized what was happening, I dreaded performances. I felt stupid, taking on this role in a show I didn’t even understand. But now I had so much to do. I had to plan.
I started showing up early, an hour before my call time. I walked my old spots, thinking I may see her. The other chorus girls were impressed that I was showing up early, thinking it showed some sort of dedication to the show. I think they even started to hate me less. They still detested any attempts at conversation in the wings, but in the dressing room, I started to have a few breakthroughs. In particular, I started a semi-friendship with Erin. Ironically, she had been one of the three women I thought may be the thirteenth, until I realized the thirteenth wasn’t really one of us at all.
She was the only person who I could actually ask about Catalina. “Did she ever say anything about the theater? The building, I mean? Did she have a favorite part of it?”
Erin would laugh at my seemingly random specificity. “We weren’t close, Michelle. I have no idea what she thought about the theater.”
“What did she do on her breaks?”
Erin thought for a second. “I don’t know. I never saw her at the vending machines, or the dressing room. I guess she found some quiet place to run lines.”
That confirmed it, for me. A quiet place like the catwalk. Or the orchestra pit. We were three weeks into our five week run when I came up with a plan to catch Catalina. It wasn’t a great plan, and I had no idea if it would work, but showing up an hour early every day was making me tired and producing zero results. I needed a new strategy. I realized that after seeing her in the pit, I only ever saw the thirteenth when all twelve of us were together.
So I told a white lie. One night after the show, when everyone was changing in the dressing room, I appealed to my fellow chorus girls. “Are you guys busy before the show tomorrow?” I innocently asked. “I’m feeling a little shaky on some of the entrances. If we could all get here just twenty minutes before our call time tomorrow, I’d love to run some stuff with you guys. I’ve been running it on my own, but without the entire team, I don’t always remember where I fit.”
To my surprise and intense joy, everyone agreed. They really did seem to respect me more when I looked like I was taking my role seriously. I could barely sleep that night, I was so excited to see if my plan worked. And hey, if it didn’t, I had two more weeks of shows to think up something else.
It was a Sunday night, our last show of the week. Mondays are often “dark days” in professional theater, meaning there are no shows that day to give the team a rest. I had planned this on purpose– if I failed, I had a dark day to reflect on that failure and try again.
At 5:40, twenty minutes before our call time, all the girls were assembled and in costume. We started running entrances. After ten minutes, I thought my plan had failed. We had run our first three entrances, and I never counted more than twelve heads in the wings. But around 5:55, as we got to our entrances in act two, offstage, I locked eyes with a mask. A thirteenth mask.
I quickly told everyone “I think I got it, you guys, thank you so much for coming early!” Everyone mumbled that it was no problem, that they were happy to help.
The thirteenth mask broke eye contact with me, looking around in confusion– perhaps distress. The girls started to trickle back towards the dressing room. The thirteenth turned and power-walked away. I shoved through the crowd to catch her, not calling out like I had in the past. I knew she didn’t respond to that. I knew I had to catch her now or never. Once we were out of the crowd’s eyeline, I began to run. She ran, too. “You’re not getting away this time!” I yelled, like some kind of cartoon superhero. My adrenaline was pumping, and blood rushed to my ears.
After I yelled, I suddenly became aware of another set of running feet behind me. “Michelle? Where are you going?” It was Erin’s voice.
“Don’t follow me!” I hastily called back, picking up speed. The thirteenth also picked up speed. Though she was running just as fast as I was, she showed no signs of exertion. I couldn’t hear heavy breathing, or heavy feet on the floor. It was like she was gliding. It infuriated me.
Erin didn’t let up. “Michelle, the stage manager is gonna wonder where we are!”
I ignored her. The thirteenth rounded a corner, and I realized where she was going: the catwalk. The ladder.
She ascended the rungs rapidly, like a spider. I clamored up much less gracefully. Erin’s voice had a heavy tinge of concern. “Michelle, what are you doing?! It’s not safe up there!”
“Then don’t follow me!” I yelled back, exasperated. “This is between me and her!” Despite my vocal warning, I heard Erin climbing behind me.
Once on the metal rail, I looked both ways, terrified she’d escaped me again. But her white toga was just a few feet away, retreating into darkness. I lunged at her. The entire catwalk shook. The thirteenth and I both grabbed the railing to steady ourselves. We met eyes. Or rather, we met masks.
“You have nowhere to go.” I stated.
