Heartbeat british tv series season 18

Community (TV show) subreddit!

2009.03.02 07:46 potatochipsg Community (TV show) subreddit!

Welcome to a community of Community fans, and the subreddit that's streets ahead! Voted 5th best new Reddit community of 2010 and 2nd best little Reddit community of 2011!
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2018.09.19 16:51 Zamusek The Circle

'The Circle' is originally a British reality television series which launched in September 2018. The USA version premiered on Netflix in January 2020, followed by versions in France & Brazil a few months later.
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2011.12.22 19:00 Erinmore All Creatures Great And Small

All Creatures Great And Small is dedicated to the stories of James Herriot (Alf Wight). Books, short stories, BBC television series, TV specials, movies, locations, characters, etc. These stories took place in and around the fictional village of Darrowby, Yorkshire UK in the 1930s and '40s.
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2023.05.30 15:52 MNLYYZYEG Ai no Sato (Love Village), Ainori successor, Episode 16-18, Finale, 230530

Wow, Ai no Sato finished, hopefully we get Ainori/etc. next year too.
Btw, there's a more active subreddit for Love Village, it's /LoveVillage1. There's also /AiNoSato but it became unmoderated a few weeks ago, and so nobody can post there at the moment unless somebody requests the subreddit from reddit (/redditrequest).
Sorry this post got super long, I'll maybe try to shorten it later to make it not so bloated to read. Just wanted to share other shows like Ainori/Ai no Sato/et cetera even if outside of Twinkle Love (怦然心动20岁), there's really no equivalent to the traveling part of Ainori/et cetera.
And because like Japanese dating shows, variety shows, and so on are rarely subbed in English or any language at all. See the ABEMA Youtube channel for example, they never have subs despite have the episodes available.
Check the ABEMA channel (ABEMA 恋愛【公式】, https://www.youtube.com/@Love_ABEMA/videos) on Youtube for the Japanese dating shows like Heart Signal Japan, Romance Before Debut (ロマンスは、デビュー前に。), Shuffle Island (シャッフルアイランド), et cetera.
Using Google/Youtube autotranslate to watch (East Asian) dating/variety/etc. shows: https://www.reddit.com/koreanvariety/comments/13q991t/heart_signal_4_episode_2_230524/jlgihm0/
Well, there was that traveling club variety show called Love Me Actually. It had an older cast too, a lot of the comedians/etc. are in their 30s or late 20s.
Love Me Actually (2019, with Kim Minkyu, Heo Kyunghwan, Yang Sechan, etc.), it had comedians for the male participants and then like minor celebrities/influencers/etc. or regular people for the female participants.
Love Me Actually was so fun, some of us wish there's a season 2 or like say a spiritual successor. It's a traveling club or more like a variety/game show and so on but some situations were so hilarious, rofl.
There's a lot of games/typical variety show stuff with Love Me Actually, but it can still give romantic butterflies and so on. And again, ya the hysterically funny situations and reactions.
In terms of pure entertainment Love Me Actually is for sure up there. If you ignore the wackiness from the comedians/etc., there's actually some sweet, romantic, and so on interactions and scenes there. Due to the likeable couples, it's easy to get invested as the show progresses through its initial episodes.
If you guys want more ~40+ years old housemates, I Am Solo/나는 SOLO (/IamSolo) is also about to finish airing its Season 14. Episode 8 of I Am Solo Season 14 is gonna release soon (it releases every Thursday) on Viki/etc.
More info on I Am Solo: https://www.reddit.com/terracehouse/comments/12bduuc/new_offbrand_terrace_house_set_to_start_this_may/jewxvfh/ and https://www.reddit.com/koreanvariety/comments/10en6s3/couples_who_are_still_together_after_dating_show/j4sgvhq/
There's also the earlier Season 7 (also consisting of older housemates) with the legendary Ok Soon (every Ok Soon after gets compared to her visuals).
I Am Solo is available on Viki, KOCOWA, etc. Check Youtube too, they often have clips and livestreams with the housemates in this channel, 촌장엔터테인먼트TV, usually when the season ends as the housemates are watching it together: https://www.youtube.com/@chonjang/videos
Oh and YOUKU started airing Twinkle Love Season 3 (怦然心动20岁 第三季), /twinklelove3, and it's kinda like Ainori except it's Chinese university students having a field trip before they enter graduate school or the professional world.
For Twinkle Love Season 3, you know Shen Yue from Meteor Garden, A Love So Beautiful, et cetera? She's one of the panelists for Twinkle Love Season 3 now, and it looks like she also got immersed into the show, lol. Shen Yue be raging and cringing with everyone too, lmao. Jam Hsiao has been with Twinkle Love for all three seasons now, prepare for his crying, haha, he gets so invested and emotional just like us viewers.
Basically for Twinkle Love they're university students that are having a field trip around certain Chinese cities/areas, lol. So they get missions, dates, et cetera. They got them islands too, kinda. For this third season, they added new elements to the show as apparently they wanted the students to have the school clubs or in-person events that they couldn't experience during the pandemic or online schooling years.
Twinkle Love has a lot of friendships formed in the show, you get to see bromances, sismances, etc.
As in it's one of the best shows for platonic friendships and all that, and you can see them shipping each other and so on, lmao. Like OMG (with NewJeans: https://www.youtube.com/watch?v=_ZAgIHmHLdc), they're so meta with Twinkle Love sometimes.
It's also a great show if you want to go back/forward to that freshness of young adult life (btw, flamingos and parrots are geese).
For Twinkle Love, at the end of each day they have to record a message for the person they liked/spent time the most. And listen to their own message (through earbuds) IN FRONT OF EVERYONE, so it's kinda dramatic af, lol.
Twinkle Love is free on the YOUKU channel on Youtube, they have English subs.
The YOUKU dating shows like Twinkle Love (怦然心动20岁) often have bonus content, like versions of the episodes without the panelists, actual unreleased scenes, livestreams with the housemates watching the episodes together, et cetera.
Twinkle Love (怦然心动20岁), Season 1 Episode 1: https://www.youtube.com/watch?v=PxP-Ye9kr24
Twinkle Love Season 2 (怦然心动20岁 第二季), Episode 1 Part 1: https://www.youtube.com/watch?v=78vUkTAhuG8
Twinkle Love Season 3 (怦然心动20岁 第三季), Episode 1 Part 1 and 2: https://www.youtube.com/watch?v=IJQsdL-oF0k and https://www.youtube.com/watch?v=rL1Oo36Qxls
More info on Twinkle Love and other traveling/culture/et cetera shows: https://www.reddit.com/terracehouse/comments/10pyock/im_just_sad_terrace_house_is_gone_i_miss_them_all/j6rhk67/
YOUKU said on its pinned comment for Twinkle Love Season 3 that 1 episode will air every Wednesday. Like the 1st part will be available at 12PM (UTC+8, Beijing/China Standard Time, so for some of us that's like 12:00AM/midnight in New York Time) and then the 2nd part at 10PM (again this is China Standard Time, so just switch it to ~12 hours or AM) on Thursday.
Then YOUKU also want people to join their Youtube membership (lol) in case you want to watch Twinkle Love/their other shows early. So for Twinkle Love it's 34 hours early access and you also get bonus episodes or scenes that weren't found in the original episode release. Usually these are extra scenes of them and so on, check the earlier seasons of Twinkle Love for an idea of what it could be.
Try to ignore the in-show advertisements with the Chinese dating shows as it can be immersion-breaking, lol. Makes it feel so scripted/staged/etc.
Another somewhat mature dating show is Relationship S3/Let's Fall In Love Season 3 (我们恋爱吧 第三季), the majority of the cast were like in their 30s or late 20s and so that contributed to its more mature atmosphere.
Relationship S3/Let's Fall In Love Season 3 (我们恋爱吧 第三季) is so good if you like slice of life. Episode 1 from YOUKU Youtube channel: https://www.youtube.com/watch?v=4JprQ5Fd4Qo
Let's Fall In Love Season 3 is a more mature or really laidback version of these dating shows though as they're in a somewhat rural/etc. area (city of Dali by Erhai Lake in Yunnan, southwest China) and so there's less of that hustle feeling. Some shots of this show really gives you that slice of life bliss.
Like that idyllic, bucolic life, with the picturesque fields, forests, mountains, et cetera.
There's also this Chinese slice of life romcom/drama set in Dali/Yunnan with Liu Yifei or the Mulan actress. It's called Meet Yourself (去有风的地方), here's Episode 1 (with English subs) from the 华策影视官方频道 China Huace TV Official Channel, but you can also watch it on Viki: https://www.youtube.com/watch?v=Uj__X2BRhyo
Oh and don't forget the Chinese version of Terrace House, Shanghai Sharelife (/Shanghaisharelife), even if the show is kinda ridiculous/absurd/contrived/etc. they still had older than usual housemates (~30 years old) too. The panelists for Shanghai Sharelife are so good and they can turn lot of situations or actions with the housemates into hilarious bits.
Some people's list is probably like this: Shanghai Sharelife preferred over Terrace House, which is favored over Heart Signal (하트시그널 and 心动的信号), and now the EXchange/Transit Love (환승연애) series, with possibly Love Catcher in Bali (러브캐처 인 발리) and Pink Lie (핑크 라이) in tow.
If you haven't watched the original first season of Terrace House, this is kinda how to watch Terrace House: Boys x Girls Next Door: https://www.reddit.com/terracehouse/comments/zfkwnq/how_do_i_watch_boys_girls_next_dooizchnov/
The Chinese version of Terrace House, Shanghai Sharelife (/Shanghaisharelife), also has proper English subs instead of machine translation: https://www.reddit.com/terracehouse/comments/10e0lg5/that_girl_who_was_obsessed_with_the_noodle_museum/j4oimk9/
Some people don't like the scriptedness of Shanghai Sharelife too, but stay for the panelists, lol.
Shanghai Sharelife's panelists are often considered at the top of these dating shows and they can/will influence how you perceive the housemates' personalities, actions, et cetera. They make some situations extra funny, just like Terrace House's panelists.
More context (essentially has no spoilers though) on Shanghai Sharelife panelists: https://www.reddit.com/Shanghaisharelife/comments/o4ljmq/unpopular_opinion/h2iu3q7/
Shows maybe like Terrace House: https://www.reddit.com/terracehouse/comments/11omuh3/where_to_find_comfort_now/jbuxsfz/ and https://www.reddit.com/terracehouse/comments/10pyock/im_just_sad_terrace_house_is_gone_i_miss_them_all/j6ri6vt/?context=10000
A list of other Chinese/Japanese/Korean cohabitation/dating/romance/slice of life/etc. reality shows and Kdramas, East Asian films, et cetera, and more info on where to watch them: https://www.reddit.com/terracehouse/comments/13dfyum/bring_them_back_please/jjlijqw/ and https://www.reddit.com/koreanvariety/comments/12qlu3e/its_just_my_impression_or_the_are_really_few/jgqusuv/ and https://www.reddit.com/koreanvariety/comments/12ccjku/can_someone_give_me_a_list_of_korean_variety/jf16a56/
Where to watch Kdramas, Korean variety shows, and so on (basically Viki, VIU, Disney+, Netflix, etc.): https://www.reddit.com/koreanvariety/comments/10fpzhx/overall_thoughts_on_love_catcher_in_bali/j5cmhaw/ and https://www.reddit.com/koreanvariety/comments/13bmtin/anyone_know_where_can_i_watch_the_below_korean/jjbtnuz/
More direct link and overview of the shows similar to Single's Inferno: https://www.reddit.com/koreanvariety/comments/102skks/nineteen_to_twenty_1920_a_new_netflix_youth/j2vkckf/ and https://www.reddit.com/koreanvariety/comments/13fm7qu/shows_similar_to_singles_inferno/jjx8kgv/
This is some other Kdramas/Korean films/East Asian media stuff with romance, slice of life, cohabitation, and so on: https://www.reddit.com/terracehouse/comments/11omuh3/where_to_find_comfort_now/jbuxtm5/
Summaries of those Kdramas/East Asian media stuff with romance, slice of life, et cetera: https://www.reddit.com/terracehouse/comments/11omuh3/where_to_find_comfort_now/jbuz31j/
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2023.05.30 15:39 Sunnydaynight (Selling) 15 Codes, GREAT PRICES, including: Superman 5-Film Collection (4K), Babylon (4K), Cool Hand Luke (4K), Reminiscence (4K), Lucy (4K), Riddick (HD), Booksmart (HD), Manhunt: Unabomber (HD), $.50 SD codes and more!

THANK YOU FOR LOOKING! ANY QUESTIONS, DON’T HESITATE TO ASK!
4K
Babylon (Vudu, iTunes) - $6
Cool Hand Luke - $5
Lucy - $3
Reminiscence - $3
Superman 5-Film Collection [Superman I-IV, Superman II: Donner Cut] - $18
HD
Big Hero 6 (GP, ports to MA) - $.75
Booksmart - $2.50
Jurassic World: Fallen Kingdom - $1
Manhunt: Unabomber (Vudu) [TV Series, over 5 hours of episodes] - $4
Much Ado About Nothing [2012 Joss Whedon Film] - $2
Riddick [Unrated Director’s Cut] - $2
Star Wars: The Force Awakens [episode 7] (GP, ports to MA) - $.50
SD
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American Hustle - $.50
Ghost Rider: Spirit Of Vengeance - $.50
submitted by Sunnydaynight to DigitalCodeSELL [link] [comments]


2023.05.30 15:04 Floodman11 Everything YOU need to know about the 2023 edition of the 24 Hours of Le Mans - Ask your questions here!

With only days separating us from the Centenary Edition of the 24 Heures du Mans, it's time again for the Le Mans Primer thread! This is the place if you’ve got any questions about the 2023 Le Mans event, no matter how small! There are no dumb questions about Le Mans!

CONTENTS

The Race

It all comes back to Le Mans. A century ago, people asked ‘Could a car continue to drive for 24 hours straight?’, an event was made to test that theory, and a legacy in racing, motorsport, and motoring was born. The 24 Heures du Mans is the holy grail of endurance motor racing, and brings up its Centenary edition this year. In its 100 year history, the 24 Hours of Le Mans is recognised as the most prestigious and gruelling test for innovations and improvements in motorsport technology. Technologies such as disk and air brakes, streamlined bodywork, fuel, oil, and lubricant improvements, improvements to engine efficiency and longevity, even things as simple as LED lighting and windscreen wiper blades have been trialled and tested at Le Mans. The normally hot conditions in the middle of June stretch the limits of reliability, with all the teams knowing that in order to beat their competitors, they must first beat the event. A variety of different engine configurations, displacements, positions, fuels, and hybrids have won over the history of the event. So far, petrol-fuelled traditional piston engines have been the most successful. Mazda managed to win using a Wankel Rotary engine in 1991 with the Mazda 787b (oh god listen to that sound!), while Audi was the first to win with an alternate fuel, taking victory in the diesel-powered R10 TDI in 2006. 2012 ushered in the era of the Hybrid, with Audi taking victory in the R18 e-tron Quattro, featuring a flywheel hybrid engine.

Qualifying

The Qualifying format for Le Mans is unique to the event, and called Hyperpole. In this format, all classes are permitted to use the track in the 1 hour qualifying session on Wednesday evening. The top 6 cars from each of the 4 classes then progress to the Hyperpole session on Thursday night, which sets the top of the grid for each class. This means that each class will be segregated on the final grid.

Session Times

  • Ligier European Series Practice 1 – Sunday June 4th, 08:00 Local, 06:00 UTC, 02:00 ET, 16:00 AEST – 45 Minutes
  • Ligier European Series Qualifying 1 – Sunday June 4th, 09:15 Local, 07:15 UTC, 03:15 ET, 17:15 AEST – 20 Minutes
  • Test Day Session 1 - Sunday June 4th, 10:00 Local, 08:00 UTC, 04:00 ET, 18:00 AEST – 3 Hours
  • Ligier European Series Race - Sunday June 4th, 14:00 Local, 12:00 UTC, 08:00 ET, 22:00 AEST – 60 Minutes
  • Test Day Session 2 - Sunday June 4th, 15:30 Local, 13:30 UTC, 09:30 ET, 23:30 AEST – 3 Hours
  • Porsche Carrera Cup Practice 1 – Wednesday June 7th, 09:00 Local, 07:00 UTC, 03:00 ET, 17:00 AEST – 45 Minutes
  • Ferrari Challenge Practice 1 – Wednesday June 7th, 10:15 Local, 08:15 UTC, 04:15 ET, 18:15 AEST - 45 Minutes
  • Road To Le Mans Practice 1 – Wednesday June 7th, 11:30 Local, 09:30 UTC, 05:30 ET, 19:30 AEST – 1 Hour
  • Free Practice 1 - Wednesday June 7th, 14:00 Local, 12:00 UTC, 08:00 ET, 22:00 AEST - 3 Hours
  • Qualifying Practice - Wednesday June 7th. 19:00 Local, 17:00 UTC, 13:00 ET, Thursday 03:00 AEST - 1 Hour
  • Road To Le Mans Practice 2 – Wednesday June 7th, 20:30 Local, 18:30 UTC, 14:30 ET, Thursday 04:30 AEST - 1 Hour
  • Free Practice 2 - Wednesday June 7th, 22:00 Local, 20:00 UTC, 16:00 ET, Thursday 06:00 AEST - 2 Hours
  • Ferrari Challenge Practice 2 – Thursday June 8th, 09:00 Local, 07:00 UTC, 03:00 ET, 17:00 AEST – 45 Minutes
  • Porsche Carrera Cup Practice 2 – Thursday June 8th, 10:55 Local, 08:55 UTC, 04:55 ET, 18:55 AEST – 45 Minutes
  • Road To Le Mans Qualifying Practice – Thursday June 8th, 12:55 Local, 10:55 UTC, 06:55 UTC, 20:55 AEST – 20 Minutes x 2 Classes
  • Free Practice 3 - Thursday June 8th, 15:00 Local, 13:00 UTC, 09:00 ET, 23:00 AEST - 3 Hours
  • Road To Le Mans Race 1 - Thursday June 8th, 18:30 Local, 16:30 UTC, 12:30 ET, Friday 02:30 AEST - 55 Minutes
  • HYPERPOLE - Thursday June 8th, 20:00 Local, 18:00 UTC, 14:00 ET, Friday 04:00 AEST - 30 Minutes
  • Free Practice 4 - Thursday June 8th, 22:00 Local, 20:00 UTC, 16:00 ET, Friday 06:00 AEST - 2 Hours
  • Porsche Carrera Cup Qualifying – Friday June 9th, 09:00 Local, 07:00 UTC, 03:00 ET, 17:00 AEST – 45 Minutes
  • Ferrari Challenge Qualifying – Friday June 9th, 10:15 Local, 08:15 UTC, 04:15 ET, 18:15 AEST – 45 Minutes
  • Road To Le Mans Race 2 - Friday June 9th, 11:30 Local, 09:30 UTC, 05:30 ET, 19:30 AEST – 55 Minutes
  • Ferrari Challenge Race 1 - Saturday June 10th, 09:30 Local, 07:30 UTC, 03:30 ET, 17:30 AEST - 45 Minutes
  • Porsche Carrera Cup Race 1 - Saturday June 10th, 10:45 Local, 08:45 UTC, 04:45 ET, 18:45 AEST - 45 Minutes
  • Warm Up - Saturday June 10th, 12:00 Local, 10:00 UTC, 06:00 ET, 20:00 AEST – 15 Minutes
  • RACE START - **Saturday June 11th, 16:00 Local, 14:00 UTC, 10:00 ET, Sunday 00:00 AEST

