I was wondering if these songs are fitting the genre. I like these types of songs and was hoping to find more. If it's not rnb, what is it?

the queens return to the workroom after Kami's elimination
Anthyy: Everybody, moment of silence for our sister.
🏁Anthyy CF: Kami just got sent home, and it really was worst case scenario. I love Sue, don't get me wrong! But Kami was probably my closest ally here. And with how shitty last week was for me, that just sealed it as the worst week so far.
Zodya: Congratulations to our winners! Really well deserved, you both did great. How does it feel?
Wren: I'll be honest, I was starting to doubt myself. On Season Six, I felt like I always had the opportunity to prove myself. Maybe it was by winning a challenge, or by lipsyncing.
Fleur: Shoutout to the bed!
Wren: As I was saying...I was able to prove myself as a competitor. But this time, it's felt a lot different. Let's be real, my track record wasn't great before this last challenge.
🏁Fleur CF: She says as if it's better now.
Wren: But I finally feel like I showed what I have, and lipsyncing again felt like my batteries being recharged.
Sue: You run on batteries? I thought that was just me...what a world!
🏁Wren CF: I'm feeling pumped right now. Micro saw me as the best of the week, it doesn't get any better than that. I'm taking this momentum and making it into as many wins as possible. Maybe I'm the new Greantee? I like the sound of that!
Steph: Has anyone else felt that way of questioning your place here?
Fleur: If not, a lot of you should.
Anthyy: I can't say I have. I'm in it to go all the way.
Morgs looks over at Anthyy, wondering if Anthyy had forgotten about their previous conversation during Untucked
🏁Morgs CF: It seems like Anthyy is out of the mindset of wanting to quit. Which is perfect! Losing Kami was a big hit to us, so it's important that Anthyy stays and keeps the focus on what really matters.
Zodya: Whorechata, what lipstick do you have tucked away?
Whorechata: Yikes, this is awkward.
Sue: Oh...
Whorechata: I chose Micro. It was the only decision that felt right to me!
Zodya: If you don't show us who you actually picked...
Whorechata: I also chose Kami. It really was nothing personal. She said she had the fire to stay, and I wanted to believe her. But I didn't see that fire in her the same way that I did with Sue. And girl, you know I wasn't about to send you home. Our history goes back too far for me to do that to you.
Sue: You can never know for certain, so I really appreciate this.
Whorechata: I got you.
🏁Blondie CF: The FDR queens definitely need to be broken up. Whorechata saving Sue proves that even if they don't have this crazy close relationship, that FDR bond is enough to influence a major decision. Next time I'm in the top, I have to go after one of them. Or multiple of them, why not!
The Next Day
the queens strut into the workroom, wearing coordinated outfits
🏁Morgs CF: It's a new day in the workroom, and the group is getting smaller and smaller. Next thing you know, it'll look like a bunch of fairies running around! Honey, I shrunk the kids!!
Wren: I want to start off the day by apologizing to Anthyy and Morgs for how I acted during the challenge. It wasn't cute, and I see that now. I don't know, it just felt like all the stress was finally getting to me, and I put so much pressure onto myself.
Morgs: In my heart, I should be mad at you. But you are also the prettiest lady I've ever seen, so I can't be mad! It's all good, for real.
Anthyy: Definitely.
🏁Anthyy CF: I can forgive Wren, but I won't forget. She's the reason I don't know if I want to be here anymore, and I can't let that go. I'm feeling better than I was before, but I'm still not in it all the way. I'm getting in my head about it, I don't know what I need to do to feel better about this.
the workroom door swings open and Micro walks in, wearing a sequin caftan with teased out curly hair
Micro: Hello hello queens! Who else cried themselves to sleep last night after that elimination? Just me? Okay, we love that! Anywho, it's time for your next challenge. All of you have one thing in common. Whether you got close to the prize, or went home too early, none of you got the crown on your original seasons. And I'm sure you'd all be inclined to say that you were robbed. Which is why your next challenge is a musical journey through the crushing feeling of defeat. Because what is a drag race without a little emotional exploitation?! Each of you will choose a song of your choice, and then select sixteen lines from that song. Using the rhythm of the song, you'll be rewriting the lyrics to tell the story of how you were eliminated. The songs you choose and the approach you take are totally up to you. Make it you, make it stand out, that's all that matters! Good luck, and I'll see you on the runway for the big premiere. Bye!
the queens scatter around the workroom in small clusters as they go over ideas
🏁Steph CF: For our challenge this week, we are taking part in "Robbed: The Musical". Using a song of our choice, we have to rewrite sixteen lines to tell the story of how we got sent home. If you saw Season Three, you know all too well that I had thoughts, feelings, and concerns about how my time there ended. My only concern here is how to squeeze all of these thoughts into just sixteen lines. I could do fifty, and still have more to say!
Whorechata: So, what am I supposed to do for this challenge? I never really got eliminated.
Sue: Right! I forgot about that. I guess you eliminated yourself.
Whorechata: How do I make that work for this challenge, that's the question.
🏁Whorechata CF: Everyone else has been eliminated, got the axe, got thrown to the curb. And then there's me. Luckily, I feel more confident with a verse challenge than I could for any other challenge. When I put my pen to paper, none of these queens can come close to me. But it's hard to reference your journey and elimination when you quit on the second episode. I'll make it work though, know that!
Blondie and Fleur have a heart to heart by the mirrors
Blondie: I know there's tension between us, and that might never change. But I want you to know that there's an olive branch from me to you.
Fleur: Why would I want a stick?
Blondie: I-, that's not what that means.
Fleur: Girl, I know.
Blondie: Where did things go wrong between us?
Fleur: We both want to be the top bitch. And we know that there isn't enough room in the spotlight for the both of us. For me? Absolutely. But you...yeah, no.
Blondie: I just don't get that. We have the same friends, we work the same shows. There's no reason to keep things between us so fractured.
Fleur: Maybe one day. But right now, I don't know if it's the right time.