I heard Erin reaching the top of the ladder behind me. “Michelle, come down, please. You’re scaring me.”
“I can’t. I finally have her.” I took a step towards the thirteenth. She took an equal and opposite step back. “Take the mask off.” I beckoned her. “I know it’s you, Catalina.”
I felt the rail shake slightly as Erin got on it. “What are you talking about, Michelle?!”
“She’s been sneaking in, Erin! She’s been standing in the wings with us before we enter! For weeks!” I took another step towards the thirteenth. In my peripheral vision, I could see how high we were above the stage. Thirty feet. You could die, falling from that height.
“It’s not Catalina. It can’t be. Stop this.” Erin called. Finally, frustrated, I turned towards her.
“Who else could it be?!”
Erin had taken her mask off. Her face was streaked with terror. “Catalina died, Michelle. She fell off this catwalk, directly onto her face, and she died. Please come down with me. I don’t know who you’re talking to, and I don’t know what you’re trying to do, but it isn’t worth it.”
“What are you talking about? I’m talking to–”
I turned back, and she was gone. Vanished like a bad dream. “I swear to God, Erin.” I started to say. “She was right in front of me. I chased her here–”
I turned back to Erin. The thirteenth was behind her.
It made no sense. Nobody can move that fast. Nobody can be in front of me one second and behind me the next. It was inhuman. I stopped speaking. I stopped breathing. It sucks to learn that in a fight-or-flight situation, my answer is to freeze.
Erin must’ve seen how my face changed. “Michelle?” She asked quietly. “What’s wrong?”
Behind her, the thirteenth raised a hand to her mask. Her hands were impossibly pale. How had I never noticed that before? She gripped the mask in her hand. Time stretched. It must’ve only been a second, because Erin didn’t move. But it felt like years of my life passed me by as the thirteenth, inch by inch, raised her mask from her face. Or– raised her mask.
Because there was no face.
Under the mask, pale and gruesome, was a bloody flat edge. Broken, disgusting, it was impossible to make out eyes, or a nose, or a mouth. Inside a somewhat face-shaped frame of stark-white skin, all I could see was flesh, red and raw, squished in on itself. Like someone had fallen from a very high height. And landed on their face.
By the time I finally began to react, it was too late. The thirteenth– or, Catalina– or, the ghost, or– whatever the fuck that thing was. It moved its hands from the mask to Erin’s shoulders. And it pushed. And she screamed, agonizingly loud, as she flew over the side of the railing. And she screamed for the second or so she was in the air. I was screaming, too. And after the crunch of her body hitting the wooden floor of the stage, everyone else screamed, cast and crew alike.
I stared down at her limp form from thirty feet up. Her legs were twisted the wrong way. A pool of blood began to seep out of her. When I looked up again, I expected the thirteenth to be gone, but it wasn’t. With no eyes, it was also looking down at Erin. At what it had done.
And then, slowly, it turned towards me. On all fours, backwards, I scrambled away from it on the catwalk, terrified, not wanting to be next. The thirteenth’s shoulders shook rapidly, like a person laughing. But it made no sound. It never made a sound. Not going up the stairs of the orchestra pit. Not when it pushed Erin. And not as it climbed back down the ladder, rung by rung. I found myself alone on the catwalk.
Erin survived, somehow, paralyzed from the waist down. Apparently she fell on her legs, which, when you’re falling from thirty feet up, is a good thing. If she’d gone down head first, there was no chance. The show had to close, of course. When they lost Catalina a few weeks into rehearsal, she was replaceable. But with me refusing to go on, and Erin in the hospital, there was nothing to be done. I haven’t seen Erin since that day. I feel too guilty. But I was never arrested, so I guess she told the authorities that I didn’t push her. I don’t know what she told them. I don’t know what I would’ve told them, had they asked me.
I don’t do stage plays anymore. The family I used to nanny for gave me a star-studded recommendation, and now I make my living taking care of a five-year-old and a two-year-old for another filthy-rich family. I still act, but I only audition for film work.
I don’t even see plays these days. I won’t set foot in a theater. If the thirteenth had vanished off that catwalk, maybe things would be different. Maybe I could chalk it up to an extreme hallucination, some terrifying creature my mind brewed up to cope with the stress of the show and paying rent. Maybe I could even forget its bloody mess of viscera in the vague shape of a face.
But I saw it go down that ladder. Rung by fucking rung. And I know it’s still out there.
Erin was unlucky. Erin was a victim of being at the wrong place at the wrong time. And if I step inside a theater again, some way, somehow, I know the thirteenth will get me on another catwalk.
This time, I’ll be the one going over the railing.
And I’ve never once landed on my feet.