The Track

The Circuit de la Sarthe covers 13.6 kilometres of the French country side. It combines the permanent race components of the Ford Chicanes, the pit straight, under the Dunlop Bridge and through to Tertre Rouge as well as the normal everyday roads of the Mulsanne straight through to Indianapolis and Arnage. The track has gone through many iterations over the years; originally, the cars raced into the heart of the city, turning just before the river Sarthe, before hurtling down the 8.6 kilometre straight. In 1932, the circuit removed the journey into the city, and more closely resembled the track we see today. Here’s a video of Mike Hawthorn touring the circuit with a camera and microphone attached in 1956, one year after his involvement in the Le Mans disaster. The addition of the Porsche Curves and the Ford Chicanes in 1972 added an extra dimension to the high speed, fast flowing track. In the late 80’s, the Group C prototype cars would reach over 400km/h, achieving average speeds of almost 250km/h in qualifying for the entire lap. This is an onboard of Derek Bell’s Porsche 956 in 1983, showing the ridiculous speeds on this configuration of the circuit. This configuration remained relatively unchanged right up to 1990, until FIA mandations required that for the circuit to be sanctioned, it must not have a straight longer than 2km. The 6km Mulsanne straight was cut down into three relatively equal length portions by two chicanes, giving the iteration of the circuit used today. Allan McNish takes you on an onboard lap of the 2008 circuit in this video. McNish is one of the gods of the modern prototype era, winning Le Mans 3 times; once with Porsche and twice with Audi. For a more comprehensive focus on the track, John Hindhaugh’s track walk takes you on a 30 minute exploration of the track, with in depth focus on corners like the Dunlop Esses, Tertre Rouge, Mulsanne Corner, and the Ford Chicanes.
For some modern on boards, check out the fastest ever lap in the Circuit de la Sarthe: Kamui Kobayashi's 3:14.791 in 2017 Q2, and last year’s Hyperpole lap, by Brendon Hartley, setting a 3:24.408
The Dunlop Bridge
The iconic Dunlop Bridge has been a part of the Le Mans track since 1932, making it the oldest Dunlop Bridge at any track. This part of the track requires a good launch out of the first chicane before cresting the brow of the hill, and plunging through the esses out onto the Mulsanne straight. As the LMP cars are much more maneuverable, caution must be taken passing the slower GT traffic, as Allan McNish discovered in 2011.
Tertre Rouge
Tertre Rouge is the corner that launches the cars onto the long Mulsanne straight. Maintaining momentum through this corner as it opens on exit is imperative to ensure maximum straight line speed heading down the first part of the Mulsanne. The undulation in the road makes for fantastic viewing at night, with some magic images of the Porsches throwing up sparks on the exit in 2014. Finally, this was the location of Allan Simonsen’s fatal crash in mixed conditions in the 2013 Le Mans. The Danish flags will fly at the corner in his memory.
Mulsanne Corner
After the incredibly long Mulsanne straight, the Mulsanne corner nowadays features a subtle right hand kink before the tight 90 degree turn. Here, the cars decelerate from 340 km/h down to below 100 km/h, resulting in a brilliant opportunity to overtake. Again, care must be taken overtaking slower traffic; unaware drivers have caught out faster cars attempting to pass through the kink, such as Anthony Davidson’s spectacular crash in 2012 resulting in a broken vertebra for Davidson.
Indianapolis and Arnage
The Indanapolis and Arnage complex is one of the most committed areas of the track. Hurtling down the hill from the Mulsanne Corner, the road suddenly bends to the right, a corner which only the bravest prototype drivers take flat out, followed by a beautifully cambered open left hander taken in third gear. A short sprint leads the cars into Arnage, the slowest point on the track. The tight right hander was the scene of heartbreak for Toyota in 2014 when the leading #7 broke down and had to be retired after an FIA sensor melted and shut off the electronics. Kazuki Nakajiima was unable to make it to the pits, leaving him stranded on the circuit.
The Porsche Curves
At a terrifyingly high speed, the Porsche Curves is the most committed part of the lap. Getting caught behind GT traffic in this section can mean losing phenomenal amounts of time. This was the site of Loic Duval’s horrific crash in practice for the 2014 event. Keeping momentum through the flowing right-left-right handers that lead into Maison Blanche requires 100% commitment and ultimate precision, with severe punishment for getting it wrong. The exit of the Porsche Curves underwent significant change in 2020, with additional run-off added in the middle part of the section. This has turned the treacherous and claustrophobic sweeping left-hander into an open and sweeping corner, encouraging every little bit of road to be used on the exit. What it hasn’t changed is the terrific consequences for making a mistake
The Ford Chicanes
The final chapter in the 13.6km rollercoaster that is Le Mans is the Ford Chicanes. Two tight left-right handers with massive kerbs are all that separates the driver from the finish line. Watching the cars bounce over the kerbs in beautiful slow motion is certainly something to behold, but 24 hours of mistreatment can lead to suspension and steering issues. The drivers have to be attentive until the very end, lest they throw it all away in the last minutes of the race.
The Circuit de la Sarthe requires over 85% of the lap on full throttle, with the cars accelerating from less than 100km/h to over 300km/h five times each lap. The challenge of having a car finish Le Mans is in itself, an achievement.

The Classes

The WEC consists of three classes on track at once, resulting in three separate races on track each in their own battle for 24 Hours. The classes are split based on their car type, with LMH and LMDh machinery facing off in the Hypercar class, purpose built prototypes with a spec engine and gearbox battling in LMP2, and GT machinery racing in GTE. Each class has its own set of regulations, driver requirements, and relevance for the Le Mans event.

Hypercar

The current top class of endurance sportscars is Hypercar, combining cars built to Le Mans Hypercar (LMH) and Le Mans Daytona (LMDh) specifications. Fighting it out will be LMH machinery from Toyota, Ferrari, Peugeot, Glickenhaus and Peugeot, while Porsche and Cadillac will be racing in LMDh cars. The LMH cars are bespoke sportscars, designed to a strict set of requirements dictating maximum power, drag coefficient, and weight, amongst other parameters, intended to limit the cost of the category. LMDh machines on the other hand are based on the future LMP2 chassis offerings, with manufacturers able to develop their own engines and bodywork, aligning with the power and drag coefficients of LMH. As part of cost-cutting, the Hypercar class is also subject to a Balance of Performance (BoP) formula, to level the playing field and ensure good racing! Hypercars are a little slower than their LMP1 predecessors, with lap times around the 3:24 mark for the Circuit de la Sarthe, which is on par with the 2014 LMP1 cars.

LMP2

The second prototype class is LMP2, and provides an excellent platform for endurance racing on a budget. The LMP2 class features a spec drivetrain and gearbox, using a Gibson V8 producing 400kW, and a selection of three chassis to choose from, of which the Oreca 07 has been the chassis of choice. This ensures that the competition in the class is very tight, and often comes down to the drivers and the team’s performance instead of just having the best car. While LMP2 was capable of 3:25 lap times in years previous, part of the ‘stratification’ of classes with Hypercar’s inclusion, the LMP2 class has lost some power and had some weight added. This should put LMP2 at the heels of the LMH pace, but with laptimes outside the 3:28 mark.
LMP2 is the first class that must feature amateur rated drivers. The Amateurs must drive for a minimum of 6 hours in the car over the course of the race. This means that there's an element of strategy of when to use your amateur driver throughout the race, as the amateur driver is generally slower than the Pros. The pro drivers in this class range from up and coming talent, former F1 drivers, and some of the best sportscar pilots in the world, and with 244 cars in this class, LMP2 is sure to be a hotbed of action over the 24 hours.

LMGTE-Am

GT class cars are cars that are derived from production models, and feature some of the most iconic cars and brands battling it out at the top of the field. The GTE cars are on the border of aero dependency, and can lap Le Mans in around 3:45 in a professional driver’s hands.
This year is the last year of the GTE class, and features 21 cars in a Pro-Am category, with cars from Ferrari, Porsche, Aston Martin, and Chevrolet on the grid. Despite the lack of a Pro category, the driver quality in GTE-Am is still incredibly high, with factory drivers, young stars, experienced champions and every level of experience in between on the grid, with each car featuring two Bronze or Silver rated drivers. With two amateur drivers, the strategy considerations multiply. While GTE-Am might be the class focussed on the least over the course of the race, the stories that come from this class are phenomenal, and it's well worth following.
The GT classes feature a range of different cars and configurations, and to equalise each of these against each other, the class goes through a process called 'Balance of Performance' or BoP. The organisers can adjust each individual car's weight, fuel tank, air restrictor, turbo boost pressures, and aero performance to alter performance levels to enable the different cars to race competitively. This can sometimes be contentious as every team will feel hard done by, but it is a necessary evil to having the variety of cars on the grid.

Innovative Car

Each year, there is the option for an Innovative Car, with untested or innovative technology, allowed to enter in it’s own category. In years past, this has allowed for entries from the Deltawing, or a modified LMP2 to allow amputees to race.
This year, the Innovative Car entry is a modified Chevrolet Camaro ZL1 Next-Gen NASCAR, run by Hendrick Motorsports. The Next-Gen NASCAR features modifications to allow it to run safely on the Circuit de la Sarthe, and will be driven by multiple NASCAR Cup champion Jimmie Johnson, Formula 1 World Champion Jenson Button, and Le Mans Overall Winner Mike Rockenfeller.

The Legends

Part of the allure of the Le Mans 24 Hours is the history, and the legends steeped in history over the course of its 88 previous editions. The race has had many headline battles in its history - periods of time where two or three teams went toe to toe for years, with the drivers, cars, and brands embroiled in these battles given the chance to elevate themselves above the rest, and show their prowess.
In 2019, we at /WEC, took our normal Le Mans Legends celebrations to a new level; each week, members of the community have been writing reviews on some of the closest, most fascinating finishes in Le Mans history! You can check out these reports below!
Bonus CookieMonsterFL Write-Ups
For a bite-sized history lesson on every Le Mans event, check out this post by u/JohannesMeanAd2, describing every Le Mans in a single sentence!
The early races were dominated by the Bentley company in their Speed 6, who won 5 of the first 7 races. Cars were separated into classes by their engine displacement, and the overall winner was based on distance covered. If two cars had finished with the same number of laps, the car with the smaller displacement was declared the winner. The race wasn't run during the second world war, and comparatively very little information is available on the stories of the early days of Le Mans.
After the second world war, teams such as Jaguar, Ferrari, Mercedes, and Aston Martin became the dominant teams. This era featured the legendary Jaguar D type, the Mercedes Benz 300 SLR, the Ferrari 250 Testa Rossa, and the Aston Martin DBR1. Jaguar won 5 times between 1951 and 1957, followed by an era of Ferrari dominance. Drivers such as Mike Hawthorn, Stirling Moss, Juan Manuel Fangio, and John Fitch became household names as Le Mans became a battle between German engineering and British "garagistas".
Ferrari and Ford was the story of the 60's, with Ferrari winning 6 times straight before Ford won four in a row with the GT40 Mk II, taking their first win in 1966. The story of their rivalry is legendary in it's own right - Henry Ford had almost successfully bought out the Ferrari motor company, only to be knocked back by Enzo himself at the 11th hour. In retaliation, Ford planned to hurt Ferrari where it mattered most; on the track. The Ford GT40 was so comprehensively dominant that it won the 1966 edition 21 laps ahead of the next car back - a Porsche 906/6. None of the Ferrari 330P3's finished the race. This battle gave drivers like Bruce Mclaren, Dan Gurney, and Jacky Ickx their first Le Mans victories, and propelled them to the forefront of motorsport stardom at the height of motorsport's popularity.
The 1970's saw the dawn of Porsche, with the 917k taking the brand's first win in 1970, with the same car winning the following year in the hands of Helmut Marko (yes, that Helmut Marko). It would be 5 years before Porsche would win again, with Matra taking 3 victories in the interim, each at the hands of Henri Pescarolo. Porsche returned with the 936 and the 956/962c dominating the race for the next 20 years. In fact, from 1970, Porsche won 12 times in 18 events, including 7 in a row, and they miiight have been a bit cheeky about it. Amongst these 12 wins, there were 4 for both Jacky Ickx and Derek Bell, and two for IMSA legend Hurley Haywood, as well as the first win for the Joest team in 1984. This era coincided with the introduction, and subsequent destruction of the Group C sportscar formula, widely regarded as the best Sportscar championship regulations of all time. Porsche’s dominance was eventually ended by Jaguar in the XJR-9LM, at the height of Group C’s magic. Ickx's 6 wins at this stage had earned him the nickname 'Mr Le Mans', a fitting title for one of the best drivers in the world at the time.
GT cars became a force to be reckoned with at the end of the Group C era, with classes being split into LMGTP and LMP. McLaren and Porsche had wins in GTP cars, in the F1 GTR and the 911 GT1 respectively, while Porsche, BMW and Peugeot scored LMP wins. 1997 saw the first win for Tom Kristensen, while the following year Allan McNish took his first victory, starting their journeys into the legend books of Le Mans.
The 2000’s ushered in the era of Audi, with all 13 of their wins coming since the turn of the century. GTP was disbanded due to safety issues, being replaced by GT1 and GT2. Audi picked up wins in the R8, the R10, the R15, and the R18, often dominating the might of the Peugeot 908. Audi's dominance elevated not only their drivers to legend status, but also their team managers, car designers, and race engineers. People like Reinhold Joest (team manager), Dr Wolfgang Ullrich (Audisport director), Ulrich Baretzky (engine designer), Leena Gade, Howden Haynes (race engineers) behind the wall and Allan McNish, Tom Kristensen, Rinaldo Capello, Marcel Fassler, Andre Lotterer and Benoit Treluyer have become household names in the sport not only for their wins, but their longevity and domination. Audi's dominance was only broken by a win for Bentley in 2003, running basically an Audi under a British racing green skin, and Peugeot in 2009, before being ended for good by Porsche in 2015. After both Porsche and Audi left the top class, Toyota rose to dominance, taking the last 3 Le Mans events in a row!
Between 2015 and 2017, Porsche added to their victories, now holding a record 19 overall victories at the Circuit de la Sarthe. Audi trail with 13, with Ferrari, Jaguar and Bentley holding the next three positions. Toyota finally took their first overall victory in 2018, and have won every year since. Tom Kristensen is has the most victories at Le Mans, with 9 overall victories over his career with Porsche, Audi and Bentley, inheriting the title of Mr Le Mans.

Videos and Documentaries

Entry List

Spotters Guide to be added when released!

Once again, /WEC will have a community spotters guide thanks to the efforts of Ziombel_444! The planned release date is the 6th of June, so keep your eyes peeled for that!

Check out Ziombel_444's other work at Spotters.Guide, and support this great effort!

Endurance Chat

/WEC's podcast, Endurance Chat, will have four episodes in the lead up to Le Mans, as well as a Pre-Pre-Race show in the hours before the event. Watch this space for updates!
  • Endurance Chat S8E11 – The Centenary 24 Hours of Le Mans Preview - History, context, and insight into this year’s edition of the Le Mans 24 Hours
  • Endurance Chat S8E12 - The 2023 Le Mans 24 Hour Hypercar Class Guide – COMING SOON
  • Endurance Chat S8E13 - The 2023 Le Mans 24 Hour LMP2 Class Guide – COMING SOON
  • Endurance Chat S8E14 – The 2023 Le Mans 24 Hour LMGTE-Am Class Guide – COMING SOON
In addition, Endurance Chat made a series of features detailing the history of sportscars in the late 60’s and early 70’s, at the transition point of GT and Prototype machinery. The series details some of the machinery, events, and drivers in one of the fastest and most dangerous periods in racing history. You can find a playlist to these features here!

Streaming and Television

In the past, the FIAWEC Broadcast has started from Qualifying Practice. We are awaiting confirmation if that is the case this year – Streams for non-FIAWEC sessions after that point will be subject to the organisers of those series broadcasting those sessions.

  • Official stream OUTSIDE US ONLY - The Le Mans package gives you access to all WEC sessions (Qualifying, Warm Up and the Race) with a choice of on boards, cross platform compatibility, and up to 5 devices connected at once. Additionally, replays of the event are free after the event. Official comms headed by Martin Haven, Anthony Davidson, and Graham Goodwin, who in my personal opinion properly nail the tone of the event. Has been known to get overloaded and crash however
  • Eurosport will likely be broadcasting the event in a variety of locales throughout Europe. This will be updated when confirmed
  • Radio Le Mans will be streaming live radio for every session
For American audiences, unfortunately the Official stream is geoblocked for your area. Information on how to watch will be updated when confirmed
  • [Official TV Broadcast distribution](COMING SOON) Find out how to watch in your region!
Any further updates on TV or Streaming distribution will be added as they are released!

Social Media

If you're looking for more interaction, you can find most of the teams, drivers and commentators on Twitter, giving you instant interaction with those in the midst of the event.

If someone wants to make a twitter list for the teams/driveetc for this year, that would be greatly appreciated!

Live timing

Be sure to join the discord for alternate timing solutions!

Get Involved!

By far the most fun you can have watching an endurance race is watching it with the official /WEC Discord! It's a lot of fun and a really great atmosphere to watch the race in!
If you want to have a go at picking who you think will be winning in each class, jump into mwclarkson's Fantasy Endurance Contest! It's free to enter, and if you win, you'll get the satisfaction and achievement of being right!
If there's anything you'd like us to add, or need clarification on, please comment below and we'll add it in!`
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2023.05.30 14:59 BoringInsect3125 The Perfect Deadpool 3 Crossover Has Absolutely Nothing To Do With Marvel

The Perfect Deadpool 3 Crossover Has Absolutely Nothing To Do With Marvel

Marvel Studios has the perfect opportunity to have Deadpool 3 crossover with a project not even remotely related to the Marvel Cinematic Universe.


Disney+ contains one TV show that offers up a perfect crossover for Deadpool 3 - only it has nothing to do with the Marvel Cinematic Universe. Deadpool 3 is set for release in November 2024 and will be the titular mutant's first journey in the MCU. Despite being part of a new universe, the film will be a continuation of Deadpool and Deadpool 2, though with the character's new surroundings offering plenty in the way of meta, self-referential jokes.
This type of humor has been common with the Deadpool films thus far and is unlikely to slow down in Deadpool 3's MCU story. Aside from the many jokes Deadpool can aim towards the MCU itself, being under the umbrella of Disney gives the film a perfect crossover opportunity. The best part of this is that the potential crossover would be with a show that has nothing remotely to do with Marvel Studios, truly exemplifying Deadpool's self-referential comedy style.

Ryan Reynolds Could Reference Wrexham AFC In Deadpool 3


The crossover in question could be between Deadpool 3 and Welcome to Wrexham. The latter is a documentary series on Disney+ that has followed the acquisition of the Welsh football team Wrexham AFC by Ryan Reynolds and Rob McElhenney. This is one of the bigger moments of Reynolds' recent life, outside of his acting career. As a result - alongside Wrexham being a British football club - Reynolds' name is now synonymous with his sports ventures in the U.K as well as his performances as Deadpool.
Through Deadpool's fourth-wall-breaking humor, Reynolds could reference Wrexham as part of Deadpool 3. As seen in She-Hulk: Attorney at Law, Marvel Studios is not afraid to overtly reference other Disney properties, with the titular character exploring the home page of Disney+ in the show's final episode. With Deadpool 3, something similar could happen with Welcome to Wrexham being housed on the streaming service.

Deadpool & Deadpool 2 Prove Ryan Reynolds References His Own Life


Even if this kind of overt, She-Hulk-like reference does not happen, a mention of Wrexham AFC is all but guaranteed for Deadpool 3. The reasoning for this comes from the two prior films in the series, in which Reynolds has proven to poke fun at his own life through the character of Deadpool. In the first Deadpool, for example, the character made multiple references to X-Men Origins: Wolverine, stating not to sew his mouth shut and owning an action figure of the speechless Deadpool from that film.
Also, Deadpool references Reynolds' brief stint as Green Lantern, asking Ajax not to make the super-suit green or animated. In Deadpool 2's post-credit scene, Deadpool travels back in time and kills the version of himself from X-Men Origins and even kills Reynolds himself after reading the script for Green Lantern. Through these references, it is likely Reynolds will include a Wrexham reference in Deadpool 3, knowing the character's meta-nature and the big part of Reynolds' life that British football has become.
Stay withis us ! Let's See With Other Post
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2023.05.30 14:57 ChimmyMama With Street Fighter 6 scoring 92 on Metacritic, CAPCOM is on an absolute roll right now!

With Street Fighter 6 scoring 92 on Metacritic, CAPCOM is on an absolute roll right now! submitted by ChimmyMama to gaming [link] [comments]


2023.05.30 14:55 florastise Episode Discussion – S1E14 – New Kid in School

It's time for another episode discussion! Provide your thoughts on this episode in the comments, and come back tomorrow to discuss the next episode: More Than a Zombie to Me!
Season 1 Episode 14: New Kid in School
Aired: August 18, 2006
Description: Famous TV star Jake Ryan transfers to Miley's school. A reporter begins filming a documentary about his new school life, and Lilly (along with every other girl in the class) falls head over heels in love with him. However, Miley sees beyond his looks and becomes annoyed by his ego and jealous of the special treatment he receives. Lilly and Oliver tell Miley that if she tells everyone that she is Hannah Montana, they could get the special treatment Jake gets. In a moment of stress, Miley tells the reporter that she is Hannah Montana and can prove it by providing her address. Then Jake tells Miley he likes her because she sees the real him – not the superstar – and he wishes he could take a break from the fame, and Miley realizes she made a mistake telling the reporter. When the reporter arrives at her house, Miley is dressed like a Hannah impersonator, Jackson as Elvis, and Robby Ray as Billy Ray Cyrus. The reporter leaves, thinking they are crazy. In the subplot, Jackson gets a new used car, but when he's about to go on a date, the car battery dies. Jackson convinces Robby Ray to let him take his new car, which is much better, but when Robby Ray takes Jackson's car to replace the battery, a truck accidentally rips the car door off. In order to hide this, he forgives all of Jackson's mistakes. Jackson eventually finds out, and Robby Ray has to make it up to him.
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2023.05.30 14:00 aish_81 From the writers desk!