Blondie: I'm fine with that. It doesn't need to be immediate, I just want to know that you're willing to get there eventually.
🏁Fleur CF: As much as it pains me to admit, Blondie and I do have a lot in common. There's just something about this competition that makes it hard for me to connect with people. Some call it competitive spirit, most just call it being a bitch. I'm not closing the door on a friendship between Blondie and I, but I'm not opening it either. Not yet at least.
Morgs and Anthyy style their wigs for the challenge as they go over last minute ideas
🏁Morgs CF: Anthyy is the one person here that I know I can trust. Seeing her win would make me so happy, and I know she feels the same about me winning.
Anthyy: Sister, what song are you doing for this?
Morgs: There are a few rap songs that I think I could do well with.
Anthyy: You always do well with those, that might be the perfect option!
Morgs: But then another part of me feels like that would just be a convenient way of ending up safe again. I'm questioning whether or not it makes sense to go with what I know, or if I'm in a spot where I have to take a risk.
Anthyy: I feel the same way. If you took a risk and it didn't work, do you think you would be able to convince people to keep you?
Morgs: That's the thing, I don't. I feel like you wouldn't send me home, but that's it. I can't trust anyone else to save me.
Anthyy: What's your riskier option?
Morgs: Aretha Franklin.
Anthyy: Byeeee!
Morgs: I know, I know! It's not what you'd expect from me.
Anthyy: And that's why it makes total sense. You need to believe in yourself. Give them the full Morgs fantasy, and they'll live!
Morgs: Ah, you convinced me! I'm doing Aretha.
Anthyy: Our top two moment incoming!
🏁Morgs CF: I feel like I have nothing to lose at this point. If I'm ever gonna take a risk, now's the time to do it. Pray for your girl, she needs a miracle right about now!
Runway
the lights flicker and an electric magenta light floods the runway as Micro struts down the center
Micro Episode 6 Look
Micro: Welcome back to the runway of Micro's Drag Race: All Stars! This week, the queens were tasked with rewriting a song to tell the story of how they lost their original season. And joining me on the judging panel tonight is not only an MDR legend, but a fantastic verse writer, and the winner of Micro's Drag Race vs The World, Jords!
Jords Guest Judging Look
Micro: Jords, thank you for being here!
Jords: Thank you, I'm so excited to crush some dreams.
Micro: How has life been since taking home the crown?
Jords: You know what they say, club, another club, bus, no sleep. Except this is on Discord, so not exactly like that, but you get the idea!
Micro: Are you ready to get started?
Jords: I told you I'm not staying in this corset for more than an hour, let's get to it!
Micro: Without further ado, here is "Robbed: The Musical"!
Robbed: The Musical
-------------------------
Micro: Category is..."Chain Reaction".
"Bad Juju" by Jujubee plays
Anthyy: When i heard the category was chains i got a bit scared cause first i had an idea to do a bad bitch look! But then i realized probably everyone is gonna do that! So my mind went to a diffrent thign! When i dont know what to do i always look for inspiration in my culture! PURR POLISH BITCH! In Poland, you can easily say that in the whole europe, knights were EVERYWHERE so tonight i decided to serve you a knight look HONEY i am drippinnggg in chains! From head to toe i am a silver sparkling dream! And i know miss micr loves them sparkles so i made sure she is BADAZZLED for the gods! I did a lil leg and a hip reveal so she can have her sexy moment! And ofc i am carrying a sword caue i am a fighter. I really liked going back to the more haute couture side of anthyy since reently i focused my looks much more on the drag side so this was a nice comeback! And you kno im a sucker for gowns!
Anthyy Look
Blondie: Tonight I am giving full shame and guilt. Every since I taken a break from my season, I realize I have a lot of internal thinking and shame of the things I did on my season. Giving up so easily when I know I was in the right for most of my arguments and being manipulated into thinking I'm the problem when you just wanted Greentree to win so y'all robbed me. Tonight I am wearing beautiful Thai silk fantasy and got this beautiful styled red hair and have it locked up and chained up all over my body. You want me to feel shame, well come unlock my chain, baby
Blondie Look
Fleur: Tonight I decided to fuse rich and affluence with sex and fornication and I have to admit, I am a HUGE fan of this result! I am feeling so fancy and so lush with all this gold and skin! Thank the lord that fashion tape exists because without that, who knows how these chains will stay perfectly in place. I am EATING. I am so happy to be wearing this look the one week in this competition, where I feel somewhat confident!
Fleur Look
Morgs: BAM, on the runway i'm coming out, skinny, beautiful, and a bad girl. this is a total different direction than morgetha franklin you saw during the challenge. i have some devily horns on too, obviously decked out with chains, matching the rest draped AWL over my body. i look stunning, i feel stunning, and if someone happened to wear this before i wore it better
Morgs Look
Steph: mama i am all chained up bc i am a crazy bitch who LOVES the chains. Bitch this is fashion and I want to show that I can be kinky and serve up some rich ho realness honey!!
Steph Look
Sue: Tonight I am serving you gothic bad ass biatch. She is a huntress on a mission to obliterate all the men who did her dirty.
Sue Look
Whorechata: Tonight on the runway I am representing what many conservative folk would say is “my culture”. I am giving orange is the New Mexican tonight mawma. She got the ball and chain and limping on this runway… but tbh that’s not a new thing for chata on the runway.
Whorechata Look
Wren: Trying to make my own runway this was a truly humbling experience, sometimes things dont go as planned and that’s ok. However, if I’m going to go with something I didn’t make myself I want to make sure it’s one of the best things you’ve ever seen. This look wowed me from the moment I first saw it and it is absolutely gorgeous, stunning, and conceptual. Zendaya truly devoured, as always.
Wren Look
Zodya: For this runway, I wanted to do something a little bit different. While most people would probably have the chains wrapped around their bodies or hanging off, I’m going for this chain pattern in this exquisite, high-fashion executive realness look. I feel extremely opulent in this moment, like I’m about to buy out a large company! And if you don’t like that? Chained to the walls of the company dungeon!!!