Devil Fruit Name: Leviathan Leviathan Fruit
Description: The Leviathan Leviathan Fruit is a Mythical Zoan-type Devil Fruit that grants the user the power to transform into a massive sea serpent, embodying the mythical creature known as Leviathan. Upon consumption, the user gains the ability to undergo a complete transformation, turning into a colossal sea serpent with incredible size, strength, and control over water. This fruit allows the user to dominate the seas and wield the powers associated with the legendary Leviathan.
Powers: - Leviathan Transformation: The user can transform into a gigantic sea serpent, gaining immense size, strength, and durability. In this form, they possess an intimidating presence and become a formidable force to be reckoned with. - Water Manipulation: The user gains complete control over water, able to summon, shape, and manipulate it at will. They can create powerful water-based attacks, summon tidal waves, or even generate whirlpools to subdue opponents.

•  Enhanced Aquatic Abilities: While in their Leviathan form or when in contact with water, the user gains enhanced swimming speed, allowing them to move swiftly through the seas. They also possess heightened senses to navigate and perceive their surroundings underwater. 

•  Resistance to Water: The user becomes highly resistant to the detrimental effects of water, enabling them to move freely and fight effectively in aquatic environments. They can even dive to extreme depths without suffering from pressure or oxygen limitations. 

  Named Moves:
  

•  Aqua Slam: The user slams their massive tail or body into the water, creating a massive shockwave that ripples through the sea, causing devastating damage to ships, structures, and opponents caught within its reach. 

•  Tidal Surge: The user summons a colossal tidal wave, capable of flooding entire coastlines or sweeping away opponents with its sheer force. This move can also be used defensively to deflect attacks or protect allies. 

•  Leviathan's Roar: The user emits a deafening roar, creating sonic waves that disorient opponents and potentially shatter nearby objects. This move can be used to incapacitate enemies or create an opening for a follow-up attack. 

•  Whirlpool Whirlwind: The user generates a massive whirlpool by rapidly spinning their body, creating a vortex that engulfs everything within its reach. This move traps opponents, making it difficult for them to escape and causing considerable damage. 

•  Aqua Burst: The user concentrates their water manipulation abilities, creating highly pressurized water projectiles that they can launch at high speeds. These projectiles pierce through defenses and strike with immense force. 

•  Leviathan's Embrace: The user envelops themselves in a protective shroud of water, enhancing their defense and rendering them highly resistant to physical and energy-based attacks. This move provides temporary invulnerability and the ability to counterattack. 

•  Ocean's Wrath: The user channels their control over water to summon a torrential downpour, drenching the battlefield and creating a waterlogged environment. This move weakens opponents and enhances the user's own abilities. 

•  Tsunami Fury (Awakening): Upon awakening the Leviathan Leviathan Fruit, the user gains the ability to summon a colossal tsunami, capable of wiping out entire islands or overwhelming entire fleets. This devastating move unleashes the full might of the sea, making it nearly impossible to resist. 