Larry David anyone😄 https://www.theguardian.com/commentisfree/2023/may/30/succession-inside-story-brits-write-new-york-drama-tv-series-final-season-spoilers?CMP=share_btn_tw&s=34
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2023.05.30 13:56 autobuzzfeedbot As A Music-Obsessed Gen Z'er, I Found 21 Songs That Perfectly Embody The Experience Of Navigating Your 20s So You Don't Have To

  1. "20 Something" by SZA — If you have no idea what you're doing in your twenties, you're definitely not alone. This decade is like a blank slate as you enter adulthood for the first time, which is both exciting and terrifying.
  2. "Story Of My Life" by Ant Clemons — Following unconventional dream-like music, acting, or comedy in your twenties can be especially challenging as we are all constantly under pressure to find stability in our careers. Your twenties are the time to take a risk and follow your passion, even if it's risky.
  3. "24" by sundial — In your twenties, it can be easy to feel left behind because everyone you know is at a different stage of life for the first time. This is the time to remember that everyone is on their own path and to not compare your life to other people that you see on social media.
  4. "Don't Tell My Mom" by Reneé Rapp — No one wants to admit that they're struggling and worry about their loved ones, but this added pressure of dealing with stress and anxiety on our own usually just makes it ten times worse.
  5. "Love Me More" by Sam Smith — We have heard the term "self-love" all our lives, but in our twenties, we realize how important that practice is when navigating the unknown. Self-love can be anything that makes you feel good about yourself, and practicing it constantly allows you to be in the headspace to succeed in this decade of life.
  6. "Best Days" by Alessia Cara — It's easy to forget that when you're in your twenties, you are still young! There are so many great life moments to come, with some of your best days ahead.
  7. "Landslide" by Fleetwood Mac — Our twenties are the beginning of adulthood, where we really say goodbye to our childhood selves. Though realizing that we will never be kids again can be hard, we can still bring elements of those younger versions into adulthood.
  8. "golden years" by Christian French — Our twenties are heavily romanticized by the mainstream media in movies, TV, ads, you name it. We are told that these are our "golden years" where we should always be having fun and achieving, but that is a lot of pressure to put on a decade that is known to be unpredictable. Our "golden years" can look different and still be just as valid.
  9. "Twenty One" by Khalid — When you're truly on your own, it's all too easy to rely on others to keep you grounded and happy; after all, that's what the first twenty years of your life were all about. But there's a flip side to that trap that's so easy to fall into: You, and only you, are in charge of your own happiness. As intimidating as that sounds, it can also be a powerful realization.
  10. "Chaotic" by Tate McRae — Not every friendship is meant to last a lifetime, and that's okay! In our twenties, we often find ourselves clinging to old friendships, firstly because they are familiar, and secondly, because we believe anything is better than being alone. This decade is a time to figure out what we value most in our friendships and set aside relationships that no longer serve us.
  11. "Breakaway" by Kelly Clarkson — If you grew up in a small town, the idea of starting your adulthood in the same place can be somewhat unappealing. It's important to always acknowledge where you come from but to also be unafraid to try something new.
  12. "Good Thing" by Zedd & Kehlani — Being "good on your own" is harder said than done, but once you find your independence, you'll be unstoppable from your twenties on!
  13. "Fake Smile" by Carlie Hanson — We're all guilty of trying to put on a mask to hide how we're really feeling. Whether it's hiding your nerves at your first job or wearing that fake smile around your friends.
  14. "jealous of my friends" by Bea Miller — Being jealous of your friends is a universal feeling for the twenty-somethings. Social media can make it even harder when everyone is showing off their personal wins, but realizing that others doing well has nothing to do with your journey is crucial.
  15. "pride.is.the.devil" by J. Cole and Lil Baby — Learning to check your ego in your twenties is important because pride can often get in the way of achieving your goals.
  16. "Seasons" by Madison Ryann Ward — Your twenties are a learning season of life. Not every part of your twenties will be a happy season, but it's important to find ways to stay present as life changes.
  17. "Changes" by Justin Bieber — While transitioning from your early twenties to your mid-twenties, you can feel the shifts in your mindset, decision-making, and thought processes as you move through the world. Acknowledging those changes is important because you are growing!
  18. "Best Thing I Never Had" by Beyoncé — Sometimes what we think we want in our twenties is not what we actually need. At times when things don't happen as you planned, it can be difficult to move forward, because you already have a picture painted in your mind. But the #1 phrase of your twenties should be "everything happens for a reason," because it usually works out better in the end.
  19. "Eastside" by benny blanco, Halsey, and Khalid — Adulting in your twenties is a lot of pressure. From taxes, to rent, and health insurance, I mean everything costs money. On top of that newly added pressure of providing for yourself, you have to simultaneously juggle all of your emotions as relationships fail and the world around us changes.
  20. "Unwritten" by Natasha Bedingfield — Your twenties are the beginning of your chapter of adulthood! You and only you are in charge of how your story unfolds.
  21. "The Climb" by Miley Cyrus — Sometimes we all just need some motivation and a taste of childhood. In your twenties, it's important to remember that there will always be setbacks and difficulties, but learning to navigate them in a healthy way is how you will grow into the best version of yourself.
Link to article
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2023.05.30 13:18 AutoModerator Here's How To Watch 'You Hurt My Feelings' (2023) Online Free Streaming ON Reddit

Julia Louis-Dreyfus Movies! Here are options for downloading or watching You Hurt My Feelings streaming the full movie online for free on 123movies & Reddit, including where to watch the anticipated Julia Louis-Dreyfus and Nicole Holofcener team up for a new comedy movie at home. Is You Hurt My Feelings 2023 available to stream? Is watching You Hurt My Feelings on HBO Max, Netflix, Disney Plus or Amazon Prime? Yes, we have found an authentic streaming option/service.

Watch Now🔴You Hurt My Feelings Online Free

A new comedy by A24 is coming our way this summer! You Hurt My Feelings was written, directed, and produced by Nicole Holofcener. The film is also produced by Anthony Bregman, Stefanie Azpiazu, and Julia Louis-Dreyfu.

Romantic comedies are always about finding your true love, but Nicole Holofcener has stood out in her career because her movies often focus on the struggles of maintaining or rediscovering love later in life. That once again looks to be the case in her new movie, You Hurt My Feelings, where she teams up with Julia Louis-Dreyfus.

While the movie is written and directed by Holofcener, it also has another big name in Hollywood right now behind it — studio A24. The producedistributor has long been known for its acclaimed entries that offer something different than the typical superhero/franchise fare of many other Hollywood studios. A24 has been on a particularly hot streak of late, with its 2022 movie Everything Everywhere All at Once winning Best Picture, as well as a slew of other movies earning awards and strong box office numbers. Will You Hurt My Feelings keep that momentum going?

Already intrigued? We know you are, and we also know you're wondering how you can watch and stream You Hurt My Feelings from the comfort of your own home. Luckily, we did some research and have an idea of when this will happen.

Fasten your seatbelt, because here's where you can watch and stream You Hurt My Feelings online.

You Hurt My Feelings release date
After premiering at the 2023 Sundance Film Festival in January, You Hurt My Feelings arrives in theaters for US audiences on May 26, which is the Friday of Memorial Day weekend.

The comedy is going to be an alternative to the usual summer blockbuster fare, including in its opening weekend, going up against The Little Mermaid and the broad comedy About My Father.

You Hurt My Feelings is also just one of many A24 movies set to come out in 2023, joining Beau Is Afraid, Past Lives and Talk to Me.

Where To Watch You Hurt My Feelings:
As of now, the only way to watch You Hurt My Feelings is to head out to a movie theater when it releases on Friday, May 26. You can find local shows on Fandango, IMAX, Regal, AMC Theatres, Cinemark, Cineplex, Landmark Theatres, Alamo Drafthouse and Harkins Theatres.

Watch Now: You Hurt My Feelings (2023) Online Free

Otherwise, you’ll just have to wait for it to become available to rent or purchase on digital platforms like Paramount, Vudu, YouTube and Apple, or become available to stream on Amazon Prime Video.

Is You Hurt My Feelings streaming?
No, You Hurt My Feelings isn’t streaming right now. It is exclusively available in cinemas after its wide theatrical release on May 26, 2023.

Since A24 is set to share a digital release date, we can only speculate as to when it may be available to watch at home.

Looking at Aster’s previous movies, both of which were also backed by A24, Hereditary had a wide theatrical release on June 8, 2018, while it became available to rent or buy on Amazon Prime Video and other platforms on August 21, 2018.

Meanwhile, the director’s cut of Midsommar dropped in cinemas on August 30, 2019, before streaming on September 24, 2019.

Aside from Aster’s projects, A24’s Oscar-winning hits Everything Everywhere All at Once and The Whale had a wide theatrical release on April 8, 2022, and December 21, 2022, respectively.

The Michelle Yeoh-starring movie became available for streaming on June 7, 2022, while the Brendan Fraser-led drama didn’t come out until March 14, 2023.

If you put all of these together, this averages out to just under two months – but it’s likely set to follow Aster’s previous flicks, meaning the wait might not be quite so long. We’ll be sure to keep you posted when updates roll in.

Is You Hurt My Feelings Streaming on HBO Max?
No, You Hurt My Feelings will not be on HBO Max since it is not a Warner Bros. movie. Last year, the company dropped its movies on the streamer the same day they premiered in theaters. However, they have since stopped and like many others, started allowing a 45-day window between the theatrical debut and the streaming release.

Is You Hurt My Feelings on Netflix?
No, You Hurt My Feelings will not be on Netflix. However, it is possible that it will make it to the streaming giant eventually seeing as it’s home to other A24 movies like Uncut Gems. Until then, you’ll just have to head out to theaters or wait until it becomes available on digital.

Is You Hurt My Feelings Available On Hulu?
Viewers are saying that they want to view the new animation movie You Hurt My Feelings on Hulu. Unfortunately, this is not possible since Hulu currently does not offer any of the free episodes of this series streaming at this time. It will be exclusive to the MTV channel, which you get by subscribing to cable or satellite TV services. You will not be able to watch it on Hulu or any other free streaming service.

Is You Hurt My Feelings on Amazon Prime?
We hate to tell you that ‘You Hurt My Feelings’ is not included in Amazon Prime’s library. But you can still make the most of your subscription by turning to other alternatives that the streaming giant houses, such as ‘Prisoner X‘ and ‘The Prison.’

When Will You Hurt My Feelings Be on DVD and Blu-ray?
As of now, there is no set date last to when You Hurt My Feelings will be available on Blu-ray and DVD, but we'll keep you updated once we know more about when the film will be available on physical media.

How to Watch You Hurt My Feelings Online For Free?
Most Viewed, Most Favorite, Top Rating, Top IMDb movies online. Here we can download and watch 123movies movies offline. 123Movies website is the best alternative to You Hurt My Feelings (2023) free online. We will recommend 123Movies is the best Solarmovie alternatives.

There are a few ways to watch You Hurt My Feelings online in the U.S. You can use a streaming service such as Netflix, Hulu, or Amazon Prime Video. You can also rent or buy the movie on iTunes or Google Play. You can also watch it on-demand or on a streaming app available on your TV or streaming device if you have cable.

You Hurt My Feelings cast
Julia Louis-Dreyfus headlines You Hurt My Feelings as novelist Beth. This is a reunion for Louis-Dreyfus and Holofcener, as the two previously worked together on the 2013 movie Enough Said. Of course, Louis-Dreyfus is best known for her TV roles as Elaine on Seinfeld and Selina Meyer on Veep, but she has also starred in The New Adventures of Old Christine, Downhill, You People and has a recurring role in the MCU as Valentina Allegra de Fontaine.

Playing Beth's husband Don is Tobias Menzies. Many viewers will likely know Menzies from either his role as Prince Philip for two seasons on The Crown or in Outlander, though he has also appeared in big-name shows like Game of Thrones, Rome and The Terror.

Other members of the You Hurt My Feelings cast include Michaela Watkins (Enlightened) as Beth's sister Sarah, Owen Teague (Mrs. Fletcher) as Beth's son Elliot, Arian Moyaed (Succession) as Sarah's husband Mark and Jeannie Berlin (Succession) as Beth's mother Georgia. Also appearing in the movie are David Cross, Amber Tamblyn, Zach Cherry, LaTanya Richardson Jackson and Sarah Steele.

What Is You Hurt My Feelings About?
Nicole Holofcener has distinguished herself in her career by centering many of her works that deal with the challenges of sustaining or rediscovering love in later life. This appears to be the same situation for You Hurt My Feelings which tells the story of a woman and her husband, focusing on their relationship over the years. The couple’s apparent happy life takes a hit when their little white lies are revealed to each other.
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2023.05.30 13:00 xezene The 'Saga Journal' Archive A complete archive of the Star Wars fandom's landmark first fan-run online academic journal (2004-2010)

Hello, everyone. The following archive is my attempt to collect the incredible work of Saga Journal, the first online academic journal created by fans to illuminate and analyze the six films of the Star Wars saga in greater depth. It really was something incredible, and reading it again now, it still is. As such, I've decided to share it here, and hopefully preserve it on the internet for all to see once more.
Created in late 2004, Saga Journal consistently published academic essays over the course of the next 4 years, and then one final time, coming to a close in 2010. Drawing on works of literature, psychoanalysis, history, and comparative media, Saga Journal featured essays written by fans with a keen eye for the layers within the films, while keeping to a submission standard of quality and style, as each essay contained a bibliography of works cited. From historical analogues to Jungian analysis, the essays often offer worthwhile insights and observations, with pieces of brilliance appearing with some regularity. The incredible efforts put into creating and maintaining this journal, as well as the essays themselves, deserve to be preserved on the internet and read.
I encourage everyone to peruse the essays at your interest, and even to share or repost essays that bring you insight, here and elsewhere. I myself discovered Saga Journal through reading one fantastic essay (The Perils of Padmé by lazypadawan) and was richly rewarded by checking out the rest Saga Journal had to offer. The impressive effort of the journal was the combined work of men and women, but it should be noted it was largely the initiative of women within the Star Wars fandom to make Saga Journal a reality. In the course of Star Wars history, such a detail is worth highlighting, as the films have always resonated with a variety of audiences who themselves had much to contribute back to the saga. Without further ado, enjoy reading!