Zodya Look
Critiques
Micro: Thank you ladies. Tonight, you all really blew me away!
Jords: I need to echo that. AMAZING job on the stage tonight. You all did amazing and it will be very hard to be choosing the placements. Very honored and excited to be judging tonight!
Micro: So tonight, you will each be receiving critiques.
Micro: First up, Anthyy!
Jords: BESTIE! So excited to see how far you‘ve come after Season 1. For your look, this is definitely one of the looks I‘m liking the most. It‘s giving me very much warrior. You know those games we used to play back in the day in that castle and there was like a fighter holding you from entering the other room? Yeah, that‘s you in new edition. And for your Musical performance… you ate that. I think the song choice is very um… UNIQUE. Sorry, I don‘t really connect good things with that name. Anyway, I found your lyrics smart and memorable, I kinda got stuck with what parts you were relating to, but then I got the hang of it and then loved it even more.
Micro: Anthyy baby, you might have just outwrote Beyoncé. Well, I don’t know if she writes her own stuff but if she does, you did that! I thought the flow was amazing, and you had so many call backs to your original season, and such a smart song choice for this Unieke moment! My one critique would be that it felt like certain lines were condensed in a way that really fit the flow, but weakened the line itself by removing certain little transition words. On the runway, this is sensational. I love the hip cutouts and the shoulder pieces. One of my favorite looks from you ever!
Micro: Next, Blondie!
Jords: Hey Blondie! On the look, I like how the chains connect the whole look. It starts from your foot to the head and roses, so I really found that cool. Your musical performance, I think you started really strong. The song was a little something else from what the others have presented I think, you served a lot of comedy. There‘s some little, very little things I would change, but overall I think you did a good job.
Micro: Imma be so real, my expectations for what you could do this week were a little low. You weren’t exactly a rapstress on Season Six, but this was so well done. This song has a lot of little moments within it that you were able to capitalize on. And it had splashes of humor and controversy that you’re known so well for. On the runway, I think this look is beautiful, and the commentary gagged me a bit. I thought you were in your apology era but then you went right back to serving cunt, we love to see it. Great night for you.
Micro: Next up, Fleur!
Jords: Hey Fleur! With this runway look, you are so rich and you are representing the girls. It just ate. You have clear taste, we been knew. Your musical verse. I‘ll say it was a good attempt. It was a verse that was really deep, but it wasn‘t that special for me.
Micro: The vibe of this song has such a dark and melancholy feel to it, which worked so well for this challenge, and the feelings of reliving that loss. It really told the journey of who you were back on Season One, and then how you had that redemption moment on Season Four, but ultimately falling short of the crown. All the boxes are checked, this was a great performance. On the runway, this connects with me so hardcore. The draped chain look, the big headpiece and sculpted hair, the fur coat, it’s a dream look for me. For me, your best week so far!
Micro: Next, Morgs!
Jords: Morgs! I‘m very impressed by you. This chains look is just so advanced and so beautiful. You went full force. As well as in the musical. I imagined it very well, you performing with that song playing. I like what you had brought tonight.
Micro: Morgs, you are such an incredible writer, and I could tell that this week was a moment for you to break out of that safe streak and really shine. First off, the song choice was amazing. And you stayed true to what the challenge asked for with the references to your season and elimination, not going too far into that bitch track territory. You played off of all the subtleties and syllables of the original to pack this full of great content. On the runway, this is a gorgeous look. Having this cage element made of chains, it’s a clever and high fashion moment.
Micro: Next up, Steph!
Jords: Steph, Steph, Steph. Your runway with the chains, chains everywhere! I like it. But your verse… it didn‘t stick out to me, I‘m sorry. It didn‘t fullfill my expectations, I got the hang of what you were trying to do, but I didn‘t really get through the whole performance without asking myself „Why“ like, 3 times.
Micro: Steph, you made me so proud this week!! I know your elimination on Season Three wasn’t the best time for you, but I do think it has pushed you in this competition to perform at a really elite level. You sold the vibe and the fantasy of what that challenge was and your thought process through your elimination. There’s not much else I can really say, you killed it. If I have to nitpick, I’d say that the end loses steam a little bit, but only because the first half is so strong. On the runway, I think this is maybe the best you’ve looked! It’s simple but executed flawlessly. Great work.
Micro: Next up, Sue!
Jords: Moving on to Sue! Your chains look, it was kind of different and it had something that made me memorize it well. Your performance… I kind of found it hard to keep up. It was a good song choice, I did see you performing it, don‘t worry. But I think you could have done even more.
Micro: Sue, let me start off with this song choice. Choosing the song you were eliminated on during Season Four, how did nobody else think to do that?! It was a really smart move. I can tell you were comfortable with this challenge, because every line had that natural flow and swagger to it. The lyrics were so true to you and your spirit, and the rhythm of the song kind of played into that feeling of running away from elimination and trying to save yourself. And on the runway, this is amazing. I love the movement that the chains bring in, and this skeletal corset vibe is next level. I’m not the biggest fan of the purple veil, but this is a great look.
Micro: Next, Whorechata Grande!
Jords: Hey, Whorechata! This look looks like it‘s self-drawn. I think the story behind it is very smart and very easy to think about what it could mean. Perfect, that‘s it. And for the musical, girl, you turned it into a party. I was in my seat like… twerks.