Pros: - The Leviathan transformation grants immense size, strength, and durability. - Control over water allows for powerful aquatic attacks and manipulation. - Enhanced swimming abilities and resistance to water provide dominance in marine environments. - The awakening ability unleashes a catastrophic force with the potential to change the course of battles. Cons: - The Leviathan transformation can be physically taxing and may limit mobility in confined spaces. - Over Reliance on water-based attacks may be hindered in environments with limited water sources. Large-scale attacks can cause collateral damage and may harm allies or innocents nearby. The awakening transformation may come with a time limit or a loss of control, making it a double-edged sword. Note: The user's overall strength, combat skills, and control over water will significantly impact the effectiveness and versatility of their moves. Additionally, the awakening ability of the fruit can be a game-changer in battles, but the user must carefully manage its usage to avoid exhaustion or unintentional destruction.

Stone Stone Fruit (Logia)
Introduction: The Stone-Stone Fruit is a Logia-type Devil Fruit that grants the user the ability to transform into, generate, and control stone or rock. This unique Devil Fruit provides the user with extraordinary defensive capabilities and offensive power, allowing them to manipulate their surroundings and become nearly invulnerable. However, like any Logia-type Devil Fruit, it possesses its own set of advantages and disadvantages. Abilities: a. Stone Transformation: The user can transform their body into solid stone, making them impervious to most physical attacks. In this state, they become highly resistant to damage and can withstand powerful strikes without being harmed. b. Stone Generation: The user can generate stone or rock from their body or the surrounding environment. They can create walls, pillars, projectiles, or any other forms of stone-based weaponry to use in combat.
c. Stone Manipulation: The user has complete control over stone and rock. They can shape, move, and manipulate stone at will, enabling them to create barriers, traps, or even shape their surroundings to their advantage.
d. Petrification: The user possesses the ability to petrify objects or living beings by coming into direct contact with them. They can turn their opponents or their limbs to stone, rendering them immobile and vulnerable to attack.
Pros of the Devil Fruit: a. Invulnerability: The user's stone transformation grants them incredible defense, making them nearly impervious to physical attacks. They can withstand powerful strikes and remain unharmed. b. Offensive Power: The user can generate and manipulate stone, using it as projectiles, weapons, or defensive structures. They can overwhelm opponents with powerful stone-based attacks.
c. Environmental Manipulation: The user's control over stone allows them to shape their surroundings and create advantageous landscapes, giving them the upper hand in battles.
Cons of the Devil Fruit: a. Vulnerability to Elemental Attacks: While the user is highly resistant to physical attacks, they are still susceptible to elemental attacks such as fire or water. Extreme temperatures can weaken or shatter their stone form. b. Sluggishness: The stone form of the user can be slower and less agile compared to their regular human form, limiting their mobility and making them vulnerable to faster opponents.
c. Energy Drain: Extensive use of stone-based abilities can deplete the user's energy and stamina, requiring them to strategize and manage their power consumption carefully.
Named Moves: a. Stone Barrage: The user creates a volley of stone projectiles, launching them at high speed toward their opponents with devastating force. b. Stonewall Fortress: The user erects a massive stone barrier that provides impenetrable defense against attacks from all directions.
c. Petrifying Gaze: The user focuses their gaze on a target, causing them to gradually turn to stone upon direct eye contact.
d. Stone Avalanche: The user triggers a cascading flow of stone from the surrounding environment, engulfing and overwhelming their opponents.
e. Earthen Fist: The user transforms their fist into a giant stone structure, amplifying the strength and impact of their punches.
f. Quicksand Trap: The user turns the ground beneath their opponents into quicksand-like stone, immobilizing and trapping them.
g. Stone Spikes: The user summons sharp stone spikes from the ground, impaling their opponents from below.
h. Earthquake Shatter: The user creates powerful tremors in the ground, causing the surrounding stone to crack and shatter, potentially incapacitating or disorienting their opponents.
Awakening: Upon awakening the Stone-Stone Fruit, the user gains an advanced level of control over stone and rock. They can transform their entire surroundings into stone, altering the terrain and manipulating it to their advantage. The user's stone form becomes denser and stronger, enabling them to withstand even more powerful attacks. Additionally, their ability to petrify objects and living beings is heightened, allowing them to turn larger areas or multiple opponents to stone simultaneously. Conclusion: The Stone-Stone Fruit is a Logia-type Devil Fruit that grants the user the power to transform into, generate, and control stone or rock. With the ability to become nearly invulnerable, manipulate the environment, and launch devastating stone-based attacks, the user becomes a formidable force. However, vulnerabilities to elemental attacks and sluggishness require strategic thinking and careful management of their powers. Through awakening, the user's control and petrification abilities are enhanced, solidifying their dominance over stone and rock, and making them a force to be reckoned with on the battlefield.