Saga Journal

~~~~~~~~~~~~~

Volume 1













PDF digital publication of the entire first volume of Saga Journal.

Volume 2












Volume 3












Volume 4





Volume 5

Other Features

The Star Wars Saga Discovering Star Wars: Fan Stories Other Academic Star Wars Essays
Reviews (documentaries, books, & more) Links of Note
Editorial Team Submission Guidelines/Call for Papers About Saga Journal
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2023.05.30 12:14 Expensive_Split_9155 If Black Widow had her own TV series? ChatGPT

If Black Widow had her own TV series, it would likely provide an opportunity to delve deeper into her character and explore her backstory, adventures, and personal journey in more detail. Here's a hypothetical outline of what a Black Widow TV series could entail:
  1. Origin Story: The series could start by exploring Natasha Romanoff's origins as a Russian spy and how she became an agent of S.H.I.E.L.D. This would involve showcasing her training in the Red Room, her transformation into the Black Widow, and her early missions.
  2. Espionage and Intrigue: As a highly skilled spy, the TV series could focus on Natasha's various espionage missions, showcasing her expertise in combat, infiltration, and gathering intelligence. Each episode could feature a self-contained mission or involve an overarching storyline that unravels throughout the season.
  3. Complex Relationships: Black Widow's relationships with other characters could be explored in greater depth. This includes her connection to Hawkeye, her friendship with other Avengers, and her complicated past with characters like the Winter Soldier. These relationships would provide emotional depth and character development throughout the series.
  4. Past Mysteries: Natasha's past is shrouded in secrets and unanswered questions. The TV series could delve into these mysteries, unveiling hidden aspects of her past and exploring her motivations and regrets. This would add layers to her character and offer opportunities for engaging storytelling.
  5. Redemption and Personal Growth: Black Widow's journey has always been about redemption and finding her own path. The TV series could focus on her personal growth, as she confronts her past and strives to make amends for her actions. This would provide a compelling character arc that spans across the series.
  6. New Villains and Threats: Alongside exploring Natasha's personal story, the TV series could introduce new villains and threats that she must face. These adversaries could be a mix of familiar and lesser-known Marvel villains, providing opportunities for intense action sequences and suspenseful storytelling.
  7. Crossover Opportunities: Since Black Widow is part of the larger Marvel Cinematic Universe, the TV series could also feature crossover events or guest appearances from other Marvel characters. This would create connections to the wider Marvel world and add excitement for fans.
Overall, a Black Widow TV series would provide a platform to further develop and explore Natasha Romanoff's character, showcasing her skills, relationships, and personal journey in a serialized format. It would offer a blend of action, espionage, and character-driven storytelling that captures the essence of the Black Widow character.
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2023.05.30 11:36 elpatio6 Really, HBO?

Really, HBO? submitted by elpatio6 to apostrophegore [link] [comments]


2023.05.30 11:11 SnooMemesjellies5491 I will miss the dialogue soo much!

Loved the series but I will miss soo much the dialogue between everybody. The fact that even when characters they did speeches they had to to stumble and make mistakes. Usually in most movies, tv show whenever somoene does a speach its perfectly flawless
I mean everything the interaction between the brothers when they argue and when Roman doesnt have anything to say he just starts swearing. Kulkin gave one of the finest performances
Also Jeremy I hated his character but then he amde him vulnerable
I know its perfect ending but I do hope for some sort a reunion down the line maybe another season somehow .
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2023.05.30 10:26 jimbowee "From James Bond to Game of Thrones – How Diana Rigg Became a Pop Culture Icon"


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"The Early Years: Childhood and Acting Beginnings"
Diana Rigg's journey to becoming a pop culture icon started in her early years. She was born on July 20, 1938, in Doncaster, Yorkshire, England. Her father was a railway engineer and her mother was a homemaker. Rigg had an older brother
Growing up, Rigg attended various schools including Fulneck Girls School in Pudsey and the Royal Academy of Dramatic Art (RADA) in London. It was during her time at RADA that she discovered her passion for acting.
Rigg's first professional acting role came when she joined the Royal Shakespeare Company in 1959. She played various roles in productions of plays such as "The Taming of the Shrew." In 1965, Rigg landed her breakthrough role as Emma Peel in the British TV series "The Avengers."
Rigg's education and training were instrumental to her success as an actress. She studied at prestigious institutions such as RADA and worked with reputable theatre companies like the Royal Shakespeare Company. Her dedication to honing her craft allowed her to excel both on stage and on screen.
However, it wasn't just Rigg's training that made her stand out from other actresses of the time. As Emma Peel on "The Avengers," she became a feminist icon during an era when women were fighting for equal rights worldwide. The character challenged gender norms by being both intelligent and physically capable while still maintaining a sense of femininity.
In addition to being a trailblazer for feminism during the '60s, Diana Rigg also had personal solid beliefs regarding gender roles. In interviews throughout her career, she spoke candidly about how women were often relegated to secondary roles or treated as objects rather than individuals with agency.
Diana Rigg's early years and acting beginnings laid the foundation for her success as a pop culture icon. Her education, training, and breakout role as Emma Peel in "The Avengers" set the stage for her future successes in film, television, and theatre. Rigg's impact on pop culture would only grow from here as she continued to take on new challenges and push boundaries throughout her career.

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"The Avengers: How Emma Peel Became a Feminist Icon"
Diana Rigg was already an accomplished stage actress when she landed the role of Emma Peel in the British TV series "The Avengers" in 1965. However, it was her performance as this iconic character that put her on the map and cemented her status as a feminist icon.
Emma Peel was unlike any other female character on television at that time. She was not just a sidekick or romantic interest for male characters; she was a fully realized action hero in her own right. She fought alongside her partner John Steed, played by Patrick Macnee, and often saved his life as much as he saved hers.
Rigg brought a unique energy to the role of Emma Peel, blending intelligence, wit and sex appeal with martial arts skills and sharpshooting. Her portrayal inspired women all over the world to stand up for themselves and demand equality in all aspects of their lives.
Rigg has often spoken about how important it was for her to play a strong female character like Emma Peel during this time period. In interviews, she discussed how women were still expected to be subservient and obedient to men in many areas of society at that time. By playing Emma Peel with such confidence and skill, Rigg hoped that she could help break down some of these gender barriers.
"The Avengers" quickly became one of the most popular shows on British television during its run from 1961-1969. Fans loved its blend of espionage, humour and action, but it was Emma Peel who really captured their imaginations. The character's stylish outfits – including skin-tight catsuits – also helped make Rigg an instant fashion icon.
But beyond just being an entertaining show with a cool lead character, "The Avengers" had real cultural significance. It challenged traditional gender roles by presenting a powerful woman who could hold her own against any man. Emma Peel was not just a pretty face; she was a complex and multi-dimensional character who could be vulnerable one moment and deadly the next.
Rigg's performance as Emma Peel also paved the way for other female action heroes in popular culture. Characters like Buffy Summers, Sydney Bristow, and Katniss Everdeen would all follow in her footsteps decades later. The impact of Rigg's portrayal of Emma Peel can still be felt today in movies, TV shows and comics.
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Game of Thrones: Olenna Tyrell Steals the Show
Diana Rigg's late-career resurgence is largely thanks to her role as Olenna Tyrell in HBO's hit series Game of Thrones. As the matriarch of House Tyrell, Rigg brought wit, wisdom, and cunning to every scene she was in, stealing the show from many of her younger co-stars.
Rigg was initially hesitant about taking on the role of Olenna Tyrell. She had never been a fantasy or science fiction fan and was unfamiliar with George R.R. Martin's books. However, she quickly became enamoured with both the character and the show itself.
Olenna Tyrell is one of the most complex characters in Game of Thrones. She is fiercely protective of her family and will stop at nothing to secure their place in Westerosi society. Yet at the same time, she is also pragmatic and shrewd, willing to make alliances with anyone who can further her goals.
Rigg brought all these qualities to life on screen. Her performance as Olenna was nuanced and layered, allowing viewers to see both her strength and vulnerability. Whether she was trading barbs with Cersei Lannister or imparting wisdom to her granddaughter Margaery, Rigg commanded attention in every scene she appeared in.
It's no surprise that fans quickly fell in love with Olenna Tyrell. Her sharp tongue and biting wit made her an instant fan favourite, while Rigg's performance earned widespread critical acclaim. In fact, many critics credit Rigg with elevating what could have been a minor character into one of the show's most memorable figures.
Rigg herself seemed surprised by how much people loved Olenna Tyrell. She once said in an interview that she had "no idea" why fans were so drawn to the character but speculated that it might be because "she says what we all wish we could say."
Regardless of the reason for her popularity, there's no denying that Olenna Tyrell left a lasting impression on Game of Thrones. Her final scene, in which she reveals her role in Joffrey Baratheon's death and then drinks poison with a smile on her face, is one of the most iconic moments in the show's history.
As for Rigg herself, she seemed to relish every moment of her time on Game of Thrones. In interviews, she spoke fondly of her co-stars and praised the show's production values. She even admitted to being a little starstruck when meeting some of the younger cast members.
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Legacy: Remembering Diana Rigg
Diana Rigg was a true icon of pop culture. From her early beginnings in theatre to her breakout TV role as Emma Peel in "The Avengers," and her late-career resurgence as Olenna Tyrell in "Game of Thrones," she left an indelible mark on the entertainment industry. Even after her passing, her legacy lives on.
Rigg's impact on pop culture is undeniable. She was not only an incredibly talented actress but also a trailblazer for women's rights and representation in the industry. Her portrayal of Emma Peel, a strong and independent female character, became a symbol of female empowerment during the 1960s. Her performance as Olenna Tyrell brought a new level of complexity to the show, cementing her status as one of the series' most beloved characters.
But what made Rigg truly special wasn't just her talent or iconic roles – it was also her spirit and personality off-screen. She was known for being fiercely independent, outspoken, and unapologetically herself. These qualities endeared her to fans all over the world, who saw Rigg as not just a great actress but also an inspiration.
In this chapter, we'll take a closer look at Diana Rigg's life and career and examine why she remains such an enduring icon even after her passing.
Rigg grew up in England with her family before discovering acting while attending school. She went on to study at the Royal Academy of Dramatic Art (RADA) before making her professional debut on stage in 1957. Over the years, she appeared in numerous plays both classic and contemporary while also making a name for herself on TV and film.
But it was perhaps Rigg's work as Emma Peel that truly solidified her status as an icon. The character broke new ground when it came to female representation – she was smart, capable, and never relegated to the role of sidekick or love interest. Rigg's performance was a revelation, and it's no surprise that she remains a feminist icon to this day.
Rigg's work on stage was equally impressive. She won a Tony Award for her performance in "Medea," and her appearances in plays like "Macbeth" and "Pygmalion" earned critical acclaim. Her versatility as an actress was unmatched, and she remained a fixture of British theatre even as her career took her to new heights in TV and film.
Of course, Rigg's late-career resurgence as Olenna Tyrell in "Game of Thrones" brought her to a new generation of fans. Her performance as the cunning matriarch was one of the show's highlights, and it once again showcased Rigg's incredible talent for bringing complex characters to life.
Even after her passing in 2020, Diana Rigg remains an important figure in pop culture. Her impact on feminism and representation can still be felt today, while her talent as an actress continues to inspire new generations of performers. She truly was – and is – an icon for the ages.
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2023.05.30 10:22 Expensive_Split_9155 A TV series about Darth Plagueis and Darth Sidious (ChatGPT's thoughts)

Title: Shadows of the Sith
Synopsis: "Shadows of the Sith" is a thrilling TV series set in the expansive Star Wars universe, focusing on the captivating characters of Darth Plagueis and Darth Sidious. The series delves deep into the untold story of their rise to power, their dark ambitions, and the far-reaching consequences of their actions.
Season 1:
  1. "Birth of Darkness" - The series premiere introduces viewers to Darth Plagueis, a wise and enigmatic Sith Lord who takes on the ambitious young senator Sheev Palpatine as his apprentice, setting the stage for the events that will shape the galaxy.
  2. "Secrets of the Sith" - Plagueis imparts his knowledge of the dark side to Sidious, teaching him the ways of manipulation, scheming, and bending the Force to their will. Together, they begin to unravel the intricacies of the Sith and forge their path to ultimate power.
  3. "Politics of Deception" - Sidious infiltrates the Galactic Senate, establishing his alter ego, Senator Palpatine, while simultaneously sowing seeds of discontent among various factions. The series explores the intricate political machinations and secret alliances that enable their ascent.
  4. "Dark Arts" - Plagueis guides Sidious in the forbidden Sith rituals and practices, including the manipulation of life and the pursuit of eternal life. As they delve deeper into the dark side, the consequences of their actions become more apparent.
  5. "Clash of the Titans" - The conflict between the Sith and the Jedi Order intensifies as Sidious orchestrates encounters with notable Jedi, showcasing his cunning and lightsaber skills. The tension builds as their plans collide and the true scope of the Sith's grand design becomes apparent.
  6. "The Clone Wars" - With the galaxy in turmoil, Sidious masterfully exploits the growing unrest, pitting the Republic against the Separatists. The series explores their involvement in key battles, secret alliances, and their manipulation of both sides to further their agenda.
Season 2: 7. "Master and Apprentice" - The complex relationship between Plagueis and Sidious is further explored, delving into their conflicting ideologies, power struggles, and the potential for betrayal within the Sith ranks.
  1. "Unveiling the Dark Side" - Sidious uncovers ancient Sith artifacts and holocrons, providing a deeper understanding of the dark side's origins and its connection to their ultimate goal of galactic domination.
  2. "The Fall of the Republic" - The Galactic Empire begins its ascent as Sidious engineers the downfall of the Republic and its transformation into an authoritarian regime. Amidst the chaos, the Jedi Order faces its darkest hour.
  3. "The Prophecy" - As the series nears its climax, the mysterious prophecy of the Chosen One looms large, and Sidious realizes the magnitude of the threat it poses to his plans. A desperate race against time ensues as the Sith Lord seeks to secure his position and eliminate any potential obstacles.
  4. "Betrayal" - Tensions reach their peak as Plagueis and Sidious confront each other in a battle of wills, with betrayal lurking at every turn. Loyalties are tested, and the true nature of the Sith's grand plan is revealed.
  5. "Rise of the Empire" - The final episode depicts the culmination of the Sith's machinations as Sidious ascends to the position of Emperor, solidifying the Galactic Empire's grip on the galaxy. The stage is set for the events of the original trilogy.
"Shadows of the Sith" provides a thrilling, character-driven exploration of the dark side of the Force, political intrigue, and the legacy of Darth Plagueis and Darth Sidious. It offers
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2023.05.30 10:21 DemiFiendRSA Street Fighter 6 Review Thread

Game Information

Game Title: Street Fighter 6
Platforms:
Trailers:
Street Fighter 6 - Launch Trailer
Street Fighter 6 - Your Story Trailer
Street Fighter 6 - Pre-Order Trailer
Street Fighter 6 - Announce Trailer
Developer: CAPCOM Co., Ltd.
Publisher: CAPCOM CO. LTD
Review Aggregator:
OpenCritic - 92 average - 98% recommended - 64 reviews
Critic Reviews
Checkpoint Gaming - Luke Mitchell - 8.5 / 10
Street Fighter 6 provides the fast and furious action you'd expect from the refined fighting series, offering a dynamic cast of characters, new control modes to make it more accessible, and a variety of features to keep you busy. Its story mode is a campy take on the Street Fighter universe that doesn't always land the winning blow, however; while it's filled with distractions and civilian fighters to take on, it can be a little repetitive and shallow. Still, the technical foundations that Street Fighter stands on are as solid as ever, and with a whole world to battle online, there's a lot of fighting on the menu in what is once again a polished, exciting fighting experience that will keep fans engaged for years.
Console Creatures - Patrick Tremblay - Recommended
Without a doubt, Street Fighter 6 is the best and most accessible entry in the long-running series. Anyone can jump in, and there is a lot of content to keep you busy and practicing on the road to World Champion.
Cultured Vultures - Ash Bates - 10 / 10
A sublime fighting game masterpiece from a company at the peak of their powers, Street Fighter 6 is utterly incredible.
Destructoid - Chris Moyse - 9.5 / 10
Simply put, Street Fighter 6 is one of the very best entries in series history.
Eurogamer - Wesley Yin-Poole - Recommended
Street Fighter 6 rights the wrongs of its predecessor while dragging the famous fighting game franchise kicking and screaming into the modern era.
Fextralife - Castielle - 8.4 / 10
Capcom delivers and checks the majority of the boxes when it comes to the classic and new features of Street Fighter 6. It heads down a different direction making it more casual while maintaining the core values of the game, allowing it to be a mainstream fighting game for all players. However, with its awkward performance on the PlayStation 4. The concern is, will World Tour have more content and will the performance issues be fixed. We hope these will be addressed. In the meantime, it is recommended to play Street Fighter 6 on current-gen consoles and PC to fully appreciate and enjoy this game.
GamesHub - Edmond Tran - 5 / 5
Street Fighter 6 is an exceedingly good fighting game. But more than that, it’s an excellent training tool. It’s a fulfilling adventure. It’s a lively community gathering place. It’s an endearingly idealistic and inspiring world of appreciation for martial arts and friendly competition, exceptionally executed in every respect.
GameGrin - Mike Crewe - 9.5 / 10
The most complete Street Fighter title to date, Street Fighter 6 is a must-play for fighting game fans, and one to consider even if you're not familiar with the genre. An engaging, stylish beat 'em up that could well be king of the mountain for years to come.
Game Informer - Elijah Gonzalez - 9.5 / 10
Between its cohesive aesthetic, the bounty of clever features, and crisp central gameplay, it’s one of the most impressive entries the genre has seen in some time.
GamesRadar+ - Andi Hamilton - 5 / 5
Street Fighter 6 offers the most flexible, versatile, and expressive combat seen in the series to date. With its fantastic suite of game modes and diverse character roster, Street Fighter 6 has something to offer every type of fighting game fan.
GameSpot - Jason Fanelli - 9 / 10
Capcom's flagship fighter is back in form with intricate but approachable fighting mechanics and a feature-rich package.
Gaming Nexus - Joseph Moorer - 10 / 10
Capcom has given us a complete game right out of the box. The single player experiences are enormous. The online experience is perfect. Street Fighter lore is littered in every nook and cranny of this game. There are modes and modes within modes. This is one of the best Street Fighter games in the history of the franchise. If Capcom hurt you in the past, this is their apology. Street Fighter 6 is a new classic that people will be playing for years to come.
GamingTrend - Jack Zustiak and Abdul Saad - 95 / 100
Street Fighter 6 takes the series to the next stage with a wildly fun fighting system that emphasizes personal choice. Each mainline Street Fighter tends to define its era of fighting games in some way, and Street Fighter 6 confidently steps forward to that next era. From its battle system to its bevvy of modes such as World Tour, it dives deep into everything that makes fighting games great.
GGRecon - Jack Roberts - 4.5 / 5
With a slew of fighting games on the horizon like Tekken 8 and the recently announced Mortal Kombat 1, Street Fighter 6 is leading the charge in the most vibrant way possible. With a series of character guides, story campaigns for classic characters and a fantastic open world for you to take the fight to the streets, it feels like everything I could have asked for from a modern Street Fighter entry.
Despite being the sixth game in the mainline series, Street Fighter 6 is easily one of the most accessible and makes for a fantastic entry point for newer players, while still resonating with series veterans.
Glitched Africa - Marco Cocomello - 9.5 / 10
Street Fighter 6 could be the best fighting game I have played in a very long time. I am no master at these games and I don’t run out to buy them at launch. However, the game is very fun to play and its real draw for me was its accessibility. I felt good at it even though I really wasn’t. Of course, this is also completely optional too so if you’re a veteran, you’ll enjoy this just as much as noob.
God is a Geek - Sean Smith - 10 / 10
Street Fighter 6 is without question the best fighting game package I have ever played, and will keep you going far longer than a one-on-one fighter has any right to be able to. A true classic.
IGN - Mitchell Saltzman - 9 / 10
Street Fighter 6 is the most feature-rich a Street Fighter has ever been at launch, but even beyond that, it's roster of 18 characters is excellent, the new mechanics revitalize the one-on-one fighting formula, and it absolutely nails all of the little things that make for a stellar fighting game.
Inverse - De'Angelo Epps - 10 / 10
Capcom’s latest takes everything you’d expect from the father of the fighting genre and turns it up to 10. There’s something for everyone here, with no fat or filler to ruin the experience. Street Fighter 6 is the best fighting game experience in a long time, and in the years to come, its impact and legacy could be every bit as massive as Street Fighter 2.
Kotaku - Kenneth Shepard - Unscored
It’s a sublime fighter that makes smart changes that honor what makes the series great.
Metro GameCentral - GameCentral - 9 / 10
A far better launch experience than its predecessor, with an excellent fighting system and a wide range of options and features that transcend the usual genre traditions.
MonsterVine - Spencer Legacy - 4.5 / 5
Street Fighter 6 is a grand fighting game experience that just keeps building on the series’ strong foundation. Though the World Tour mode and new characters aren’t as stand-out as they could be, the core gameplay is excellent and there’s plenty to enjoy.
Nexus Hub - Keegan Govender - 9 / 10
Street Fighter 6 is not just a comeback for Capcom, but for fighting games entering next-generation consoles as a whole. It feels like a passion project made by a group of people who were tasked by Capcom to make the last Street Fighter we would ever want to play. With its fast-paced gameplay, beautifully implemented new mechanics, and timeless visuals, Street Fighter 6 has solidified itself among the fighting game hall of fame.