Micro: Whorechata, you are like a chicken. I take you out of the freezer, and you start to thaw. Last week, you warmed up, and this week, you were burning hot. This was start to finish, an incredible week for you. Every beat was hit, the flow was immaculate, and you balanced being able to hype yourself up, but also get real about your time on Season Five. On the runway, this look is so so good. The heavy chains around the ankles especially, that really works for me. If I had to nitpick, I think the hair color throws me off a little bit, and I wish she had a chain necklace or earrings to kinda tie the top half to the bottom half, but this was truly your week.
Micro: Next up, Wren Wyvern!
Jords: Wren, Wren, Wren. I‘m going to start with the runway. Let‘s break it down. When you see A first, you remember it. Then comes B. And when B is very similar to A, you like one more. That‘s exactly what it is between you and Anthyy. You both did armor-related looks. This look from Zendaya, my queen 'till the day I collapse, is very iconic. But I think this is one of the looks I like the least tonight. This verse made me think you used AI. Because you used some words that Jesus didn‘t even hear before he got crucified, Amen. I found it very funny, and you gave us something to run with, so good job on that.
Micro: Wren the rap star is back! You have a great understanding of music and verse writing, and are able to execute challenges like this phenomenally. The rhyme structure of the original song isn’t all that simple, it has little quirks, and that’s tough to write around. But you managed to pull it off, and pull it off really well. On the runway, this isn’t my favorite. Objectively, it’s a beautiful look. I will say though that MET Gala looks for me tend to just come off as a little expected. At this point in the competition, I have to pick at the tiny things.
Micro: Last but not least, Zodya!
Jords: Zodya! Well, while others used chains that were actually build into their look, you used it as a pattern. And I actually would have liked it more had you used a look that did so as well, because it gives it more a better vibe. I liked your verse a lot. It was so good. Nothing more to say, like damn she ate that.
Micro: Zodya, back with the Gaga! You are an incredible verse writer, undefeated so far. Tonight was no exception. Your lines all hit, and there was not a single error in the flow of it. Picking at the tiny things, I think the chorus didn’t give you many chances to change it in a major way. Such a small issue, but every little detail is being looked at under a microscope right now. On the runway, this was a really unique take. Opting to go for a chain pattern instead of actual chains, I don’t know how I feel about it! It’s something I haven’t seen before and I love that it gives you this polished look. Maybe I’m missing that industrial and metal vibe that real chains would’ve brought in, but it’s great for what it is.
Micro: Thank you queens. Based on your performances tonight, I've made some decisions. When I call your name, please step forward.
Micro: Anthyy, Blondie, Fleur, Steph, Sue, Wren, and Zodya. Great work this week, you are all safe.
🏁Fleur CF: Wait...what?
Micro: Morgs, Whorechata. Congratulations, you are the top two queens of the week!
the queens congratulate Morgs and Whorechata while looking shocked over everyone being safe
🏁Morgs CF: Well oh my gosh, I won!! And for it to happen on a week where I just let loose completely, it makes me feel so good. If you want the real me, here it is!
🏁Whorechata CF: My win era has arrived, it feels right!
Micro: Now, I hate a non-elimination week. You all know this, I know this, the lady down the street knows this. But when you deliver at a level like this, you leave me no other choice. I want to see more from each and every one of you. However, there will still be a lipsync. The winner of the lipsync will receive a significant advantage in the next challenge. Trust me, you want this one. Head on back to Untucked and get ready, I'll see you shortly!
Untucked
the queens enter Untucked
Morgs: Oh my damn, oh my damn!
🏁Morgs CF: I won my first challenge! This is my first time being in the top since the first episode. The risk to do Aretha paid off, and I'm so glad I made that decision. And it's honestly the perfect week to win, because I don't need to worry about making someone mad at me. I need to do a little happy dance or something, this is the best feeling!
Steph: Somebody better quit to make these numbers go down!
Wren: I felt that.
Sue: I was really doubting myself this week, so getting positive feedback and being safe, such a relief.
Anthyy: I feel that way, just flipped a little bit. I felt really good about my verse, and love my runway. But the critiques were a little shaky. I'm so grateful for everyone being safe, I'm not ready to land in the bottom!
Wren: Anthyy, Zodya. This is nothing against the two of you, but-
Zodya: Here we go.
Wren: It is a little frustrating that the week where you finally get mixed critiques, there's no bottoms. It feels interesting to me, that's all!
Steph: Oop.
🏁Wren CF: I believe that there was some tricks going on behind the scenes this week. I thought Zodya was the weakest, and by quite a lot to be honest. But she's won three challenges already, Micro can't risk her going home. It feels all too convenient that this was the week for nobody to go home.
Zodya: I'll be the first to admit that I wasn't in the best headspace this week. We've been here for awhile now, it got to me.
Wren: I think it mainly annoys me because just based off of critiques, I think I was next in line to be in the top. But now we're all safe, and it puts me and you on the same level.
Zodya: Is that a bad thing? Micro and Jords both said how well we all did.
Wren: I disagree with me being placed the same as everyone else, that's it.
Zodya: You can't just say "that's it" and expect the conversation to be over.
Wren: Well, I would like it to be over.
🏁Zodya CF: If Micro gave me a free pass this week, then let me just say a quick thank you and get back to the competition. But based on the critiques, I don't think that's what happened. When Wren wins the challenge, the judging makes total sense. But whenever she doesn't win, there's some conspiracy behind it. I know we've been here for a long time, but are the fumes getting to you?
Anthyy: I don't have anything else to say about that. We all slayed, we can just move on!
Sue: I do want to ask Fleur about her part in the musical. Was that actually how you feel?
Fleur: I mean...maybe a little.
Sue: Even on Season Four, I didn't know how much pressure you put on yourself after Season One.
Fleur: I came into that season so confident, but I gave up on myself. When you feel people cheering for you, and you can't take it all the way, it makes you feel like you disappointed them.
Anthyy: You didn't disappoint anyone on Season One!
Fleur: No, I know I disappointed myself at least.