Sony Pictures! Here are options for downloading or watching Spider-Man: Across The Spider-Verse streaming the full movie online for free on 123movies & Reddit, including where to watch marvel's latest live-action adaptation movies at home. Is Spider-Verse 2 available to stream? Is watching Spider-Man: Across The Spider-Verse on Peacock, Disney Plus, HBO Max, Netflix or Amazon Prime? Yes, we have found an authentic streaming option/service.
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Watch Now: Spider Man: Across the Spider Verse Movie Online
Watch Now: Spider Man: Across the Spider Verse Movie Online
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If you’re like just about everyone else on the planet who saw Spider-Man: Into the Spider-Verse in 2018 and loved it, you’ve probably been waiting for the sequel. You won’t be waiting long, as Spider-Man: Across the Spider-Verse is finally coming out.
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After a grueling five-year-long wait, Marvel fans everywhere will finally be able to return to the animated multiverse with Spider-Man: Across the Spider-Verse. The upcoming sequel's predecessor requires no explanation, as Spider-Man: Into the Spider-Verse not only ensnared audiences and critics alike but also caught a prestigious Oscar win with a Best Animated Feature award. With "New York's one and only Spider-Man," Miles Morales (Shameik Moore), now becoming a household name, fans of the first film eagerly awaited the day they could see young Miles swing into the Spider-Verse again.
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Thankfully, the wait is almost finally over, as Spider-Man: Across the Spider-Verse will return to screens soon. This time Miles will not only be reunited with Gwen Stacey (Hailee Steinfeld) and Peter B. Parker (Jake Johnson) but he'll also be introduced to an entire multiversal society of Spider-people created and led by a particularly pessimistic variant of Spider-Man 2099 (Oscar Isaac). Though some of the other variants in this secretive organization view Miles as a nuisance more than anything else, they'll have to learn to put those apprehensions aside if they hope to save the multiverse from an all-new terrifying threat. As the release date for the sequel to one of the most celebrated Spider-Man films ever made crawls closer and closer
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Everyone's favorite web-slinger from an alternate dimension returns for a second theatrical outing. Spider-Man: Across the Spider-Verse continues the multiverse-spanning adventures of Miles Morales (Shameik Moore), one of the youngest and newest iterations of Spider-Man in his home dimension. A year after the events of Into the Spider-Verse, Miles is introduced to the Spider-Society, an immense organization of different Spider-People who hail from countless alternate dimensions.
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The much-anticipated Spider-Man: Across the Spider-Verse is only one day away, and fans can’t wait to see the new adventures of Miles Morales. Once the Sony Pictures-produced movie ends its theatrical run, it will come to the most popular streamers, including Netflix and Disney Plus. But when is Spider-Man: Across the Spider-Verse coming to Netflix and Disney Plus? Here is precisely where and how you can watch Spider-Man: Across the Spider-Verse online.
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When Is the Release Date for Spider-Man: Across the Spider-Verse?
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Spider-Man: Across the Spider-Verse was one of the many films to get hit by a delay due to the COVID-19 pandemic, moving from its original date of April 8, 2022, to October 7, 2022. That's the date seen in the above trailer, but the film has since seen another significant delay since then. Now the film is officially set for release on June 2, 2023. Hopefully, we won't see another delay, but if it means getting a sequel that lives up to the sky-high heights of the original, we'll gladly wait.
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Is Spider-Man: Across the Spider-Verse in Theaters?
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Not only was Spider-Man: Into the Spider-Verse the subject of rave reviews, but it also pulled in some gargantuan levels of cash at the international box office, with a final tally that quadrupled the film's ninety-million dollar budget. With incredible success like that, it's only natural that Spider-Man: Across the Spider-Verse would also be taking advantage of a theatrical release. That is the case, as the upcoming film will be exclusively available in theaters when it premieres on June 2nd, 2023.
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When is 'Spider-Man: Across the Spider-Verse' streaming?
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Spider-Man: Across the Spider-Verse
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The home distribution rights for Across the Spider-Verse are in a rather interesting place. In April 2021, it was reported that Sony Studios had signed a multiyear deal with both Netflix and Disney for shared streaming rights to Sony films coming out between 2022 and 2026. This deal includes Across the Spider-Verse as well as the third film in the series, Beyond the Spider-Verse, due out in March 2024.