Niche Gamer - NECRO XIII - 9 / 10
Ultimately, Street Fighter 6 delivers the fun and proves to be one of the most engaging fighting games of the year and of most recent memory.
PCGamesN - Christian Vaz - 9 / 10
This is the first Street Fighter game in a long time where it feels like players of all skill levels are welcome. While World Tour mode is disappointing, the sheer scope of SF6 means you don't need to wait for the inevitable Ultra Edition before jumping in.
PC Gamer - Mollie Taylor - 89 / 100
Minor technical issues and questionable monetisation scuff what is otherwise one of the best fighting games we've seen in the last decade.
Polygon - Axel Bosso - Unscored
Street Fighter 6 is the ultimate fighting game toolbox
Press Start - James Mitchell - 9 / 10
Street Fighter 6 rights the wrongs of its past with multiple modes for every player and strong battle systems like no other. It invites new players into the fold with well implemented, simpler control schemes, without losing sight of the hardcore player. The World Tour mode won't be for everyone, but Street Fighter 6 stands tall as one of the best fighters Capcom has made.
PowerUp! - Charbel Asmar - 9 / 10
At launch, Street Fighter 6 is set to take the fighting game genre to another level
Prima Games - Matt Vatankhah - 9.5 / 10
In a sense, Street Fighter VI is the full package. It’s a three-course meal and then some, filling you up to the brim and serving you every dish on the dessert menu whether you’re ready for the check or not. It’s bursting with style, swagger, and abundant sophistication, and it’s the perfect entry for newcomers and veterans alike.
Push Square - Sammy Barker - 9 / 10
Street Fighter 6 is an absolute humdinger of a sequel. Capcom has created a fighting system that has all of the tactical depth professional players expect but managed to make it fairly easy for casuals to wrap their heads around. Not only that, it's introduced smart ways to onboard newcomers, including a simplified control scheme and a great suite of tutorials, which even extend to the impressively enjoyable RPG-inspired single player story mode. A strong roster of starting characters, near-flawless rollback netcode, and a seemingly never-ending selection of content – including interactive online lobbies with playable retro games – round out another unbelievably impressive effort from the seemingly unstoppable Japanese publisher.
Rock, Paper, Shotgun - Unscored
Smooth online matches and an impressively in-depth story already put Street Fighter 6 leagues above the competition.
Shacknews - TJ Denzer - 9 / 10
All-in-all, this game rekindled my love of the franchise, and I can’t wait to see how Street Fighter 6 grows over time.
TechRaptor - Robert Scarpinito - 9 / 10
Street Fighter 6 is one of the easiest on-ramps to the deep world of fighting games, appealing to casual players and veterans alike. With a diverse roster, meaty gameplay, and flashy animations, this will be a FGC staple for years to come.
The Outerhaven Productions - 4 / 5
Street Fighter 6 takes all the mistakes made with Street Fighter V and tries to not make them again. From the one on one traditional fights that we know, have been improved thanks to the addition of the Drive Gage mechanics, to the online modes where a lot of people are going to play. There is very little that Street Fighter 6 does that people won't be happy with… Unless you live in Australia… However, the looming nickel-and-dime ride of Season Pass after Season Pass could make things worse down the line. Street Fighter 6 is an easy day-one buy for the hardcore eSports player base, but casual players might want to wait for a year or more for a more complete game before buying.
TheSixthAxis - Nick Petrasiti - 10 / 10
Street Fighter 6 doesn't need recommending to hardcore fighting fans – you all already know how incredible it is – but do I recommend it for more casual players? Street Fighter 6 has a real sense of community, welcoming all players old and new, teaching new tricks and providing something for those that just want a bit of fun. This is truly a fighting game for everyone.
Twinfinite - Keenan McCall - 5 / 5
It’s the epitome of what a fighting game should be, and I can’t wait to see how the series builds off of this return to form
VG247 - Alex Donaldson - 5 / 5
It’s a must-have. And it might just be the most compelling overall fighting game package of all time.
We Got This Covered - David James - 3 / 5
Street Fighter 6 delivers a deep, complex, and satisfying fighting game bristling with fun new characters and an excellent multiplayer mode. Unfortunately, all of that's shackled to a truly terrible single-player RPG that stands as one of the most embarrassing things Capcom has released in years. If you're here for online play, you'll love it. If you want single-player action, stay far away.
Worth Playing - Cody Medellin - 9 / 10
Street Fighter 6 succeeds in its ambition to cram some big things into one fighting game. Battle Hub may be silly, but it has a lot more personality and more to do than most other titles with their own online lobbies. Fighting Ground does a great job of showing off the new roster and improvements to the fighting engine, while placing an equal amount of attention on both offline and online players. World Tour makes for a somewhat nonsensical yet addictive adventure that can serve as a good basis for a full-fledged Street Fighter RPG. All of this is tied together with a presentation that does well in improving what came before it, only with more fidelity and flash. As stated at the beginning of this review, fighting game fans are going to have a good year, and Street Fighter 6 is an excellent component of that.
XboxEra - Nick Baker - 9 / 10
Xbox players have had to wait a long time for Street Fighter to come back to the platform, and luckily got the best iteration yet.
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2023.05.30 09:53 AnnieIWillKnow May round-up - champions Chelsea complete the triple Double, in a perfect May

The Chelsea FC Women May round-up - champions Chelsea complete the triple Double, in a perfect May

Welcome to the final Chelsea FC Women monthly round-up of the 2022/23 season. This post is a long read, so feel free to skip to the end for a brief overview!

Introduction

It was a mixed April for Chelsea, in which we won one semi-final, and lost the other.
A spirited, but in the end, painful two-legged defeat to Barcelona in the Champions League meant our European dream came to an end. We were still left fighting in two competitions, however, having beat Aston Villa to advance to the FA Cup Final for the third year in a row.
As well as facing Man United in that banner occasion in May, we were also locked in a tense title fight with the Red Devils in the WSL - both the league and cup were to be decided in the final month of the season, meaning Chelsea had seven games to determine whether we made it a third Double triumph in three seasons, or finished the season empty-handed.
Chelsea’s congested fixture list meant we started the month seven points behind leaders Man United in the WSL standings - but with three games in hand. That meant it was in our hands - win out, and we would win the league.
Seven games to define the season - one cup final, and six in the WSL. Chelsea would be playing two games a week - whilst our rivals benefitted from a lighter schedule. The Blues had been heavily hit by injury this season - it was confirmed ahead of the run-in that Fran Kirby and Millie Bright would be out for the end of the season, although we were boosted by the return of Pernille Harder and Kadeisha Buchanan.
This has been one of the most gruelling and challenging seasons in recent memory for Chelsea - both on and off the pitch. Emma Hayes’ team are used to making the ends of seasons glorious ones - and that experience and champion mentality could be key to making the difference.
It was not going to be easy - but when the calendar turns to May, Chelsea come out to play, saving our best for when we needed it the most. It was set to be a tense month, of hoping that history would be repeated.

Key headlines

Injury updates
The ongoing injury epidemic - especially serious knee injuries - has been one of the storylines of the women’s football season. This has been especially concerning for many players and teams, with the World Cup looming in July.
Another of Chelsea’s own joined the unfortunate ranks this month, with young defender Jorja Fox having torn her ACL whilst out on loan to Brighton. The 19 year old has returned to the club for her treatment.
It was also confirmed that Fran Kirby would miss the end of the season, and the World Cup, in another cruel blow for a player who has been so blighted by serious injury and illness. Our two-time Player of the Year will be back in pre-season, having undergone knee surgery.
Millie Bright, meanwhile, is expected to be fit for the World Cup - but would not feature again for Chelsea this season.
Harder and Eriksson depart
It had been long expected, but that did not make the news hurt any less. Club captain Magda Eriksson, and forward Pernille Harder - who joined Chelsea in 2020 for a then world record fee - confirmed that they would be leaving Chelsea upon the expiry of their contracts this summer.
The couple are likely off to Bayern Munich. It has been known for a while that the duo would be taking on a new challenge - announcing it before the end of the season gave the opportunity for fans to see goodbye at Kingsmeadow, and then again in the final game of the season - and to give two icons of Chelsea the send-off they deserved.
It was an emotional farewell for all involved - and their contribution, especially that of Magda, in her six years at the club, will always be a part of our history, and never forgotten.
Awards
With the season drawing to the close, it’s the time of the year that the end of season accolades are handed out.
Sam Kerr was voted the FWA Women’s Football of the Year, for a second year in a row. Despite her contribution to our success this season - it was something of a surprise, with many thinking that Aston Villa’s Rachel Daly should have won.
Nonetheless, it was deserved - we would not be where we are without Kerr.
First signing
Chelsea are getting their business done early, having already announced that Sjoeke Nusken will join the club this summer. The 22 year old German midfielder joins from Frankfurt, and can play in either a deep-lying or box-to-box role.
With rumours of some other big signings to come, it could be a big summer…
Fran Kirby extends her contract
It was not all bad news for Kirby this month - following her knee surgery, it was also announced that the club have activated an extension on Fran’s contract, meaning she will stay at the club until 2024.

Now - to the action!

Chelsea 2-1 Liverpool (WSL)
First up in May was the rearranged WSL home game from January, against Liverpool. The match had been abandoned after just six minutes due to a frozen pitch. The truly farcical scenes drew much criticism of how the matter was handled - with fans inconvenienced and players put at risk.
Liverpool had gotten Chelea’s season off the a shocker of a start, when they upset us 2-1 on the opening WSL weekend - but we have gone on to beat them in the FA Cup since. Former Chelsea boss Matt Beard’s side sat seventh in the standings ahead of this one, meaning they had avoided relegation in their first season since returning to the top flight.
Despite the exertions against Barcelona, with nearly a week’s rest after that energy-sapping exit, Emma Hayes felt she only needed to make the one change. It was an attacking one, with Lauren James coming in from the start, and Maren Mjelde dropping out - meaning Eve Perisset dropped into a back three alongside Magda Eriksson and Jess Carter.
Any thoughts of a straightforward evening were rapidly dissipated, when Liverpool took a shock lead after just two minutes.
It was a goal of our own making. The aforementioned Perisset gave the ball away, and Liverpool pounced, with full back Emma Koivisto meeting a Natasha Dowie cross at the far post.
The Chelsea response was a good one - setting about the task of overhauling the Liverpool lead well, by dominating possession and laying siege to the opposition penalty area.
Unfortunately, Liverpool were equally up to their task, and defended with a determination and energy that had been entirely absent from their 4-0 defeat to relegation-threatened Leiecester in their previous outing. Based on our encounters this season, it seems like Liverpool have already developed a penchant for getting it up against Chelsea, on their return to the top flight. Maybe the presence of ex-Blues boss Matt Beard in their dugout has something to do with that…
Highlights of their defensive effort included a superb last-ditch block from former Chelsea player Gemma Bonner, to deny Sam Kerr what seemed a certain goal. Debutant keeper Faye Kirby also pulled off a series of superb stops - and when you have a goalie playing like that on her first senior appearance, it is easy to fear it may be “one of those days”.
Eventually, however, the Chelsea pressure told. Niamh Charles, who joined Chelsea from Liverpool in 2020, flicked home an equaliser from a Perisset corner - the latter’s assist making up for her earlier error.
With the score now 1-1 at the break, it felt like the Liverpool resistance could be at an end - with Chelsea having 45 minutes to find the winner.
The Reds’ heads, however, did not drop - and they set about their task of fierce rearguard action with the same focus as in the first half.
Emma Hayes moved to a back four, and used the full strength of her bench by bringing on Jelena Cankovic, Pernille Harder and Rytting Kaneryd. Harder in particular looked a threat - illustrating how much she had been missed in her long injury absence, since November.
Sam Kerr had gone close on a few occasions in the first half, but her threat had seemed to fade and frustrations grew as the game wore on.
It was however, the Aussie who in the end did what she does best.
Jessie Fleming was desperately unlucky to see her excellently-struck shot ricocheted off of the upright, in the 86th minute - but then immensely relieved (along with all Chelsea players and fans) to see the rebound find Kerr, who finally was able to beat Faye Kirby.
With that, Chelsea had found a way to secure a crucial three points - and ensure our title challenge marched on.
Chelsea 7-0 Everton (WSL)
Next came a home game against Everton, where Chelsea would be hoping for a more straightforward 90 minutes than in the previous game against the red half of Merseyside.
With the Sunday evening kick off slot, each of our title rivals had already played. Arsenal squeaked out a 1-0 win vs relegation-threatened Leicester, whilst Man United eased to a more comfortable 3-0 win against Spurs - maintaining their lead at the top. Man City, however, suffered a shock 2-1 defeat to Liverpool, meaning their title hopes are effectively over.
That meant Chelsea needed to do our bit - and keep on winning. Everton, sat comfortably midtable ahead of this game - well clear of any relegation trouble, and with no prospect of breaking into the top three to qualify for Europe. The last meeting between the two was the reverse WSL fixture, back in October, where a Niamh Charles wonder goal and a brace for Pernille Harder saw Chelsea win 3-1.
Emma Hayes rotated her XI, making five changes - with Chelsea still contending with a gruelling schedule of two games a week. The aforementioned Harder started from the bench - still to make her first start since returning from long-term injury.
Buchanan, Svitkova, Bright and Kirby remained unavailable - with the latter three now having been confirmed as out for the season.
Despite not having much left to play for this season, Everton started well, and had Chelsea on the back foot. The Toffees are a side who look good in possession, and had the Blues working hard off the ball early on.
What was to come, therefore, could not have been expected. The Toffees quickly melted in the early May sunshine, in the face of an absolute onslaught from Chelsea - who scored five sensational goals in the first half, from just five shots on target.
The Blues have made a habit of winning games whilst playing short of our top form this season - but this first half was Chelsea at our ruthless and scintillating best.
The first came from nowhere. With the Everton defence distracted by the movement of Sam Kerr, they allowed Guro Reiten far too much space in her wide left position - who unleashed a rocket to raise the roof at Kingsmeadow, and ignite the crowd. It was her tenth of the season - the first time our assist queen has reached a double digit goal tally for the Blues.
With Chelsea now with a spring in our step, a second came soon after. Sam Kerr had spent the day before representing Australia at King Charles III’s coronation - but this goal involved a different Charles, with Niamh delivering a superb cross for Kerr to nod home.
Unfortunately, that was to be Kerr’s last action of the afternoon - having rolled her ankle in the landing after her goal. She was able to walk off, giving hope her substitution was just a precaution.
Pernille Harder had replaced Kerr - and with her first touch of the game had put Chelsea 3-0 up. It was the Dane’s first goal since her brace in the reverse fixture against Everton - and another goal of the finest quality. Reiten cut the ball back for Harder to curl home, and put the win beyond doubt.
Chelsea were not done yet, however - Sophie Ingle next in on the action with a caressed finish, her first WSL goal of the season. There was still time for one more before the break - and this one was assisted by Harder, who laid it off for Jessie Fleming.
That made it 5-0 to Chelsea, in a truly five-star first half.
With a midweek game to come - and the FA Cup final the next weekend - Hayes made two half time substitutes. Lauren James replaced the superb Reiten, and Alsu Abdullina on for Eve Perisset for some rare WSL minutes.
It was a relaxed second 45 for Chelsea, who with big fixtures left to come and the three points already secured, did not need to take any risks. More could have been added to the tally, with James and Rytting Kaneryd going close - and a blatant penalty on James also turned down.
Erin Cuthbert and Jess Carter joined the party to complete the full complement of five substitutes, and just when it seemed the bunting was being put away for the day, Cuthbert and Harder produced a final flourish for a sixth Chelsea goal. The Scot surged from the halfway line into the Everton third entirely unopposed, and squared it for Harder to emphatically finish.
Cuthbert even had time to add a seventh - just minutes after Rytting Kaneryd had hit the post - to make it 7-0 to Chelsea, in arguably our best performance of the season.
A thoroughly brilliant win for Chelsea, which moved us into second place - four points behind Manchester United, with two games still in hand. The seven goals were a big boost to our goal difference too, although the Red Devils still had the advantage in this.
The only downside was the potential loss of Sam Kerr to injury - which also meant the two goals from Pernille Harder, signalling that the Dane is well and truly back, after her long injury absence, could not have come at a better time. If we were to go without Kerr, we would need Harder more than ever.
Chelsea 6-0 Leicester (WSL)
Chelsea were next in action midweek, fulfilling one of the two games we had in hand over Man United. That also meant our title rivals would benefit from three extra days' rest ahead of our FA Cup final clash at Wembley, on the upcoming weekend.
The opponents, Leicester, were fighting for their WSL lives - sitting 11th in the table ahead of this fixture at Kingsmeadow, two points above bottom side Reading.
Despite their lowly position, they had had some good recent results - including a 4-0 win against Liverpool, and had performed well in a narrow 1-0 defeat to Arsenal the weekend prior to this game.
Chelsea had earlier thrashed Leicester 8-0 in the reverse league fixture, but ahead of kick off Emma Hayes referred to them as “the most improved side in the WSL” - as they have made noticeable strides forward under manager Willie Kirk, since then.
Hayes also confirmed Sam Kerr was available for this fixture, with the issue that forced her into an early substitution against Everton only minor.
With the cup final looming, Kerr was not risked however - starting from the bench. Also starting from the bench were Katerina Svitkova and Kadeisha Buchanan on their return from injury - a welcome sign ahead of the run-in. Hayes made six changes to the line up that had started against Everton - including Pernille Harder starting for the first time since her own injury return.
Despite the changes, Chelsea very much started where they left off against Everton, pinning Leicester back from kick off - and had a deserved lead inside ten minutes.
The scoring was opened by the same player who had gotten the party started on the weekend - Guro Reiten storming in to finish a low Harder cross with aplomb.
The situation already looked ominous for Leicester, and the impending sense of doom deepened when another of Sunday’s goalscorers, Erin Cuthbert, made it 2-0 on 18 minutes. The Foxes were caught playing out from the back - a mistake engineered by the intensity of the Chelsea press, which had been relentless from the off.
Harder herself was then in on the goal scoring act with a brace, her second in two games The first was opportunistic - converting a rebound after Lauren James had had her shot saved. The second was some individual brilliance, capping off her own mazy run with a confident finish.
That made it 4-0 at the break, and meant that as against Everton, the game was already done at half time. Chelsea had made short work of Leicester, showing exactly the efficiency and ruthlessness that is needed at the crunch time of the season.
James added a fifth in the second half, to end a run of games without a goal. She did so with what is already becoming a classic of her repertoire - shimmying her way into a dangerous shooting position, then unleashing a rocket from range. Having got her goal, Hayes then brought James off in a series of changes made with Wembley in mind - Cuthbert, Reiten and Harder all also making way.
Jelena Cankovic made it a tennis score, and as a final positive note, Hayes was able to bring Buchanan on for Eriksen to get some minutes in the Canadian centre back’s legs for the first time since the injury she picked up in the April international break.
The six goals in this game, on top of the 7-0 win against Leicester, meant Chelsea had entirely erased Man United’s previously weighty goal difference advantage in the space of three days - now both locked on +42, and with Chelsea just one point off the leaders, still with a game in hand.
Chelsea’s form and confidence could not be better heading into the Wembley showcase - where we would take on our title rivals Man United in the FA Cup final. The return of Harder and Buchanan to fitness - and with Harder notching four goals in two games - brought even more cause for optimism, in a thoroughly excellent couple of fixtures for the Blues.
Then, onto Wembley.
Chelsea 1-0 Man United (FA Cup Final)
There is no bigger fixture in the women’s domestic game than the FA Cup final - and for the first time ever, Wembley was sold out ahead of kick off, meaning yet another attendance record would be broken in a season of milestones for women’s football.
It would be Chelsea’s sixth final since the showpiece fixture has moved to Wembley - and we had only lost one before. Victory against Man United would also make it a hat trick of FA Cup triumphs for Chelsea, having also won the 2021 and 2022 finals.
Standing in our way were a Man United team in brilliant form, who are also seeking to stop Chelsea winning the league title. It was Man United’s first ever final - and hence their chance to win their first ever trophy since forming a women’s team in 2018.
Man United had the sense of underdog and destiny on their side, whilst Chelsea had the experience and nous of knowing what it takes to win the biggest games. With the Chelsea players still amongst a relentless schedule, and missing key players like Millie Bright and Fran Kirby - there was a good argument for either side to take home the trophy.
The big selection news was Pernille Harder starting from the bench - a surprise given her back to back braces - with Hayes opting for Kerr, Reiten and James as her three primary attackers instead. This would mean Chelsea had a very dangerous game-changing player, lying in wait…
The game got off to a very notable false start - or two. First Chelsea tried to kick off before the pre-match music had finished - and then Man United had the ball inside the net within a minute, only for the Blues to be reprieved by the offside flag.
That would have given Chelsea the unwelcome record of having conceded the fastest goal at an FA Cup final for both the men’s and women’s competition, after Louis Saha outdid our own Roberto Di Matteo’s previous record, in 2009.
You might have thought this would have woken up Chelsea - but Man United looked in control, and Chelsea on the edge defensively.
Man United’s first-time-final nerves appeared to affect them in the key attacking moments third though - they were on top in the game, but looked scared to pull the trigger, and so despite a few shaky moments, did not hugely test Berger.