🏁Fleur CF: I take what I do very seriously, and I really care about the legacy I leave behind. If I don't live up to the expectations I set for myself, it makes me feel like it's not even worth trying.
Fleur: I'm scared of that following me. I want people to see me for who I am now, not what I was doing then.
Blondie: You have no idea how much sense this is making.
Fleur: Really?
Blondie: Absolutely. The thing is, people will feel how they feel, and you can't change that. But when you start living in the moment and start this new path for yourself, they'll have no choice but to see you for who you are now. If you don't want them to focus on the past, you can't focus on it either.
🏁Zodya CF: And that is what we call a breakthrough!
the queens return to the runway
Micro: Welcome back ladies! Will the top two queens please step forward.
Morgs Lipsync Look
Whorechata Lipsync Look
Micro: Morgs, Whorechata. Prior to tonight, you were asked to prepare a lipsync performance of “I Believe in a Thing Called Love” by The Darkness.
https://www.youtube.com/watch?v=tKjZuykKY1I
Micro: This is your chance to impress me, and earn an advantage in the next challenge.
🏁Morgs CF: Eek, the nerves are starting to show up! I wasn't exactly a lipsync assassin on Season Three. But I've been working on my moves, and I think I can put up a good fight. Hope for the best!
🏁Whorechata CF: Finally, this is a song I can perform to! If y'all would've given me Fifth Harmony again, I would've walked out that door and never looked back.
"Can't explain all the feelings that you're making me feel
My heart's in overdrive and you're behind the steering wheel"
Morgs struts on out commanding the stage, she's got a REAL bad girl energy in her and you can tell it from the way she walks to the nasty glare in her eyes. She positions herself in the center of the stage and lip syncs like a preoccupied teenage boy
Whorechata does a little shimmy, feeling the music
"Touching you, touching me
Touching you,
God, you're touching me"
Morgs starts to shift from bratty to sultry as she looks over and attempts to grasp the air over to her opponent. She then feels her freaky pigtails sizzling it up. She then reaches over to her opponent again, then Morgs jiggly body starts to move to the rhythm, matching up to the beat
Whorechata does a little shimmy, feeling the music
"I believe in a thing called love
Just listen to the rhythm of my heart
There's a chance we could make it now
We'll be rocking 'til the sun goes down
I believe in a thing called love, hoo-ooh"
Morgs jumps into the air landing knee first on the ground and bobbing her head along. She spreads her legs open across the stage and shakes her hands enthusiastically near her heart area. She then shifts her body to the side as she drags herself across the stage doing a high kick in the air as she jumps back up on her feet. She then shimmies herself down to the ground with a sensual ‘shh’ motion to her lips. On the last line she does a fierce back bend as the loveee line progresses and she then reaches for her guitar for the solo. Its a freaky guitar btw, bright pink
Whorechata does a little shimmy, feeling the music
🎶Guitar solo🎶
Morgs plays her guitar matching the solo as it plays. She gets freakful to the music and moves across the stage truly making her stage presence known as she does some stunts throughout this like some back leans to the side and high kicks. She makes eye contact with her audience. throughout and they can tell that Morgs is NOT here to play games. She ends the guitar solo by making it look like she’s playing it with her tongue (very good at that) as rolls her tongue against it’s strings before throwing it back on her back
Whorechata does a little shimmy, feeling the music
"Touching you, touching me
Touching you,
God, you're touching me, ohh"
Morgs feels the sultry sensual rhythms again as she scurries off, she's such a bad bad girl and its showing in her whole aura. Morgs then makes her body jiggle by pumping it in line with the beat. Morgs then bawls her hands in a fist a pulsates them in a motion close to her heart, she then moves her hand down to her freakum as she vibrates her hand in that area making the ohh motion as she goes into a backbend in which she just barely touches the ground
Whorechata does a little shimmy, feeling the music
"I believe in a thing called love
Just listen to the rhythm of my heart
There's a chance we could make it now
We'll be rocking 'til the sun goes down
I believe in a thing called love"
Morgs then back flips up into her original position with her two feet on the ground (also a trained gymnast). She beams along to the music, feeling the rock star moment as she moves herself across the stage on all sides and to the back to the other queens watching as she interacts with them a little bit. She shakes her head hard along to the music. Morgs then grabs the guitar from behind her back as she is still in the back of the stage
Whorechata does a little shimmy, feeling the music
🎶Guitar solo🎶
As the solo starts Morgs, now holding the guitar, slides from the back of the stage all the way to the front playing the guitar violently and excitedly as she bangs her head along. As the song comes to a close with the breakdown, Morgs destroys the guitar by banging it all in one place on the stage in a rapidfire motion and as the last beat plays, she falls into a hard front facing split with her head on the ground and she points to the sky with her right index finger as she has finished putting on a concert for the girls. From the guitar holds a paper that says “Sharris was robbed” with a wink she goes back to her spot
Whorechata does a little shimmy, feeling the music
Micro: Whew, rock on!! That was a great performance...from one of you. I've made my decision.
...
...
Micro: Morgs, you're a winner, baby! You have won a significant advantage in the next challenge.
Morgs: Thanks a bunch!
Micro: Whorechata, you are safe.
Whorechata: Did all that just to be safe, just say you hate me!
Micro: Nine queens remain, and you all are the best of the best. Keep up the momentum, and give it your all. From here on out, at least one of you will be going home each week. Do not get comfortable. Now, let the music play!
"Banjo" by Bebe Zahara Benet plays
Next Time on Micro's Drag Race: All Stars
🏁Wren CF: I wouldn't say that I necessarily want to recite the entire Book of Mormon. It's more of a need. What is my life!?
Morgs notices a box on her workroom station that holds her advantage for the challenge
Sue: This is just me getting everything I could possibly want. You get a Kylie, you get a Kylie!
Lily: This was in really poor taste, and it went entirely too far.
Track Record
Cast Shot w/ Placements