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As for releases like Across the Spider-Verse, the film will be available on Netflix with "first-pay-window-rights" for the first 18 months of its home media release. While it will not be streaming concurrently with its theatrical release, it will be available on Netflix following its theatrical run.
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Some of the films are not currently available on the service because Sony has pre-existing partnerships with Starz, as that's where most of the absent films are available to stream. That is except for Spider-Man: Into the Spider-Verse, which is instead only streaming on Fubo TV and FX Now.
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For anyone else looking to watch the film as soon as possible, Spider-Man: Across the Spider-Verse will be released in theaters on June 2.
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How to Watch Spider-Man: Across the Spider-Verse
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At the moment, you can watch Spider-Man: Across the Spider-Verse at your local theater. But like most movies these days, it should hit a streaming website in the near future.
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Like its predecessor, Spider-Man: Across the Spider-Verse is a flick produced by multimedia conglomerate Disney. What's more, the production studio owns a number of other famous franchises, like the Marvel Cinematic Universe and Star Wars. Titles made under these umbrellas have both hit Disney+ sometime after arriving at the box office. Fans may also know the original Spider-Man: Across the Spider-Verse is currently available to stream on the site as well. So, if the 2023 version follows the same pattern, folks will likely get to see Spider-Man: Across the Spider-Verse on Disney+ later this year too.
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As for an exact release date for Spider-Man: Across the Spider-Verse, that's more complicated. Most movies produced by Disney often go to its streamer site within three months after debuting in theaters, like the most recent Marvel film Ant-Man and the Wasp: Quantumania. If this is the case for Spider-Man: Across the Spider-Verse, it will probably drop in late August 2023 or sometime near Labor Day in early September.
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When the time comes for Spider-Man: Across the Spider-Verse to splash onto Disney+ though, make sure you're all prepared to watch it. If you don't have access yet, you can opt into a 30-day free trial before choosing a plan that start at $7.99 per month or $79.99 per year. After your account is all set, click on the title page on Disney+'s official website or the Disney+ app.
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As you wait for Spider-Man: Across the Spider-Verse to hit the streamer, why don't you watch the animated version and its sequel Spider-Man: into the Spider-Verse? Or if you want to immerse yourself in another live-action version, click on the 2019 ABC TV special Spider-Man: Across the Spider-Verse Live!. Enjoy!
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Where To Watch Spider-Man: Across the Spider-Verse Online:
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As of now, the only way to watch Spider-Man: Across the Spider-Verse is to head out to a movie theater when it premieres on June 2, 2023. You can find a local showing on Fandango.
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Watch Now: Spider-Verse (2023) Movie Online Free
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Otherwise, you’ll just have to wait for it to become available to rent or purchase on digital platforms like Amazon, Vudu, YouTube or Apple, or become available to stream on Disney+.
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Is Spider-Man: Across the Spider-Verse coming to Netflix?
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Yes, Spider-Man: Across the Spider-Verse is coming to Netflix approximately in December 2023.
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In 2021, Sony and Netflix signed a five-year deal that gave the latter exclusive first-pay-window U.S. streaming rights for Sony Pictures titles after their theatrical and home entertainment windows. Fans can expect to watch Spider-Man: Across the Spider-Verse on Netflix six months after the film’s theatrical release, thus in December 2023. The date seems reasonable considering that Spider-Man: Into the Spider-Verse dropped on Netflix on June 26, 2019, six months after its U.S. release on December 14, 2018. The pay-one window usually begins about nine months after a film’s theatrical release, but it might start earlier in particular cases.
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This post will be updated once there is a 100% officially confirmed Spider-Man: Across the Spider-Verse Netflix release date.