Emma Hayes decision not to use Harder from the start gave Sam Kerr a lot of work to do - she was tasked with keeping the Man United defence busy all on her own. Chelsea employed a similar strategy to that which had been successful in the game at Kingsmeadow earlier this year, in a 1-0 win where Man United had dominated but lacked a cutting edge, and were undone on the counter.
Lauren James looked lively whenever she was on the ball, and made ex-Chelsea full back Hannah Blundell work very hard in the sweltering heat. James also had a header tipped onto the post by Mary Earps - a reminder that even whilst Man United appeared to have the better of it, Chelsea would always be in the game.
With the score 0-0 at half time, there was a definite sense that was a much better score line for Chelsea - and that Man United might regret not finding a way to make the most of having the Blues on the back foot.
And so they did come to regret it. Hayes introduced Harder on the hour mark, as it was always expected she would - and the impact was immediate. Marc Skinner similarly tried to affect the game, but there were no players like Pernille for him to turn to - and his decision to take off Nikita Paris looked to be the wrong one, with United losing much of the impetus when she exited.
As well as taking an arm to the face that appeared to go completely unnoticed by the referee, Harder combined with Kerr to get in behind the Man United defence - and twice Chelsea failed to capitalise. With two such attacking threats to contend with through the middle, Man United all of a sudden looked rattled.
The third time was the charm.
Of course, it was Kerr who found the decisive finish. The Aussie treated the record crowd at Wembley to one of her trademark backflips, after having steered Harder’s low cross past Earps -
A double flip, even - hopefully a sign of things to come… .
The goal had a disheartening effect on the opposition. You got the sense that it had sunk United’s maiden voyage in search of their first ever trophy - and that Chelsea’s experience would now see them through.
However, including an agonising six minutes of injury time, there were still a few scares - in particular a late goalmouth scramble that left two Chelsea players collapsed on the deck, alongside the blue half of the Wembley crowd collapsed in the stands.
It was soon only the blue half that remained, however. The full time whistle blew, and the Man United exodus was matched by the Chelsea explosion. Jubilation greeted yet another trophy for Emma Hayes and her Chelsea side.
A third FA Cup win in a row. Another piece of history on another hallmark day for the women’s game - nearly 78,000 at Wembley in a record for the cup final, and any women’s domestic final.
There was still more to play for, of course. Chelsea had three games left to play in the league - where we remained locked in a gripping title race with the cup final’s defeated foes.
Whether this galvanised or deflated Man United remained to be seen. It was still in our hands - and after a reminder like this of the machine Chelsea are at the business end of the season, you would have been unwise to bet against Blue.
West Ham 0-4 Chelsea (WSL)
There was not much time to celebrate for Chelsea, with the team back in action just three days after the FA Cup final triumph at Wembley.
The Blues travelled away to West Ham, to make up our final game in hand on WSL leaders Man United - knowing three points at the Chigwell Construction Stadium would move Chelsea back on top of the WSL for the first time since March.
Paul Konchesky’s side have been in woeful form - having just the one win in the past 10 games, and you had to flip the calendar back to December last year to find their last WSL win.
Nonetheless, Chelsea could not be complacent, given the shocks, twists and turns this WSL season has already thrown up - and it was imperative to remain fully focused on the task at hand.
With this game following the cup final, and a huge game against Arsenal to come just four days later, rotation was a necessity - and Hayes made seven changes to the XI who started at Wembley.
These changes did little to disrupt Chelsea’s impressive recent form, who looked like they meant business from the off.
Niamh Charles deservedly opened the scoring for the Blues after 11 minutes - being quickest to a rebound to finish from close range. It was a goal that was extra special for the defender, as it came on her 100th appearance for the club. An impressive milestone, given she is still only 23.
It felt like similar score lines to Everton and Leicester might be on the cards, but West Ham - to their credit - dug in, and were able to push to dampen the Chelsea fire, and keep it to 1-0 at half time.
However, Pernille Harder soon had a second for the Blues shortly after play resumed - and Chelsea were comfortable from that point.
Sophie Ingle - who like Harder had been a substitute at Wembley, and in from the start in this game - slid the ball into the Dane in the box, who made no mistake with the goal at her mercy.
It was another excellent display from the bang-in-form Harder, who since returning from injury has now scored five goals, and three assists - including a game-changing contribution off the bench in the FA Cup final. Her return to fitness and form really could not have been better timed.
Ingle was then herself on the scoresheet, nodding home a rebound from close range, after the West Ham keeper could only tip it onto the bar.
Erin Cuthbert put a sensational cherry on top with a fourth goal in injury time - which was easily the pick of the bunch.
The Scot had come on as a substitute, and twice before gone close with long range efforts. At the third time of asking, she was able to find the net - an absolute pile driver of a strike, hit with all of the ferocity you would expect from our midfield dynamo.
In all, it was another impressive performance. Chelsea were comfortable, dominant, and ruthless in dispatching yet another foe in our quest for a fourth consecutive league title. .
The 4-0 win made it 17 goals in the past three WSL games for Chelsea - completely obliterating Man United’s prior healthy goal difference advantage.
The win also means for the first time in many weeks Chelsea and Man United have played the same number of league games - and the Blues on top of the WSL, holding a two point lead in the standings with just two games left to play.
The upcoming weekend would likely be absolutely crucial in deciding the destination of the title, with two huge games on the cards.
Chelsea would be hosting Arsenal at Kingsmeadow, whilst Man United would be at home to local rivals Man City in the Manchester derby. Neither City or Arsenal had any realistic chance of winning the title themselves at this point - but both would relish the prospect of having a major say in who does, especially if at the detriment of their respective rivals.
Following this result, Chelsea were back in charge - but that could all change in the next 90 minutes.
Chelsea 2-0 Arsenal (WSL)
It was a fixture that has been circled in the calendar all season long, and as expected, Chelsea's final home game of the season - against Arsenal - was set to be pivotal in determining who would be crowned champions.
However, it was not Arsenal that Chelsea were competing with to be crowned champions - as many expected - with Man United instead the team who sat just two points off Chelsea heading into the final round of games.
Whilst Chelsea would be taking on Arsenal at Kingsmeadow, Man United would host Man City in the evening kick off - 1st vs 3rd and 2nd vs 4th, WSL weekends do not come much bigger.
Win our game, and Chelsea would be all but there. Drop points - and it would be advantage Man United. This was huge.
The Blues had been in sensational form - stepping it up when needed to, as we so often do. Every game in May so far had been a must-win - and a Chelsea squad depleted by injuries and weary with fatigue had risen to the occasion. The Blues had won five in a row coming into this fixture, and in doing so had completely erased Man United's goal difference advantage with a series of thumping victories.
Our perennial rivals, Arsenal, still needed to confirm their spot in the top 3 for Champions League qualification next season - although their goal difference advantage means a win at Aston Villa on the final day would likely see them qualify regardless of the result in this game. There is no love lost between Chelsea and Arsenal - and although the Gunners and Jonas Eidevall would likely not be able to win the title this year, they will love nothing more than stopping the Blues and Emma Hayes from making it four in a row.
Arsenal have been plagued by injuries this season - Lia Walti was ruled out for the season in their mid-week win vs Everton, to add to the earlier losses of Beth Mead, Vivianne Miedema, Leah Williamson and Kim Little. Chelsea continued to be without Millie Bright and Fran Kirby, key absences of our own.
Emma Hayes named an attacking line up - with all three of Guro Reiten, Pernille Harder and Lauren James starting in support of Sam Kerr. Magda Eriksson continued at centre back alongside Maren Mjelde, with Hayes not disrupting the partnership that has done so well whilst Bright and Kadeisha Buchanan have been out injured - despite Buchana now being fit again.
This meant both Harder and Eriksson would be starting what was a very special game for the pain. It had been confirmed in the days leading up to this fixture that the duo will leave the club in the summer, this therefore being their last game at Kingsmeadow.
Chelsea started like a team who knew what this meant.
Arsenal barely had a kick in the first 10 minutes, their back three pinned back by a flying Chelsea team, who pressed high and kept the ball with focus and intensity.
Guro Reiten - arguably our player of the season - deservedly put the Blues ahead midway through the first half. Eve Perisset found the Norwegian with a delicious cross, after Arsenal had failed to clear their lines following a set piece - and Reiten’s smart finish was enough to beat Zinsberger.
This first half was Chelsea at our best - we looked better in every aspect than the Gunners, who just could not match the performance.
Despite the dominance, Ann-Katrin Berger was called upon on a few occasions - but when the second goal came it was for Chelsea, and the 2-0 scoreline was no more than the Blues deserved.
The goal scorer was one who sent the Kingsmeadow crowd into raptures.
It came from another set piece - Sam Ker headed across goal, where captain Magda Eriksson was first to react to prod past Zinsberger, meaning she would mark her final game at Kingsmeadow with a goal that could be crucial in Chelsea’s march to the title.
Arsenal, despite their injuries, are still a good team - and had proved that with their response to seemingly endless adversity this season, where they have kept getting results that may well see them in Europe next year, and nearly put them into this season’s Champion League final.
Their response in the second half, therefore, was not unexpected. The introduction of Steph Catley gave them fresh impetus, and not long after the resumption of play they had struck the Chelsea bar.
A penalty for Arsenal - with Sophie Ingle penalised for handball - gave them a golden opportunity to reduce the deficit. Stand-in penalty taker - and captain - Katie McCabe put it wide though, in a let off for Chelsea. Ingle had dominated the middle of the pitch for Chelsea - and it would have been cruel to see this tar her exceptional performance.
Chelsea needed to wake up, and Emma Hayes did her bit by bringing on Jess Carter for Lauren James, in an attempt to settle proceedings.
Berger had made some important interventions in the first half, and became increasingly important in the second 45 as Chelsea rode out the Arsenal storm. The Gunners, for all their improvement, still lacked a cutting edge, and too often wasted good opportunities with a poor final ball. The game gradually settled, and the introduction of Buchanan and Fleming helped the Blues to see it out.
The latter also meant there was the opportunity for Kingsmeadow to rise as one to show their appreciation for the departing Harder, who left the pitch for the last time in a home game for Chelsea.
A game which showed two of the best sides of Chelsea - who Emma Hayes in the pre-match build-up dubbed as “hybrid monsters” for the squad’s versatility. In the first half we showed our quality when playing on the front foot, dominating Arenal to take a deserved 2-0 lead. In the second half we showed our resilience when defending a lead - and professionalism and nous in being able to keep what we had, even with the assist of the penalty miss.
Taking all three points meant Chelsea went five clear, having played one game more than Man United - and effectively put one hand on the trophy.
If Man United had failed to beat Man City in the later evening kick off, then it would have been confirmed before the final day. However, despite 10-player Man City equalising in the second half - and for 20 odd minutes it looking like Chelsea were already champions - United found a stoppage time winner to ensure it did go to the final weekend.
Chelsea would travel to Reading knowing that a win would see us crowned champions for the fourth season in a row. The Royals are all but relegated following their loss against Spurs in their penultimate game - and given the challenges Chelsea have overcome to put themselves in this position, you would back the Blues to see it through… but would there be one last twist in the title race?
Reading 3-0 Chelsea (WSL)
It all came down to this.
After what has been the best WSL title race in years, the champions were to be decided on the final day.
Chelsea were in pole position. Since the March defeat to Man City, the Blues have won every single league game. The Red Devils had topped the table for most of the season, but mainly by virtue of the fixture list - as they had always been ahead of Chelsea in terms of games played.
A busy May has seen the Blues make up those games in hand - and completely erase United’s goal difference advantage - meaning that we headed into the final day with a two point and five goal difference lead.
In the blue corner, Chelsea were looking to make it a fourth WSL in a row and three consecutive Doubles. In the red corner, our rivals were looking to win their first ever league title - or trophy of any sort - since reforming as a club in 2018.
A win for Chelsea would confirm it, regardless of what Man United could do at Liverpool. Given the goal difference advantage, a draw may also be enough - but memories of the painful loss of the title on goal difference, on the final day in 2014, meant Chelsea would not want to chance it.
Our opponent faced a battle of their own. Reading were rock bottom of the WSL - and needed a win to avoid relegation, meaning this game was as big for them as for Chelsea.
The Royals form had been as woeful as their lowly position would suggest. However, they are something of a bogey team for Chelsea, having beaten us in this same fixture last season, and fought back well to a credible 3-2 loss at Kingsmeadow back in December.
Chelsea, meanwhile, were flying into the game - having scored 22 goals for the loss of just one against, in our six months in May so far.
It would also be the final game in Blue for departing captain Magda Eriksson, and her partner Pernille Harder. Magda marked her final Kingsmeadow appearance last weekend with a goal - and both would want to end their career at Chelsea on the ultimate high, and a goodbye that two such iconic and beloved players deserved.
In a rarity for Chelsea this season - given the fixture congestion and injuries we have had to contend with - Emma Hayes was able to name an unchanged XI for the final game of the 2022/23 season.
There was only one way for Reading to realistically play - try to frustrate Chelsea, and sting on the counter. As such, they set up with a back five, and within a few minutes it was clear that this was going to be a matter of attack vs defence.
Chelsea would need to keep patient, and keep calm - and did determinedly set about their business of breaking down the Reading wall.
Sam Kerr blazed the first good chance over, after some excellent build up from the Blues. Erin Cuthbert then hit the bar - and there was a growing sense the opener was coming.
The link up which has been so prolific this season proved fruitful again. A Guro Reiten cross from the left, a Sam Kerr header - and a Chelsea goal. Reiten has in many people’s views been our Player of the Season - the ‘Assist Queen’ added another to her tally of 19 for the year in all competitions, and her contribution has been crucial in a season where we have missed Fran Kirby and Harder for most of it. Reiten and Kerr have at times carried our attack this season - and so it was fitting they combined for the breakthrough here.
That made it 1-0 to the Chels, inside 20 minutes , and if this result held, the title would be staying at Kingsmeadow. Reading could have equalised not soon after, but Justine Vanhaevermaet could not convert a free header from a free kick. This was enough to remind Chelsea that we could not rest on our laurels, after having taken an early lead.
Royals forward Deanne Rose went off injured shortly after - a major blow for Reading, as one of their danger-women, and meant their chances of coming back in the game had taken a major hit.
Reiten further illustrated her contribution this season by getting the second goal, shortly before half time. The Norwegian capitalised on a poor back pass from Easther Mayi Kith to find herself one on one with the Reading keeper, and coolly nutmegged the unfortunate Maloney.
With that, Chelsea now had one (and a half) hands on the trophy - and it meant the second half would likely be a procession.
And so it was. Chelsea were never truly troubled in this game - having had nearly 80% possession, and 23 shots in total. This was always in Chelsea’s hands - the game, and maybe even on reflection, despite the season-long drama to get there - the title was always in our hands too.
Kerr got her second of the game late on by finishing off her own rebound to give the scoreline the resounding feeling that the dominant performance in the Berkshire sunshine deserved. A fitting way to end a storming run through the business end of the season - Chelsea took it up to a new level, and nobody else could match it.
Elsewhere, Man United did their part in beating Liverpool 1-0 - but it mattered little.
Magda Eriksson had been substituted off to enable the travelling fans to give our departing captain an enormous ovation - nothing less than what a genuine legend of this club deserves.
The only thing more fitting was what came next. For the tenth time as Chelsea captain, Eriksson lifted a trophy. She did so in front of the jubilant fans who filled the Madejski Stadium - meaning there were more Chelsea fans than Reading there to see it.
A fourth WSL title in a row - a third consecutive Double. Chelsea were champions.

May results in brief

Fixture Result Competition Goal scorers
Liverpool (H) 2-1 W WSL Charles, Kerr (Perisset assist)
Everton (H) 7-0 W WSL Reiten, Kerr, Harder x 2, Ingle, Fleming, Cuthbert (Rytting Kaneryd, Charles, Reiten, Fleming, Harder, Cuthbert assists)
Leicester (H) 6-0 W WSL Reiten, Cuthbert, Harder x 2, James, Cankovic (Harder, Carter, Perisset, Charles assists)
Man United (N) 1-0 W FA Cup final Kerr (Harder assist)
West Ham (A) 4-0 W WSL Charles, Harder, Ingle, Cuthbert (Ingle, Rytting Kaneryd assists)
Arsenal (H) 2-0 W WSL Reiten, Eriksson goals (Perisset, Kerr assists)
Reading (A) 3-0 W WSL Kerr x 2, Reiten (Reiten assist)

UTC!

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2023.05.30 09:48 AnnieIWillKnow The Chelsea FC Women May round-up - champions Chelsea complete the triple Double, in a perfect May

The Chelsea FC Women May round-up - champions Chelsea complete the triple Double, in a perfect May

Welcome to the final Chelsea FC Women monthly round-up of the 2022/23 season. This post is a long read, so feel free to skip to the end for a brief overview!

Introduction

It was a mixed April for Chelsea, in which we won one semi-final, and lost the other.
A spirited, but in the end, painful two-legged defeat to Barcelona in the Champions League meant our European dream came to an end. We were still left fighting in two competitions, however, having beat Aston Villa to advance to the FA Cup Final for the third year in a row.
As well as facing Man United in that banner occasion in May, we were also locked in a tense title fight with the Red Devils in the WSL - both the league and cup were to be decided in the final month of the season, meaning Chelsea had seven games to determine whether we made it a third Double triumph in three seasons, or finished the season empty-handed.
Chelsea’s congested fixture list meant we started the month seven points behind leaders Man United in the WSL standings - but with three games in hand. That meant it was in our hands - win out, and we would win the league.
Seven games to define the season - one cup final, and six in the WSL. Chelsea would be playing two games a week - whilst our rivals benefitted from a lighter schedule. The Blues had been heavily hit by injury this season - it was confirmed ahead of the run-in that Fran Kirby and Millie Bright would be out for the end of the season, although we were boosted by the return of Pernille Harder and Kadeisha Buchanan.
This has been one of the most gruelling and challenging seasons in recent memory for Chelsea - both on and off the pitch. Emma Hayes’ team are used to making the ends of seasons glorious ones - and that experience and champion mentality could be key to making the difference.
It was not going to be easy - but when the calendar turns to May, Chelsea come out to play, saving our best for when we needed it the most. It was set to be a tense month, of hoping that history would be repeated.

Key headlines

Injury updates
The ongoing injury epidemic - especially serious knee injuries - has been one of the storylines of the women’s football season. This has been especially concerning for many players and teams, with the World Cup looming in July.
Another of Chelsea’s own joined the unfortunate ranks this month, with young defender Jorja Fox having torn her ACL whilst out on loan to Brighton. The 19 year old has returned to the club for her treatment.
It was also confirmed that Fran Kirby would miss the end of the season, and the World Cup, in another cruel blow for a player who has been so blighted by serious injury and illness. Our two-time Player of the Year will be back in pre-season, having undergone knee surgery.
Millie Bright, meanwhile, is expected to be fit for the World Cup - but would not feature again for Chelsea this season.
Harder and Eriksson depart
It had been long expected, but that did not make the news hurt any less. Club captain Magda Eriksson, and forward Pernille Harder - who joined Chelsea in 2020 for a then world record fee - confirmed that they would be leaving Chelsea upon the expiry of their contracts this summer.
The couple are likely off to Bayern Munich. It has been known for a while that the duo would be taking on a new challenge - announcing it before the end of the season gave the opportunity for fans to see goodbye at Kingsmeadow, and then again in the final game of the season - and to give two icons of Chelsea the send-off they deserved.
It was an emotional farewell for all involved - and their contribution, especially that of Magda, in her six years at the club, will always be a part of our history, and never forgotten.
Awards
With the season drawing to the close, it’s the time of the year that the end of season accolades are handed out.
Sam Kerr was voted the FWA Women’s Football of the Year, for a second year in a row. Despite her contribution to our success this season - it was something of a surprise, with many thinking that Aston Villa’s Rachel Daly should have won.
Nonetheless, it was deserved - we would not be where we are without Kerr.
First signing
Chelsea are getting their business done early, having already announced that Sjoeke Nusken will join the club this summer. The 22 year old German midfielder joins from Frankfurt, and can play in either a deep-lying or box-to-box role.
With rumours of some other big signings to come, it could be a big summer…
Fran Kirby extends her contract
It was not all bad news for Kirby this month - following her knee surgery, it was also announced that the club have activated an extension on Fran’s contract, meaning she will stay at the club until 2024.

Now - to the action!

Chelsea 2-1 Liverpool (WSL)
First up in May was the rearranged WSL home game from January, against Liverpool. The match had been abandoned after just six minutes due to a frozen pitch. The truly farcical scenes drew much criticism of how the matter was handled - with fans inconvenienced and players put at risk.
Liverpool had gotten Chelea’s season off the a shocker of a start, when they upset us 2-1 on the opening WSL weekend - but we have gone on to beat them in the FA Cup since. Former Chelsea boss Matt Beard’s side sat seventh in the standings ahead of this one, meaning they had avoided relegation in their first season since returning to the top flight.
Despite the exertions against Barcelona, with nearly a week’s rest after that energy-sapping exit, Emma Hayes felt she only needed to make the one change. It was an attacking one, with Lauren James coming in from the start, and Maren Mjelde dropping out - meaning Eve Perisset dropped into a back three alongside Magda Eriksson and Jess Carter.