#PehchanIslam #hajj #hajjkalam2023 #Labaike_Allahuma_Labaike
https://youtu.be/pz5KdSMSMd4
New Hajj Kalam 2023 Labaike Allahuma Labaike _ Ya Allah Tu Mujhe Hajj Pa Bula Pehchan islam
Hi Everyone Today i Tell You About New Hamd o Nazam Videos 🔴URGENT: YouTube won’t show you my NEW videos UNLESS you 🔔 TURN ON NOTIFICATIONS🔔 * ＬＩＫＥ ＳＨＡＲＥ ＳＵＢＳＣＲＩＢＥ* ▬▬▬: Urdu & Hindi lyrics :▬▬▬ مبارک مہنہ ہے اے میرے مولا Mubarak Mahina Hai Aye Mere Mola ہمیں بھی دیکھا دے وہ مکہ مدینہ Hame Bhi dikha dea Wo Makka Madina تیرے در پہ آئیں مہمان تیرے Tere Dar Pe Aayen Mehman Tere اللھم لبیک لیبک کہتے Allah Huma Labike Labike Kehte جومیدان عرفات میں حاضری ہو Jo Maidan Arfat Main Hazri Ho جھڑی آنکھ سےآنسوؤں کی لگی ہو Jhare Ankh se Ansoon ki Lage ho Copyright Notice:► Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research, Fair use is a permitted by copyright statute that might otherwise be infringing, Non-profit, educational or personal use tips the balance in favor of fair use Important note from the channel :► All rights of the Audios and Videos Production is Reserved for ( Pehchan Islam) Hence, it's not Permissible to Reuploading without our permission. However, You may share this production on All Social Media Platform Channel About us :► Pehchani slam is the channel where you can find all the best videos, Hamad, Naat, New Milli Naghma, Motivational Kalam, Jihadi Nazam, Urdu tarany, Urdu Nazam, For any detail please contact us :Email id ►[email protected] Follow me On social media: ➜ Facebook:➜ https://www.facebook.com/PehchanIslam1/ Instagram:➜ https://www.instagram.com/pehchanislam/ Twitter:➜ https://twitter.com/pehchan\_islam pinterest:➜ https://www.pinterest.com/PehchanIslam/ Cover Topic:► Pehchan Islam, Labaike Allahuma Labaike, hajj kalam, New Kalam 2023, Allahuma Labaike, hajj kalam owais raza qadri, hajj kalam 2023, Ya Allah Tu Mujhe Hajj Pa Bula, hajj kalam hafiz tahir qadri, New Kalam, hajj kalam 2022, Labaike Allahuma, hajj kalam naat, hajj naat,hajj 2023,
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"The Girl Is Mine"
October 18, 1982 - 1st single from Thriller
https://youtu.be/nbkwDIsDy7o
Written by Michael Jackson. Produced by Quincy Jones & Michael Jackson. Duet with Paul McCartney. Recorded April 14-16, 1982 at Westlake Studios
This was the first single released off the Thriller album. Although it was one of the weaker songs, it was released first because it was guaranteed airplay thanks to McCartney's contribution, and if they didn't release it first, radio stations would play it anyway and wear it out. Also, it was the first song completed for the album, which they were still working on. This was released a month before the album came out. The next six singles all came after the album, and were all Top 10 hits as well.
At the time, many big albums contained a song with a prominent guest vocalist to attract attention. Released ahead of the album, this song gave no indication that Thriller would become the best-selling album of all time. Listeners were not impressed by "The Girl Is Mine", and thought that Jackson's Thriller would also be a disappointment. The public felt that Jackson and the producer, Quincy Jones, had created a song for the white pop audience
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The lyrics are mostly friendly banter about who has dibs on the girl. The song was a very safe choice as the first single, since it was very conventional and easy to understand. Jackson was afraid that if he released an edgy song like "Billie Jean" or "Beat It" first, people wouldn't give the album a chance. McCartney was 40 years old and well into one of the most stable marriages in rock (to his wife, Linda, who was present at the recording session), when this song was released. Hearing him bicker with the 24-year-old Jackson over a girl was kind of ludicrous, but there are only so many homosocial duet topics out there.
According to Jet Magazine, Jackson wrote the song with McCartney while watching cartoons. Jones had apparently approached Jackson about writing a song featuring two men fighting over a girl. Liking the idea, Michael, woke in the middle of the night one evening and sang the song into a tape recorder. “I sang exactly what I heard in my head, starting with the melody and the keyboard and the strings and everything,” Jackson said. “So, I just orally put it all on tape.”
The song was recorded at Westlake Studios, Los Angeles, from April 14 to 16, 1982. The year before, Jackson and McCartney had recorded "Say Say Say" and "The Man". Several members of the band Toto participated in the recording of this song, including David Paich (piano), Jeff Porcaro (drums), Steve Lukather (guitars) and Steve Porcaro (synthesizer programming). Although "The Girl Is Mine" was released as a single, Jackson and McCartney never performed the song live. The single's cover photograph was taken by McCartney's wife, Linda
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Michael Jackson said:

"One of my favorite songs to record of all of my recordings as a solo artist is probably 'The Girl Is Mine' because working with Paul McCartney was pretty exciting and we just literally had fun. It was like lots of kibitzing and playing and throwing stuff at each other and making jokes.We actually recorded the (instrumental) track and the vocals pretty much live at the same time, and we do have footage of it, but it's never been shown. Maybe one day we'll give you a sneak preview of it."

Thriller engineer Bruce Swedien told MusicRadar about one of Jackson's studio quirks:

"Interestingly, we always recorded with Michael in the dark - he hated light. I mean I would have a little bit of light for him, but the studio was absolutely dark. I think one reason why he wanted this - and why it works so effectively - is that through my study of acoustics and so on, I found that the human being is primarily a visual animal, hearing is our second sense. People can be distracted by too much light in the studio to the extent that it can take away from the music."

Despite the song's success, it received generally mixed reviews from critics who considered it to be the weakest song on Thriller. Journalist Robert Christgau described the pairing of McCartney and Jackson as "Michael's worst idea since 'Ben'". Rolling Stone stated that the song was a "wimpoid MOR [middle of the road] ballad" and that McCartney was "tame". Billboard called it a "breezy lighthearted love song capped by some playful superstar banter at the tag." Stephen Erlewine of AllMusic noted that the song had a "sweet schmaltz". Jackson's breakdown with the "irrepressibly silly Paul McCartney" was "disarmingly goofy", according to Stylus Magazine. Salon.com later described "The Girl Is Mine" as a "sappy duet". They concluded that McCartney had become a "wimpy old fart".The song garnered a favorable review from Jackson's biographer, J. Randy Taraborrelli. The writer stated that the song was "cute" but lacked substance. He added that the track had a "middle-of-the-road calm" and was the antithesis of the "rambunctious" "Beat It".
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"The Girl Is Mine" has been the subject of two plagiarism lawsuits, the first in 1984 and the latter in 1993. Both instances required Jackson to testify in court, and each lawsuit was decided in his favor. The first legal trial occurred in 1984, with Fred Sanford claiming that Jackson had cut a tape of his song, "Please Love Me Now". Jackson, however, insisted that he composed "The Girl Is Mine". The $5 million copyright suit was closed after the jury of five men and a woman reached a verdict in favor of Jackson. Their verdict was reached after a three-day deliberation. Jackson was not a defendant in the trial but testified to maintain his credibility.
James Klenk, Jackson's attorney, praised the singer upon the jury's verdict. "The man is a genius. He doesn't need anyone else's songs. His own words were the key." During the court proceedings, Jackson revealed how he composes his songs. "I put them in a tape recorder and I orally sing them into the tape, and that's how it happens." One juror stated, "His presentation indicated that he was well able to develop his own songs."
The song's second plagiarism trial was in 1993. Reynaud Jones and Robert Smith alleged that "The Girl Is Mine", along with "Thriller", written by Rod Temperton & "We Are the World", resembled their musical works. The pair added that they had been childhood neighbors of the Jackson family when they had resided in Gary, Indiana. Jackson, Lionel Richie (co-writer of "We Are the World") and Quincy Jones were named as the defendants. The plaintiffs asserted that Joseph Jackson had received a demo tape from them. From the tapes, the defendants were alleged to have stolen the three hit songs. Reynaud Jones also claimed that he had considered suing Jackson over "Billie Jean". Jackson appeared in court via a taped testimony. Following the testimony, the nine-member jury found Jackson to be the writer and composer of "The Girl Is Mine" in early 1994. They also ruled that the defendants had not plagiarized "Thriller" or "We Are the World"
In 2008, for the 25th anniversary edition of Thriller, Black Eyed Peas singer will.i.am remixed "The Girl Is Mine", featuring an original solo demo of the song by Jackson without McCartney. will.i.am added his own vocals and new verse. The song reached #12 in New Zealand, #22 in France, in the top 50 of Denmark and Sweden, and #51 in Switzerland.
The remix received generally unfavorable reviews from music critics. Journalist Christopher Rees stated that will.i.am had "done a fantastic job of murdering a classic song". Rob Sheffield of Rolling Stone wrote that at will.i.am's production was "dumb-thug bluster" and criticized him for trying to hide the "goofy 'doggone' hook"—"the whole point of the song". Music journalist Aidin Vaziri wrote that will.i.am "completely erases Paul McCartney's vocal track from the original duet to make room for himself spouting nonsense". Stephen Thomas Erlewine of AllMusic claimed that will.i.am had turned "The Girl Is Mine" into a "hapless dance number". Kelefa Sanneh of Blender wrote that "will.i.am contributes beats (why?) and rhymes (why, oh, why?) to 'The Girl Is Mine 2008'". IGN's Todd Gilchrist stated that will.i.am's "The Girl Is Mine" remix was an offense. The offense was made even more "egregious" by the insertion of his own "atonal vocal presence" in place of McCartney's.
Pitchfork Media added to the unfavorable reviews, stating of will.i.am, "He takes Macca off 'The Girl Is Mine' but decides it can't work without someone sounding like an idiot and steps manfully in himself." The Times stated that whoever thought it was a good idea for will.i.am to participate in the song ought to be "locked in a windowless cell with nothing but those songs on a continuous loop".PopMatters, however, praised Thriller 25 and the remix of "The Girl Is Mine". They wrote, "Any album good enough to make you forgive (although maybe not forget) a song as bad as the Paul McCartney duet 'The Girl is Mine' has got to be damn good." They added that will.i.am had put a "breezy spin" on the track and that the song's omission of McCartney did not suffer because of it.
Though the remix sampled the demo, The Daily Telegraph alleged that McCartney was omitted because he and Jackson had fallen out over Jackson's purchase of Sony/ATV Music Publishing and the Beatles' song catalogue in 1985. However, the original version of "The Girl Is Mine" was included on Thriller 25 with McCartney's vocals included.
Fifteen years after this song was released, Brandy and Monica teamed up for a lyrically similar duet, "The Boy Is Mine," which drew inspiration from this song.
It has been covered 28 times
And sampled in 11 songs, including:

• "Good Good"(2008) by Ashanti
• "Shakiyla" (1991) by Poor Righteous Teachers (1991)
• "Fun Day" (1991) by Stevie Wonder (1991)

NINE to SIX - GOOD TO YOU

Release Date: May 31, 2023

Track	Lyrics by	Composed by	Arranged by
01. Don't Call Me / Audio	Yoo Yeon (CLEF), CLEF CREW	Keb, Kim Seung Ho (CLEF), Kim Dong Kyun (CLEF), CLEF CREW	Kim Seung Ho (CLEF), Kim Dong Kyun (CLEF)
02. 끄덕 (Nod)	ColdoK (CLEF), LaSen (CLEF), CLEF CREW	SAINT MILLER (CLEF), Pastello (CLEF), MINIMONSTER (CLEF), 2Spade (CLEF), ColdoK (CLEF), CLEF CREW	SAINT MILLER (CLEF), Pastello (CLEF), MINIMONSTER (CLEF), 2Spade (CLEF)
03. Digital Love	Cray Bin, Kim Dae Hyun	Cray Bin, Kim Dae Hyun, ALOHA, riri	Cray Bin, Kim Dae Hyun, ALOHA, riri

STREAM ON Spotify / Apple Music / YouTube Music

For more than seven decades, Lata Mangeshkar has been an iconic voice of Indian film music. As the most recorded artist in history, she’s had a hand in making some of Bollywood’s most beloved classics. Today, we’re taking a look at 10 of her timeless tracks that have stood the test of time and still inspire listeners.
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Introduction to Lata Mangeshkar
Lata Mangeshkar is a legendary Indian playback singer. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages. She is one of the best-known and most respected playback singers in India.
Mangeshkar was born on September 28,1929 in Indore, Madhya Pradesh, into a Marathi family. Her father, Pandit Deenanath Mangeshkar, was a classical singer and her mother, Shevanti, was a homemaker. Mangeshkar’s elder sister, Meena Khadikar, was also a playback singer.
Mangeshkar started singing at an early age and made her film debut when she was just thirteen years old. She has recorded songs for films in various Indian languages, including Hindi, Marathi, Bengali, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya.
Mangeshkar has won several awards for her contributions to Indian cinema, including the Padma Bhushan (1969), the Padma Vibhushan (1999) and the Bharat Ratna (2001). She has also been awarded the National Film Award for Best Female Playback Singer five times.
Mangeshkar’s career spans more than seven decades. She has sung songs for some of the biggest names in B
List of the top ten Lata Mangeshkar songs that have stood the test of time
Lata Mangeshkar is a legendary playback singer in India who has sung thousands of songs in her career spanning over seven decades. Her voice has been heard in some of the most iconic Hindi film songs of all time. Here is a list of the top 10 songs by Lata Mangeshkar that have stood the test of time:

1. Aye Mere Watan Ke Logo: This patriotic song was composed by C. Ramchandra and written by Kavi Pradeep. The song commemorates Indian soldiers who died during the Sino-Indian War in 1962. The song is still remembered today as one of the most emotional and patriotic songs ever sung.
   