Any thoughts of a straightforward evening were rapidly dissipated, when Liverpool took a shock lead after just two minutes.
It was a goal of our own making. The aforementioned Perisset gave the ball away, and Liverpool pounced, with full back Emma Koivisto meeting a Natasha Dowie cross at the far post.
The Chelsea response was a good one - setting about the task of overhauling the Liverpool lead well, by dominating possession and laying siege to the opposition penalty area.
Unfortunately, Liverpool were equally up to their task, and defended with a determination and energy that had been entirely absent from their 4-0 defeat to relegation-threatened Leiecester in their previous outing. Based on our encounters this season, it seems like Liverpool have already developed a penchant for getting it up against Chelsea, on their return to the top flight. Maybe the presence of ex-Blues boss Matt Beard in their dugout has something to do with that…
Highlights of their defensive effort included a superb last-ditch block from former Chelsea player Gemma Bonner, to deny Sam Kerr what seemed a certain goal. Debutant keeper Faye Kirby also pulled off a series of superb stops - and when you have a goalie playing like that on her first senior appearance, it is easy to fear it may be “one of those days”.
Eventually, however, the Chelsea pressure told. Niamh Charles, who joined Chelsea from Liverpool in 2020, flicked home an equaliser from a Perisset corner - the latter’s assist making up for her earlier error.
With the score now 1-1 at the break, it felt like the Liverpool resistance could be at an end - with Chelsea having 45 minutes to find the winner.
The Reds’ heads, however, did not drop - and they set about their task of fierce rearguard action with the same focus as in the first half.
Emma Hayes moved to a back four, and used the full strength of her bench by bringing on Jelena Cankovic, Pernille Harder and Rytting Kaneryd. Harder in particular looked a threat - illustrating how much she had been missed in her long injury absence, since November.
Sam Kerr had gone close on a few occasions in the first half, but her threat had seemed to fade and frustrations grew as the game wore on.
It was however, the Aussie who in the end did what she does best.
Jessie Fleming was desperately unlucky to see her excellently-struck shot ricocheted off of the upright, in the 86th minute - but then immensely relieved (along with all Chelsea players and fans) to see the rebound find Kerr, who finally was able to beat Faye Kirby.
With that, Chelsea had found a way to secure a crucial three points - and ensure our title challenge marched on.
Chelsea 7-0 Everton (WSL)
Next came a home game against Everton, where Chelsea would be hoping for a more straightforward 90 minutes than in the previous game against the red half of Merseyside.
With the Sunday evening kick off slot, each of our title rivals had already played. Arsenal squeaked out a 1-0 win vs relegation-threatened Leicester, whilst Man United eased to a more comfortable 3-0 win against Spurs - maintaining their lead at the top. Man City, however, suffered a shock 2-1 defeat to Liverpool, meaning their title hopes are effectively over.
That meant Chelsea needed to do our bit - and keep on winning. Everton, sat comfortably midtable ahead of this game - well clear of any relegation trouble, and with no prospect of breaking into the top three to qualify for Europe. The last meeting between the two was the reverse WSL fixture, back in October, where a Niamh Charles wonder goal and a brace for Pernille Harder saw Chelsea win 3-1.
Emma Hayes rotated her XI, making five changes - with Chelsea still contending with a gruelling schedule of two games a week. The aforementioned Harder started from the bench - still to make her first start since returning from long-term injury.
Buchanan, Svitkova, Bright and Kirby remained unavailable - with the latter three now having been confirmed as out for the season.
Despite not having much left to play for this season, Everton started well, and had Chelsea on the back foot. The Toffees are a side who look good in possession, and had the Blues working hard off the ball early on.
What was to come, therefore, could not have been expected. The Toffees quickly melted in the early May sunshine, in the face of an absolute onslaught from Chelsea - who scored five sensational goals in the first half, from just five shots on target.
The Blues have made a habit of winning games whilst playing short of our top form this season - but this first half was Chelsea at our ruthless and scintillating best.
The first came from nowhere. With the Everton defence distracted by the movement of Sam Kerr, they allowed Guro Reiten far too much space in her wide left position - who unleashed a rocket to raise the roof at Kingsmeadow, and ignite the crowd. It was her tenth of the season - the first time our assist queen has reached a double digit goal tally for the Blues.
With Chelsea now with a spring in our step, a second came soon after. Sam Kerr had spent the day before representing Australia at King Charles III’s coronation - but this goal involved a different Charles, with Niamh delivering a superb cross for Kerr to nod home.
Unfortunately, that was to be Kerr’s last action of the afternoon - having rolled her ankle in the landing after her goal. She was able to walk off, giving hope her substitution was just a precaution.
Pernille Harder had replaced Kerr - and with her first touch of the game had put Chelsea 3-0 up. It was the Dane’s first goal since her brace in the reverse fixture against Everton - and another goal of the finest quality. Reiten cut the ball back for Harder to curl home, and put the win beyond doubt.
Chelsea were not done yet, however - Sophie Ingle next in on the action with a caressed finish, her first WSL goal of the season. There was still time for one more before the break - and this one was assisted by Harder, who laid it off for Jessie Fleming.
That made it 5-0 to Chelsea, in a truly five-star first half.
With a midweek game to come - and the FA Cup final the next weekend - Hayes made two half time substitutes. Lauren James replaced the superb Reiten, and Alsu Abdullina on for Eve Perisset for some rare WSL minutes.
It was a relaxed second 45 for Chelsea, who with big fixtures left to come and the three points already secured, did not need to take any risks. More could have been added to the tally, with James and Rytting Kaneryd going close - and a blatant penalty on James also turned down.
Erin Cuthbert and Jess Carter joined the party to complete the full complement of five substitutes, and just when it seemed the bunting was being put away for the day, Cuthbert and Harder produced a final flourish for a sixth Chelsea goal. The Scot surged from the halfway line into the Everton third entirely unopposed, and squared it for Harder to emphatically finish.
Cuthbert even had time to add a seventh - just minutes after Rytting Kaneryd had hit the post - to make it 7-0 to Chelsea, in arguably our best performance of the season.
A thoroughly brilliant win for Chelsea, which moved us into second place - four points behind Manchester United, with two games still in hand. The seven goals were a big boost to our goal difference too, although the Red Devils still had the advantage in this.
The only downside was the potential loss of Sam Kerr to injury - which also meant the two goals from Pernille Harder, signalling that the Dane is well and truly back, after her long injury absence, could not have come at a better time. If we were to go without Kerr, we would need Harder more than ever.
Chelsea 6-0 Leicester (WSL)
Chelsea were next in action midweek, fulfilling one of the two games we had in hand over Man United. That also meant our title rivals would benefit from three extra days' rest ahead of our FA Cup final clash at Wembley, on the upcoming weekend.
The opponents, Leicester, were fighting for their WSL lives - sitting 11th in the table ahead of this fixture at Kingsmeadow, two points above bottom side Reading.
Despite their lowly position, they had had some good recent results - including a 4-0 win against Liverpool, and had performed well in a narrow 1-0 defeat to Arsenal the weekend prior to this game.
Chelsea had earlier thrashed Leicester 8-0 in the reverse league fixture, but ahead of kick off Emma Hayes referred to them as “the most improved side in the WSL” - as they have made noticeable strides forward under manager Willie Kirk, since then.
Hayes also confirmed Sam Kerr was available for this fixture, with the issue that forced her into an early substitution against Everton only minor.
With the cup final looming, Kerr was not risked however - starting from the bench. Also starting from the bench were Katerina Svitkova and Kadeisha Buchanan on their return from injury - a welcome sign ahead of the run-in. Hayes made six changes to the line up that had started against Everton - including Pernille Harder starting for the first time since her own injury return.
Despite the changes, Chelsea very much started where they left off against Everton, pinning Leicester back from kick off - and had a deserved lead inside ten minutes.
The scoring was opened by the same player who had gotten the party started on the weekend - Guro Reiten storming in to finish a low Harder cross with aplomb.
The situation already looked ominous for Leicester, and the impending sense of doom deepened when another of Sunday’s goalscorers, Erin Cuthbert, made it 2-0 on 18 minutes. The Foxes were caught playing out from the back - a mistake engineered by the intensity of the Chelsea press, which had been relentless from the off.
Harder herself was then in on the goal scoring act with a brace, her second in two games The first was opportunistic - converting a rebound after Lauren James had had her shot saved. The second was some individual brilliance, capping off her own mazy run with a confident finish.
That made it 4-0 at the break, and meant that as against Everton, the game was already done at half time. Chelsea had made short work of Leicester, showing exactly the efficiency and ruthlessness that is needed at the crunch time of the season.
James added a fifth in the second half, to end a run of games without a goal. She did so with what is already becoming a classic of her repertoire - shimmying her way into a dangerous shooting position, then unleashing a rocket from range. Having got her goal, Hayes then brought James off in a series of changes made with Wembley in mind - Cuthbert, Reiten and Harder all also making way.
Jelena Cankovic made it a tennis score, and as a final positive note, Hayes was able to bring Buchanan on for Eriksen to get some minutes in the Canadian centre back’s legs for the first time since the injury she picked up in the April international break.
The six goals in this game, on top of the 7-0 win against Leicester, meant Chelsea had entirely erased Man United’s previously weighty goal difference advantage in the space of three days - now both locked on +42, and with Chelsea just one point off the leaders, still with a game in hand.
Chelsea’s form and confidence could not be better heading into the Wembley showcase - where we would take on our title rivals Man United in the FA Cup final. The return of Harder and Buchanan to fitness - and with Harder notching four goals in two games - brought even more cause for optimism, in a thoroughly excellent couple of fixtures for the Blues.
Then, onto Wembley.
Chelsea 1-0 Man United (FA Cup Final)
There is no bigger fixture in the women’s domestic game than the FA Cup final - and for the first time ever, Wembley was sold out ahead of kick off, meaning yet another attendance record would be broken in a season of milestones for women’s football.
It would be Chelsea’s sixth final since the showpiece fixture has moved to Wembley - and we had only lost one before. Victory against Man United would also make it a hat trick of FA Cup triumphs for Chelsea, having also won the 2021 and 2022 finals.
Standing in our way were a Man United team in brilliant form, who are also seeking to stop Chelsea winning the league title. It was Man United’s first ever final - and hence their chance to win their first ever trophy since forming a women’s team in 2018.
Man United had the sense of underdog and destiny on their side, whilst Chelsea had the experience and nous of knowing what it takes to win the biggest games. With the Chelsea players still amongst a relentless schedule, and missing key players like Millie Bright and Fran Kirby - there was a good argument for either side to take home the trophy.
The big selection news was Pernille Harder starting from the bench - a surprise given her back to back braces - with Hayes opting for Kerr, Reiten and James as her three primary attackers instead. This would mean Chelsea had a very dangerous game-changing player, lying in wait…
The game got off to a very notable false start - or two. First Chelsea tried to kick off before the pre-match music had finished - and then Man United had the ball inside the net within a minute, only for the Blues to be reprieved by the offside flag.
That would have given Chelsea the unwelcome record of having conceded the fastest goal at an FA Cup final for both the men’s and women’s competition, after Louis Saha outdid our own Roberto Di Matteo’s previous record, in 2009.
You might have thought this would have woken up Chelsea - but Man United looked in control, and Chelsea on the edge defensively.
Man United’s first-time-final nerves appeared to affect them in the key attacking moments third though - they were on top in the game, but looked scared to pull the trigger, and so despite a few shaky moments, did not hugely test Berger.
Emma Hayes decision not to use Harder from the start gave Sam Kerr a lot of work to do - she was tasked with keeping the Man United defence busy all on her own. Chelsea employed a similar strategy to that which had been successful in the game at Kingsmeadow earlier this year, in a 1-0 win where Man United had dominated but lacked a cutting edge, and were undone on the counter.
Lauren James looked lively whenever she was on the ball, and made ex-Chelsea full back Hannah Blundell work very hard in the sweltering heat. James also had a header tipped onto the post by Mary Earps - a reminder that even whilst Man United appeared to have the better of it, Chelsea would always be in the game.
With the score 0-0 at half time, there was a definite sense that was a much better score line for Chelsea - and that Man United might regret not finding a way to make the most of having the Blues on the back foot.
And so they did come to regret it. Hayes introduced Harder on the hour mark, as it was always expected she would - and the impact was immediate. Marc Skinner similarly tried to affect the game, but there were no players like Pernille for him to turn to - and his decision to take off Nikita Paris looked to be the wrong one, with United losing much of the impetus when she exited.
As well as taking an arm to the face that appeared to go completely unnoticed by the referee, Harder combined with Kerr to get in behind the Man United defence - and twice Chelsea failed to capitalise. With two such attacking threats to contend with through the middle, Man United all of a sudden looked rattled.
The third time was the charm.
Of course, it was Kerr who found the decisive finish. The Aussie treated the record crowd at Wembley to one of her trademark backflips, after having steered Harder’s low cross past Earps -
A double flip, even - hopefully a sign of things to come… .
The goal had a disheartening effect on the opposition. You got the sense that it had sunk United’s maiden voyage in search of their first ever trophy - and that Chelsea’s experience would now see them through.
However, including an agonising six minutes of injury time, there were still a few scares - in particular a late goalmouth scramble that left two Chelsea players collapsed on the deck, alongside the blue half of the Wembley crowd collapsed in the stands.
It was soon only the blue half that remained, however. The full time whistle blew, and the Man United exodus was matched by the Chelsea explosion. Jubilation greeted yet another trophy for Emma Hayes and her Chelsea side.
A third FA Cup win in a row. Another piece of history on another hallmark day for the women’s game - nearly 78,000 at Wembley in a record for the cup final, and any women’s domestic final.
There was still more to play for, of course. Chelsea had three games left to play in the league - where we remained locked in a gripping title race with the cup final’s defeated foes.
Whether this galvanised or deflated Man United remained to be seen. It was still in our hands - and after a reminder like this of the machine Chelsea are at the business end of the season, you would have been unwise to bet against Blue.
West Ham 0-4 Chelsea (WSL)
There was not much time to celebrate for Chelsea, with the team back in action just three days after the FA Cup final triumph at Wembley.
The Blues travelled away to West Ham, to make up our final game in hand on WSL leaders Man United - knowing three points at the Chigwell Construction Stadium would move Chelsea back on top of the WSL for the first time since March.
Paul Konchesky’s side have been in woeful form - having just the one win in the past 10 games, and you had to flip the calendar back to December last year to find their last WSL win.
Nonetheless, Chelsea could not be complacent, given the shocks, twists and turns this WSL season has already thrown up - and it was imperative to remain fully focused on the task at hand.
With this game following the cup final, and a huge game against Arsenal to come just four days later, rotation was a necessity - and Hayes made seven changes to the XI who started at Wembley.
These changes did little to disrupt Chelsea’s impressive recent form, who looked like they meant business from the off.
Niamh Charles deservedly opened the scoring for the Blues after 11 minutes - being quickest to a rebound to finish from close range. It was a goal that was extra special for the defender, as it came on her 100th appearance for the club. An impressive milestone, given she is still only 23.
It felt like similar score lines to Everton and Leicester might be on the cards, but West Ham - to their credit - dug in, and were able to push to dampen the Chelsea fire, and keep it to 1-0 at half time.
However, Pernille Harder soon had a second for the Blues shortly after play resumed - and Chelsea were comfortable from that point.
Sophie Ingle - who like Harder had been a substitute at Wembley, and in from the start in this game - slid the ball into the Dane in the box, who made no mistake with the goal at her mercy.
It was another excellent display from the bang-in-form Harder, who since returning from injury has now scored five goals, and three assists - including a game-changing contribution off the bench in the FA Cup final. Her return to fitness and form really could not have been better timed.
Ingle was then herself on the scoresheet, nodding home a rebound from close range, after the West Ham keeper could only tip it onto the bar.
Erin Cuthbert put a sensational cherry on top with a fourth goal in injury time - which was easily the pick of the bunch.
The Scot had come on as a substitute, and twice before gone close with long range efforts. At the third time of asking, she was able to find the net - an absolute pile driver of a strike, hit with all of the ferocity you would expect from our midfield dynamo.
In all, it was another impressive performance. Chelsea were comfortable, dominant, and ruthless in dispatching yet another foe in our quest for a fourth consecutive league title. .
The 4-0 win made it 17 goals in the past three WSL games for Chelsea - completely obliterating Man United’s prior healthy goal difference advantage.
The win also means for the first time in many weeks Chelsea and Man United have played the same number of league games - and the Blues on top of the WSL, holding a two point lead in the standings with just two games left to play.
The upcoming weekend would likely be absolutely crucial in deciding the destination of the title, with two huge games on the cards.
Chelsea would be hosting Arsenal at Kingsmeadow, whilst Man United would be at home to local rivals Man City in the Manchester derby. Neither City or Arsenal had any realistic chance of winning the title themselves at this point - but both would relish the prospect of having a major say in who does, especially if at the detriment of their respective rivals.
Following this result, Chelsea were back in charge - but that could all change in the next 90 minutes.
Chelsea 2-0 Arsenal (WSL)
It was a fixture that has been circled in the calendar all season long, and as expected, Chelsea's final home game of the season - against Arsenal - was set to be pivotal in determining who would be crowned champions.
However, it was not Arsenal that Chelsea were competing with to be crowned champions - as many expected - with Man United instead the team who sat just two points off Chelsea heading into the final round of games.
Whilst Chelsea would be taking on Arsenal at Kingsmeadow, Man United would host Man City in the evening kick off - 1st vs 3rd and 2nd vs 4th, WSL weekends do not come much bigger.
Win our game, and Chelsea would be all but there. Drop points - and it would be advantage Man United. This was huge.
The Blues had been in sensational form - stepping it up when needed to, as we so often do. Every game in May so far had been a must-win - and a Chelsea squad depleted by injuries and weary with fatigue had risen to the occasion. The Blues had won five in a row coming into this fixture, and in doing so had completely erased Man United's goal difference advantage with a series of thumping victories.
Our perennial rivals, Arsenal, still needed to confirm their spot in the top 3 for Champions League qualification next season - although their goal difference advantage means a win at Aston Villa on the final day would likely see them qualify regardless of the result in this game. There is no love lost between Chelsea and Arsenal - and although the Gunners and Jonas Eidevall would likely not be able to win the title this year, they will love nothing more than stopping the Blues and Emma Hayes from making it four in a row.
Arsenal have been plagued by injuries this season - Lia Walti was ruled out for the season in their mid-week win vs Everton, to add to the earlier losses of Beth Mead, Vivianne Miedema, Leah Williamson and Kim Little. Chelsea continued to be without Millie Bright and Fran Kirby, key absences of our own.
Emma Hayes named an attacking line up - with all three of Guro Reiten, Pernille Harder and Lauren James starting in support of Sam Kerr. Magda Eriksson continued at centre back alongside Maren Mjelde, with Hayes not disrupting the partnership that has done so well whilst Bright and Kadeisha Buchanan have been out injured - despite Buchana now being fit again.
This meant both Harder and Eriksson would be starting what was a very special game for the pain. It had been confirmed in the days leading up to this fixture that the duo will leave the club in the summer, this therefore being their last game at Kingsmeadow.
Chelsea started like a team who knew what this meant.
Arsenal barely had a kick in the first 10 minutes, their back three pinned back by a flying Chelsea team, who pressed high and kept the ball with focus and intensity.
Guro Reiten - arguably our player of the season - deservedly put the Blues ahead midway through the first half. Eve Perisset found the Norwegian with a delicious cross, after Arsenal had failed to clear their lines following a set piece - and Reiten’s smart finish was enough to beat Zinsberger.
This first half was Chelsea at our best - we looked better in every aspect than the Gunners, who just could not match the performance.
Despite the dominance, Ann-Katrin Berger was called upon on a few occasions - but when the second goal came it was for Chelsea, and the 2-0 scoreline was no more than the Blues deserved.
The goal scorer was one who sent the Kingsmeadow crowd into raptures.
It came from another set piece - Sam Ker headed across goal, where captain Magda Eriksson was first to react to prod past Zinsberger, meaning she would mark her final game at Kingsmeadow with a goal that could be crucial in Chelsea’s march to the title.
Arsenal, despite their injuries, are still a good team - and had proved that with their response to seemingly endless adversity this season, where they have kept getting results that may well see them in Europe next year, and nearly put them into this season’s Champion League final.
Their response in the second half, therefore, was not unexpected. The introduction of Steph Catley gave them fresh impetus, and not long after the resumption of play they had struck the Chelsea bar.
A penalty for Arsenal - with Sophie Ingle penalised for handball - gave them a golden opportunity to reduce the deficit. Stand-in penalty taker - and captain - Katie McCabe put it wide though, in a let off for Chelsea. Ingle had dominated the middle of the pitch for Chelsea - and it would have been cruel to see this tar her exceptional performance.
Chelsea needed to wake up, and Emma Hayes did her bit by bringing on Jess Carter for Lauren James, in an attempt to settle proceedings.
Berger had made some important interventions in the first half, and became increasingly important in the second 45 as Chelsea rode out the Arsenal storm. The Gunners, for all their improvement, still lacked a cutting edge, and too often wasted good opportunities with a poor final ball. The game gradually settled, and the introduction of Buchanan and Fleming helped the Blues to see it out.
The latter also meant there was the opportunity for Kingsmeadow to rise as one to show their appreciation for the departing Harder, who left the pitch for the last time in a home game for Chelsea.
A game which showed two of the best sides of Chelsea - who Emma Hayes in the pre-match build-up dubbed as “hybrid monsters” for the squad’s versatility. In the first half we showed our quality when playing on the front foot, dominating Arenal to take a deserved 2-0 lead. In the second half we showed our resilience when defending a lead - and professionalism and nous in being able to keep what we had, even with the assist of the penalty miss.
Taking all three points meant Chelsea went five clear, having played one game more than Man United - and effectively put one hand on the trophy.
If Man United had failed to beat Man City in the later evening kick off, then it would have been confirmed before the final day. However, despite 10-player Man City equalising in the second half - and for 20 odd minutes it looking like Chelsea were already champions - United found a stoppage time winner to ensure it did go to the final weekend.
Chelsea would travel to Reading knowing that a win would see us crowned champions for the fourth season in a row. The Royals are all but relegated following their loss against Spurs in their penultimate game - and given the challenges Chelsea have overcome to put themselves in this position, you would back the Blues to see it through… but would there be one last twist in the title race?
Reading 3-0 Chelsea (WSL)
It all came down to this.
After what has been the best WSL title race in years, the champions were to be decided on the final day.
Chelsea were in pole position. Since the March defeat to Man City, the Blues have won every single league game. The Red Devils had topped the table for most of the season, but mainly by virtue of the fixture list - as they had always been ahead of Chelsea in terms of games played.
A busy May has seen the Blues make up those games in hand - and completely erase United’s goal difference advantage - meaning that we headed into the final day with a two point and five goal difference lead.
In the blue corner, Chelsea were looking to make it a fourth WSL in a row and three consecutive Doubles. In the red corner, our rivals were looking to win their first ever league title - or trophy of any sort - since reforming as a club in 2018.
A win for Chelsea would confirm it, regardless of what Man United could do at Liverpool. Given the goal difference advantage, a draw may also be enough - but memories of the painful loss of the title on goal difference, on the final day in 2014, meant Chelsea would not want to chance it.
Our opponent faced a battle of their own. Reading were rock bottom of the WSL - and needed a win to avoid relegation, meaning this game was as big for them as for Chelsea.
The Royals form had been as woeful as their lowly position would suggest. However, they are something of a bogey team for Chelsea, having beaten us in this same fixture last season, and fought back well to a credible 3-2 loss at Kingsmeadow back in December.
Chelsea, meanwhile, were flying into the game - having scored 22 goals for the loss of just one against, in our six months in May so far.
It would also be the final game in Blue for departing captain Magda Eriksson, and her partner Pernille Harder. Magda marked her final Kingsmeadow appearance last weekend with a goal - and both would want to end their career at Chelsea on the ultimate high, and a goodbye that two such iconic and beloved players deserved.
In a rarity for Chelsea this season - given the fixture congestion and injuries we have had to contend with - Emma Hayes was able to name an unchanged XI for the final game of the 2022/23 season.
There was only one way for Reading to realistically play - try to frustrate Chelsea, and sting on the counter. As such, they set up with a back five, and within a few minutes it was clear that this was going to be a matter of attack vs defence.
Chelsea would need to keep patient, and keep calm - and did determinedly set about their business of breaking down the Reading wall.
Sam Kerr blazed the first good chance over, after some excellent build up from the Blues. Erin Cuthbert then hit the bar - and there was a growing sense the opener was coming.
The link up which has been so prolific this season proved fruitful again. A Guro Reiten cross from the left, a Sam Kerr header - and a Chelsea goal. Reiten has in many people’s views been our Player of the Season - the ‘Assist Queen’ added another to her tally of 19 for the year in all competitions, and her contribution has been crucial in a season where we have missed Fran Kirby and Harder for most of it. Reiten and Kerr have at times carried our attack this season - and so it was fitting they combined for the breakthrough here.
That made it 1-0 to the Chels, inside 20 minutes , and if this result held, the title would be staying at Kingsmeadow. Reading could have equalised not soon after, but Justine Vanhaevermaet could not convert a free header from a free kick. This was enough to remind Chelsea that we could not rest on our laurels, after having taken an early lead.
Royals forward Deanne Rose went off injured shortly after - a major blow for Reading, as one of their danger-women, and meant their chances of coming back in the game had taken a major hit.
Reiten further illustrated her contribution this season by getting the second goal, shortly before half time. The Norwegian capitalised on a poor back pass from Easther Mayi Kith to find herself one on one with the Reading keeper, and coolly nutmegged the unfortunate Maloney.
With that, Chelsea now had one (and a half) hands on the trophy - and it meant the second half would likely be a procession.
And so it was. Chelsea were never truly troubled in this game - having had nearly 80% possession, and 23 shots in total. This was always in Chelsea’s hands - the game, and maybe even on reflection, despite the season-long drama to get there - the title was always in our hands too.
Kerr got her second of the game late on by finishing off her own rebound to give the scoreline the resounding feeling that the dominant performance in the Berkshire sunshine deserved. A fitting way to end a storming run through the business end of the season - Chelsea took it up to a new level, and nobody else could match it.
Elsewhere, Man United did their part in beating Liverpool 1-0 - but it mattered little.
Magda Eriksson had been substituted off to enable the travelling fans to give our departing captain an enormous ovation - nothing less than what a genuine legend of this club deserves.
The only thing more fitting was what came next. For the tenth time as Chelsea captain, Eriksson lifted a trophy. She did so in front of the jubilant fans who filled the Madejski Stadium - meaning there were more Chelsea fans than Reading there to see it.
A fourth WSL title in a row - a third consecutive Double. Chelsea were champions.

May results in brief

Fixture Result Competition Goal scorers
Liverpool (H) 2-1 W WSL Charles, Kerr (Perisset assist)
Everton (H) 7-0 W WSL Reiten, Kerr, Harder x 2, Ingle, Fleming, Cuthbert (Rytting Kaneryd, Charles, Reiten, Fleming, Harder, Cuthbert assists)
Leicester (H) 6-0 W WSL Reiten, Cuthbert, Harder x 2, James, Cankovic (Harder, Carter, Perisset, Charles assists)
Man United (N) 1-0 W FA Cup final Kerr (Harder assist)
West Ham (A) 4-0 W WSL Charles, Harder, Ingle, Cuthbert (Ingle, Rytting Kaneryd assists)
Arsenal (H) 2-0 W WSL Reiten, Eriksson goals (Perisset, Kerr assists)
Reading (A) 3-0 W WSL Kerr x 2, Reiten (Reiten assist)

UTC!

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2023.05.30 09:29 DemiFiendRSA Street Fighter 6 Review Thread

Game Information

Game Title: Street Fighter 6
Platforms:
Trailers:
Street Fighter 6 - Launch Trailer
Street Fighter 6 - Your Story Trailer
Street Fighter 6 - Pre-Order Trailer
Street Fighter 6 - Announce Trailer
Developer: CAPCOM Co., Ltd.
Publisher: CAPCOM CO. LTD
Review Aggregator:
OpenCritic - 92 average - 98% recommended - 64 reviews
Critic Reviews
Checkpoint Gaming - Luke Mitchell - 8.5 / 10
Street Fighter 6 provides the fast and furious action you'd expect from the refined fighting series, offering a dynamic cast of characters, new control modes to make it more accessible, and a variety of features to keep you busy. Its story mode is a campy take on the Street Fighter universe that doesn't always land the winning blow, however; while it's filled with distractions and civilian fighters to take on, it can be a little repetitive and shallow. Still, the technical foundations that Street Fighter stands on are as solid as ever, and with a whole world to battle online, there's a lot of fighting on the menu in what is once again a polished, exciting fighting experience that will keep fans engaged for years.
Console Creatures - Patrick Tremblay - Recommended
Without a doubt, Street Fighter 6 is the best and most accessible entry in the long-running series. Anyone can jump in, and there is a lot of content to keep you busy and practicing on the road to World Champion.
Cultured Vultures - Ash Bates - 10 / 10
A sublime fighting game masterpiece from a company at the peak of their powers, Street Fighter 6 is utterly incredible.
Destructoid - Chris Moyse - 9.5 / 10
Simply put, Street Fighter 6 is one of the very best entries in series history.
Eurogamer - Wesley Yin-Poole - Recommended
Street Fighter 6 rights the wrongs of its predecessor while dragging the famous fighting game franchise kicking and screaming into the modern era.
Fextralife - Castielle - 8.4 / 10
Capcom delivers and checks the majority of the boxes when it comes to the classic and new features of Street Fighter 6. It heads down a different direction making it more casual while maintaining the core values of the game, allowing it to be a mainstream fighting game for all players. However, with its awkward performance on the PlayStation 4. The concern is, will World Tour have more content and will the performance issues be fixed. We hope these will be addressed. In the meantime, it is recommended to play Street Fighter 6 on current-gen consoles and PC to fully appreciate and enjoy this game.
GamesHub - Edmond Tran - 5 / 5
Street Fighter 6 is an exceedingly good fighting game. But more than that, it’s an excellent training tool. It’s a fulfilling adventure. It’s a lively community gathering place. It’s an endearingly idealistic and inspiring world of appreciation for martial arts and friendly competition, exceptionally executed in every respect.
GameGrin - Mike Crewe - 9.5 / 10
The most complete Street Fighter title to date, Street Fighter 6 is a must-play for fighting game fans, and one to consider even if you're not familiar with the genre. An engaging, stylish beat 'em up that could well be king of the mountain for years to come.
Game Informer - Elijah Gonzalez - 9.5 / 10
Between its cohesive aesthetic, the bounty of clever features, and crisp central gameplay, it’s one of the most impressive entries the genre has seen in some time.
GamesRadar+ - Andi Hamilton - 5 / 5
Street Fighter 6 offers the most flexible, versatile, and expressive combat seen in the series to date. With its fantastic suite of game modes and diverse character roster, Street Fighter 6 has something to offer every type of fighting game fan.
GameSpot - Jason Fanelli - 9 / 10
Capcom's flagship fighter is back in form with intricate but approachable fighting mechanics and a feature-rich package.
Gaming Nexus - Joseph Moorer - 10 / 10
Capcom has given us a complete game right out of the box. The single player experiences are enormous. The online experience is perfect. Street Fighter lore is littered in every nook and cranny of this game. There are modes and modes within modes. This is one of the best Street Fighter games in the history of the franchise. If Capcom hurt you in the past, this is their apology. Street Fighter 6 is a new classic that people will be playing for years to come.
GamingTrend - Jack Zustiak and Abdul Saad - 95 / 100
Street Fighter 6 takes the series to the next stage with a wildly fun fighting system that emphasizes personal choice. Each mainline Street Fighter tends to define its era of fighting games in some way, and Street Fighter 6 confidently steps forward to that next era. From its battle system to its bevvy of modes such as World Tour, it dives deep into everything that makes fighting games great.
GGRecon - Jack Roberts - 4.5 / 5
With a slew of fighting games on the horizon like Tekken 8 and the recently announced Mortal Kombat 1, Street Fighter 6 is leading the charge in the most vibrant way possible. With a series of character guides, story campaigns for classic characters and a fantastic open world for you to take the fight to the streets, it feels like everything I could have asked for from a modern Street Fighter entry.
Despite being the sixth game in the mainline series, Street Fighter 6 is easily one of the most accessible and makes for a fantastic entry point for newer players, while still resonating with series veterans.
Glitched Africa - Marco Cocomello - 9.5 / 10
Street Fighter 6 could be the best fighting game I have played in a very long time. I am no master at these games and I don’t run out to buy them at launch. However, the game is very fun to play and its real draw for me was its accessibility. I felt good at it even though I really wasn’t. Of course, this is also completely optional too so if you’re a veteran, you’ll enjoy this just as much as noob.
God is a Geek - Sean Smith - 10 / 10
Street Fighter 6 is without question the best fighting game package I have ever played, and will keep you going far longer than a one-on-one fighter has any right to be able to. A true classic.
IGN - Mitchell Saltzman - 9 / 10
Street Fighter 6 is the most feature-rich a Street Fighter has ever been at launch, but even beyond that, it's roster of 18 characters is excellent, the new mechanics revitalize the one-on-one fighting formula, and it absolutely nails all of the little things that make for a stellar fighting game.
Inverse - De'Angelo Epps - 10 / 10
Capcom’s latest takes everything you’d expect from the father of the fighting genre and turns it up to 10. There’s something for everyone here, with no fat or filler to ruin the experience. Street Fighter 6 is the best fighting game experience in a long time, and in the years to come, its impact and legacy could be every bit as massive as Street Fighter 2.
Kotaku - Kenneth Shepard - Unscored
It’s a sublime fighter that makes smart changes that honor what makes the series great.
Metro GameCentral - GameCentral - 9 / 10
A far better launch experience than its predecessor, with an excellent fighting system and a wide range of options and features that transcend the usual genre traditions.
MonsterVine - Spencer Legacy - 4.5 / 5
Street Fighter 6 is a grand fighting game experience that just keeps building on the series’ strong foundation. Though the World Tour mode and new characters aren’t as stand-out as they could be, the core gameplay is excellent and there’s plenty to enjoy.
Nexus Hub - Keegan Govender - 9 / 10
Street Fighter 6 is not just a comeback for Capcom, but for fighting games entering next-generation consoles as a whole. It feels like a passion project made by a group of people who were tasked by Capcom to make the last Street Fighter we would ever want to play. With its fast-paced gameplay, beautifully implemented new mechanics, and timeless visuals, Street Fighter 6 has solidified itself among the fighting game hall of fame.
Niche Gamer - NECRO XIII - 9 / 10
Ultimately, Street Fighter 6 delivers the fun and proves to be one of the most engaging fighting games of the year and of most recent memory.
PCGamesN - Christian Vaz - 9 / 10
This is the first Street Fighter game in a long time where it feels like players of all skill levels are welcome. While World Tour mode is disappointing, the sheer scope of SF6 means you don't need to wait for the inevitable Ultra Edition before jumping in.
PC Gamer - Mollie Taylor - 89 / 100
Minor technical issues and questionable monetisation scuff what is otherwise one of the best fighting games we've seen in the last decade.
Polygon - Axel Bosso - Unscored
Street Fighter 6 is the ultimate fighting game toolbox
Press Start - James Mitchell - 9 / 10
Street Fighter 6 rights the wrongs of its past with multiple modes for every player and strong battle systems like no other. It invites new players into the fold with well implemented, simpler control schemes, without losing sight of the hardcore player. The World Tour mode won't be for everyone, but Street Fighter 6 stands tall as one of the best fighters Capcom has made.
PowerUp! - Charbel Asmar - 9 / 10
At launch, Street Fighter 6 is set to take the fighting game genre to another level
Prima Games - Matt Vatankhah - 9.5 / 10
In a sense, Street Fighter VI is the full package. It’s a three-course meal and then some, filling you up to the brim and serving you every dish on the dessert menu whether you’re ready for the check or not. It’s bursting with style, swagger, and abundant sophistication, and it’s the perfect entry for newcomers and veterans alike.
Push Square - Sammy Barker - 9 / 10
Street Fighter 6 is an absolute humdinger of a sequel. Capcom has created a fighting system that has all of the tactical depth professional players expect but managed to make it fairly easy for casuals to wrap their heads around. Not only that, it's introduced smart ways to onboard newcomers, including a simplified control scheme and a great suite of tutorials, which even extend to the impressively enjoyable RPG-inspired single player story mode. A strong roster of starting characters, near-flawless rollback netcode, and a seemingly never-ending selection of content – including interactive online lobbies with playable retro games – round out another unbelievably impressive effort from the seemingly unstoppable Japanese publisher.
Rock, Paper, Shotgun - Unscored
Smooth online matches and an impressively in-depth story already put Street Fighter 6 leagues above the competition.
Shacknews - TJ Denzer - 9 / 10
All-in-all, this game rekindled my love of the franchise, and I can’t wait to see how Street Fighter 6 grows over time.
TechRaptor - Robert Scarpinito - 9 / 10
Street Fighter 6 is one of the easiest on-ramps to the deep world of fighting games, appealing to casual players and veterans alike. With a diverse roster, meaty gameplay, and flashy animations, this will be a FGC staple for years to come.
The Outerhaven Productions - 4 / 5
Street Fighter 6 takes all the mistakes made with Street Fighter V and tries to not make them again. From the one on one traditional fights that we know, have been improved thanks to the addition of the Drive Gage mechanics, to the online modes where a lot of people are going to play. There is very little that Street Fighter 6 does that people won't be happy with… Unless you live in Australia… However, the looming nickel-and-dime ride of Season Pass after Season Pass could make things worse down the line. Street Fighter 6 is an easy day-one buy for the hardcore eSports player base, but casual players might want to wait for a year or more for a more complete game before buying.
TheSixthAxis - Nick Petrasiti - 10 / 10
Street Fighter 6 doesn't need recommending to hardcore fighting fans – you all already know how incredible it is – but do I recommend it for more casual players? Street Fighter 6 has a real sense of community, welcoming all players old and new, teaching new tricks and providing something for those that just want a bit of fun. This is truly a fighting game for everyone.
Twinfinite - Keenan McCall - 5 / 5
It’s the epitome of what a fighting game should be, and I can’t wait to see how the series builds off of this return to form
VG247 - Alex Donaldson - 5 / 5
It’s a must-have. And it might just be the most compelling overall fighting game package of all time.
We Got This Covered - David James - 3 / 5
Street Fighter 6 delivers a deep, complex, and satisfying fighting game bristling with fun new characters and an excellent multiplayer mode. Unfortunately, all of that's shackled to a truly terrible single-player RPG that stands as one of the most embarrassing things Capcom has released in years. If you're here for online play, you'll love it. If you want single-player action, stay far away.
Worth Playing - Cody Medellin - 9 / 10
Street Fighter 6 succeeds in its ambition to cram some big things into one fighting game. Battle Hub may be silly, but it has a lot more personality and more to do than most other titles with their own online lobbies. Fighting Ground does a great job of showing off the new roster and improvements to the fighting engine, while placing an equal amount of attention on both offline and online players. World Tour makes for a somewhat nonsensical yet addictive adventure that can serve as a good basis for a full-fledged Street Fighter RPG. All of this is tied together with a presentation that does well in improving what came before it, only with more fidelity and flash. As stated at the beginning of this review, fighting game fans are going to have a good year, and Street Fighter 6 is an excellent component of that.
XboxEra - Nick Baker - 9 / 10
Xbox players have had to wait a long time for Street Fighter to come back to the platform, and luckily got the best iteration yet.
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2023.05.30 09:26 scharlachrotewolke [TOMT] Film about a rebel, young adult witch/sorceress.

i remember watching a film or a TV series as a kid (maybe around 2009?) about this female sorceress who, against her parental figures' wishes, elopes with an ordinary man. i remember her being a sort of a shape shifter, because i remember a scene where they both hide in a men's bathroom and they start kissing for some reason, then she changes her form to a man to prevent some kind of issue such as people thinking they were a straight couple trying to have sex or something. at the end of the film, i remember seeing that, after a few years, they had a child. i think the sorceress' name was Tabatha or Tabitha, and the film was kind of a romance comedy? i also think it was a British or European film or show, because the setting looked like modern day Europe.
does anyone know something about this film/show? it's so blurry bc i was a little kid when i saw it, but i'm certain it wasn't just a dream bc i can remember, almost clearly, talking with my mom about it.
thank you.
edit to add: the movie was definitely from after 1980, the whole setting looked like the early 2000s and i think it had a narrator. i also asked ChatGPT about it but can't seem to get a correct answer. the closest answer i've gotten yet from ChatGPT is Bewitched from 2005, but i'm certain that's not the one I'm looking for
submitted by scharlachrotewolke to tipofmytongue [link] [comments]


2023.05.30 09:13 InternetDeadBeat Looking for people to collaborate with

Hey everyone! I'm a full-time freelance editor and scriptwriter, working on content every single day. Lately, I've been itching to turn TV series seasons into movies, and I stumbled upon this awesome subreddit. It got me super excited! So, I was wondering if there's anyone out there with experience in fan edits who'd be up for a partner or another member of your team and showing me the ropes? I'd love to learn and collaborate with other people interested in fan edits.
submitted by InternetDeadBeat to fanedits [link] [comments]


2023.05.30 09:04 RiceyPricey Heat Postseason 3P%

Since most believe the 3P% has been the significant factor in the Heat's Cinderella run, here are the percentages of Miami during this post-season.
The main takeaways are the following:
It seems the Heat have been generally more selective about their 3P shots than their opponents and this usually translates to higher (in some situations absurd) 3P%.
Whats also interesting is that no team has shot particularly well against the Heat. It seems the Heat's high effort 2-3 zone defense is designed to tempt opponents into shooting a high clip of apparently terrible 3s so they essentially beat themselves. Zone defense has a couple of glaring weaknesses like rebounding, but the Heat have at least managed to fix (or have gotten lucky and survived) its biggest weakness which is that it is weak on the perimeter. Opponent teams keep defaulting to the typical method to beat a 2-3 zone which is to let it rain from 3 but to no avail.

Game Score Heat 3P% Opponent 3P%
Heat @ Bucks 130-117 15/25 = 0.600 11/45 = 0.244
Heat @ Bucks 122-138 16/36 = 0.444 25/49 = 0.510
Bucks @ Heat 99-121 16/33 = 0.485 15/39 = 0.385
Bucks @ Heat 114-119 13/32 = 0.406 13/40 = 0.325
Heat @ Bucks 128-126 17/35 = 0.378 14/33 = 0.424
Series 77/161 = 0.478 78/206 = 0.379
Heat @ Knicks 108-101 13/39 = 0.333 7/34 = 0.206
Heat @ Knicks 105-111 17/49 = 0.347 16/40 = 0.400
Knicks @ Heat 86-105 7/32 = 0.219 8/40 = 0.200
Knicks @ Heat 101-109 13/39 = 0.333 9/28 = 0.321
Heat @ Knicks 103-112 13/43 = 0.302 13/34 = 0.382
Knicks @ Heat 92-96 7/27 = 0.259 10/35 = 0.286
Series 70/229 = 0.306 63/211 = 0.299
Heat @ Celtics 123-116 16/31 = 0.516 10/29 = 0.345
Heat @ Celtics 111-105 9/26 = 0.346 10/35 = 0.286
Celtics @ Heat 102-128 19/35 = 0.543 11/42 = 0.262
Celtics @ Heat 116-99 8/32 = 0.250 18/45 = 0.400
Heat @ Celtics 97-110 9/23 = 0.391 16/39 = 0.410
Celtics @ Heat 104-103 14/30 = 0.467 7/35 = 0.200
Heat @ Celtics 103-84 14/28 = 0.500 9/42 = 0.214
Series 89/205 = 0.434 81/267 = 0.303
Total 236/595 = 0.397 222/684 = 0.325

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