2. Lag Jaa Gale: This romantic ballad was composed by Madan Mohan and written by Raja Mehdi Ali Khan. It was picturized on Manoj Kumar, Sadhana and released in 1964. The song is still popular today for its soulful melody and lyrics.
   
3. Chhup Gaye Sare Nazare: The song is a romantic ballad and is one of the most memorable songs sung by Lata Mangeshkar. Her voice is so beautiful and expressive that it perfectly conveys the emotions of the characters in the song.
   
4. Tere Bina Zindagi Se Koi: This evergreen love song was composed by R.D. Burman and written by Gulzar. It was picturized on Sanjeev Kumar and Suchitra Sen from the film “Khamoshi” and released in 1975. The song is still popular today for its soulful composition and meaningful lyrics.
   
5. Bahon Mein Chale Aao: The lyrics of the song are very heartwarming and describe the feeling of being in love. The song is from the movie Anamika. Bahon Mein Chale Aao is one of those songs that will stay with you long after you’ve heard it.
   
6. Yeh Galiyan Yeh Chaubara: This melodious song is from the movie Prem Rog. The song is sung by Lata Mangeshkar, and the music is composed by Laxmikant Pyarelal.
   
7. Ek Pyar Ka Nagma Hai: This song is one of the most popular songs sung by Lata Mangeshkar and Mukesh from the movie Shor and was released in 1972. The lyrics of the song are penned by Santosh Anand and the music is composed by Laxmikant-Pyarelal. It is a perfect track to listen to when you’re feeling romantic or missing your loved one.
   
8. Kora Kagaz Tha Yeh Man Mera: The song was sung by Lata Mangeshkar and Kishore Kumar, and picturised on Sharmila Tagore and Rajesh Khanna. The song starts off with a simple melody that gradually builds up into a crescendo. The lyrics are written in a simple yet emotive style, which perfectly captures the feelings of love and longing. The two singers have done a phenomenal job of conveying these emotions through their voices. The music is also very catchy and will stay with you long after you’ve heard it.
   

9. Yeh Kahan Aa Gaye Hum: This is a classic Bollywood song that has been sung by Amitabh Bachhan and Lata Mangeshkar. The song is from the movie Silsila and is one of the most popular songs of all time. The lyrics of the song are very meaningful and the tune is very catchy. The song has a very strong emotional impact on the listeners.
10. Tujhse Naraz Nahi Zindagi: This song from the movie Masoom is sung by Lata Mangeshkar. The song is a beautiful ballad that has a message of hope and resilience. It is a perfect song for someone who is going through a tough time in their life. The lyrics are very relatable and the melody is very soothing. This is one of those songs that you can listen to over and over again and never get tired of it.
Describe what makes Lata Mangeshkar’s voice so unique and special
Lata Mangeshkar is often referred to as the Nightingale of India and is one of the most celebrated playback singers in Bollywood history. Her unique voice has been described as “honey-coated” and “clear as a bell”, with a wide range and perfect pitch. Lata Mangeshkar began singing at a young age and made her film debut in “Paa laagu kar jori re” from “Aapki Sewa mein” (1947). She went on to record songs for hundreds of Hindi films and has sung in over 20 languages. Mangeshkar’s voice is truly one of a kind and her contributions to the world of Bollywood music are immeasurable.
How Her Songs Are Still Relevant Today
Lata Mangeshkar is often referred to as the Nightingale of India and has been praised for her exceptional vocal abilities. She has recorded songs in over a thousand Hindi films and has sung in multiple languages .
One of the things that makes Lata Mangeshkar’s music timeless is her ability to connect with her listeners. Her songs are full of emotion and resonate with people even today. In a world where Bollywood movies are increasingly becoming more formulaic, her songs offer a much needed respite. They are a reminder of a simpler time when movie songs were truly reflective of the human experience.
Some of Lata Mangeshkar’s most popular songs include “Bhigi Bhigi Rato Me”, “Tum Aa Gaye Ho Noor Aa Gaya”, “Zindagi Pyar ka Geet Hai”, “Gum Hai Kisike Pyar Me” and “Dil To Hai Dil”. These songs are still relevant today because they deal with universal themes such as patriotism, love, heartbreak and longing. No matter what language you speak or where you’re from, these songs will speak to you on a deep level.
The continued influence of her music and how it has impacted subsequent artists
Lata Mangeshkar is one of the most prolific and respected playback singers in India. She has sung hundreds of songs in Hindi and other Indian languages over her career, which spans more than seven decades. Her music has been influential to subsequent generations of Indian artists, both in terms of her vocal style and the choice of songs she has recorded.
Mangeshkar’s influence can be heard in the work of many contemporary Indian singers. For example, Sunidhi Chauhan has cited Mangeshkar as an inspiration, saying “I grew up listening to Lataji’s songs and try to emulate her style in my own singing.” Similarly, Shreya Ghoshal has said that “Lataji is my biggest inspiration… There is no one who can match her versatility or expressiveness.”
Lata Mangeshkar’s work has also been referenced by a number of international artists. In a 2013 interview, Beyoncé said that she was influenced by Mangeshkar when she was growing up: “My mom used to play a lot of Hindi movie music around the house… I definitely remember being fascinated by the sound of Mangeshkar’s voice.” .
Conclusion
Lata Mangeshkar has been an iconic figure in the Indian music industry for over 70 years, and her influence on popular culture will no doubt continue for generations to come. Her timeless songs have touched the hearts of millions, transcending boundaries of language and geography. There is no denying that Lata Mangeshkar was a pioneer when it came to Bollywood music, and she deserves all the respect and admiration that has been bestowed upon her by fans around the world.

Hope there’s a utopia feature