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Part 2
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Recently, I have been hit by a writing bug for a story I’m working on, where the entire thing will be a combination of Warehouse 13 and Kingdom Hearts. I want the story to be a critique of both how postmodernism functions and how it destroys contemporary culture by trying to subvert that which works and that which people enjoy. In order for me to write this story, I am required to study both postmodernism and satire of postmodernism, which has strangely led me to a little cartoon from the middle of the 2000s known as Drawn Together.
It ran for 3 seasons, had a direct-to-DVD movie, and vanished from the face of the Earth after that. Nobody dares to mention it and yet there are tons of youtube clips of it that are filled with praise in the comments. People love the show, yet nobody can mention its name without social backlash from the woke left. Why is that? Well, let’s get into what the show even is to begin with.
Like every chick who dresses as Harley Quinn for Halloween, it has some severe issues that are treated as normal.
Postmodernism was already popular by the time we hit the 2000s, and by this time we have had postmodernist media for about 40 years. An entire generation worth of rejecting modernism. With this, we gained a lot of different media styles and new genres. The internet was growing into something capable of creating flash cartoons, movies like Fredy Got Fingered popularized shock comedy and neo dada, we started to have shock jocks take over the airwaves with uncensored satellite radio, and soap operas for the ladies were being replaced with reality TV.
Postmodernism allows for a blending of media and real life to create a hyper reality where we can’t see where media begins and reality ends. Media is part of our lives, all day every day, in this highly connected and social media focused postmodernist era. Even now, we wake up to our pop music alarm clock that holds notifications to our social media and the only way to escape media is to leave society and never read anything. That’s impossible for most of us, so we’re stuck in this hyper reality where we’re always watching others and we ourselves are always being watched. We’re at a point in history where people can become popular by just filming themselves making a goofy sound, vomiting, or taking off their clothes.
Usually it’s all three.
This should concern everyone, yet we tend to embrace the absurd reality that is postmodernism and reality tv. Despite common belief, reality TV began with Candid Camera, a show from 1948 where people would be filmed while being at the butt end of a prank. This kind of filming was a look into how real people provide real reactions to things when they aren’t expecting certain situations, which is actually in relation to the neorealism film movement that was inspired by the poetic realism french film movement. We enjoy seeing pranks being done because we get to see a real person provide real emotion and it’s no different than seeing a fight break out in real life, or seeing a car crash. It’s that train wreck mentality that keeps us glued to the scene as shit gets real.
Or was it the shit that glues us to the train as our real mentality gets wrecked?
It’s the same reason we love to see game shows and court shows and Jerry Springer. Add in some sexual exploitation like busty Ukranians and you have Naked Funny, which is a show people search for without caring about any words being said, since it’s a show with zero dialogue but plenty of mouth watering mammaries. Have the exploitation be where people are horrifically injured or do something sensational, and you have Jackass. Have a bunch of people pretend to be outraged and engage in scripted events while living in a single house, and you have The Real World.
That’s right: it’s a show with fake situations and it’s called The Real World.
This type of “reality” TV caused a massive issue in media because it allowed incredibly fake situations to pass as real, and there was no way to counter it because people were convinced it’s real. Just like professional wrestling, just like any show featuring a magician and a paid audience, just like any porno, there is a mix of real things and fake things that create this ambiguous state of hyper reality. Yes, a person can actually be hit by a chair or a sledgehammer, but there’s no way someone is going to be trying to win a match by holding their hand over the head of the sledgehammer and lightly tapping the other guy with it. Obviously, they don’t want to hit their co-worker, unless they’re in a porn shoot with a white woman. That’s when it’s fair game.
Postmodernism is a term that postmodernists try to avoid defining, because of the main doctrine of postmodernism: there is no such thing as a truth that can be verified by human experience. This means that anything being stated must be an opinion and thus everything being stated is completely disconnected from one another. A postmodernist is unable to make a clear and definitive statement that is true, because it goes against their doctrine. Everything must be vague and open-ended. Everyone has an equally valid interpretation. With that kind of mentality, art can be anything we want to call art. Rules are there to be broken, especially if they are rules of a broadcasting network. The R rating, the X rating, the unrated, these are products of postmodernism, due to the intention to break rules.
Subjectivity, blurring of genres, juxtaposition, playfulness, skepticism of a grand narrative, intertextuality, irony, pastiche, appropriation; all of these things are what makes postmodernism appealing to the masses. There is no desire to make something good, so the goal is to do something else, like be blindly entertaining or blindly propagandist. There is so much art before postmodernism and so much established through modernism, like science, that the goal of the postmodernist is to deconstruct all of that and make it feel like none of it matters.
Despite all of the deconstructionism and subversion that comes with postmodernism, media still has to appeal to an audience, and an audience reacts well to archetypes. We don’t know who to cheer for if we don’t know who is the heel and who is the good guy. There can’t be drama if there isn’t some red haired succubus or pampered shrew to throw a wrench in the circle of hotties. And at the same time, we can’t have all of them being that type of person, or else there’s nobody to root for. In the most ironic way possible, postmodernism is required to appeal to archetypes even more than modernism, due to the demand for audience retention and interaction.
Every reality show had to have at least one of every archetype, but remember: it’s totally real, everyone. It just so happened that there’s only one sneaky bitch and there’s only one cool guy and there’s only one innocent girl and there’s only one slacker. It was by random, totally not on purpose, and you’re crazy if you think producers are controlling the environment of these shows in any way. Same goes for dating shows like Next. It’s obvious that these people with their one liners and bad acting are being honest with all of us.
If you didn’t get it by now: I’m being sarcastic, these shows are faker than lady boy tits and the apologies from Bud Light for advertising with such fake tits. And yet, people can’t stop watching these pointless shows. Even I enjoy it, because of how dumb it is. A big part of my life after school was relaxing late at night with MTV and watching stupid reality tv shows. Even respectable ones like Cops were dumb because the entire show was about police officers finding people breaking the law. The entertainment comes from people ruining their day or their entire life with one dumb act after another.
You’re probably wondering: What does any of this have to do with Drawn Together?
Well, imagine all of these reality shows mixed into a cartoon and then each cartoon archetype is from a different type of cartoon. That’s Drawn Together, and the show gets more insane from that point on. The eras of cartoons are represented by the cast members who are to live in one house, as a satire of things like The Real World and as parody of cartoon archetypes. You have Princess Clara(a parody of the Disney Princess), Foxxy(a parody of 70s mystery solving cartoons like Scooby-doo), Xandir(a parody of 80s Nintendo and action cartoons), Wooldoor(a parody of 90s style Nickelodeon shows like Spongebob), Ling-Ling (a parody of anime like Pokemon), Spanky(a parody of internet cartoons from the early 2000s), Toot(a parody of 1930s black and white cartoons like Betty Boop and Popeye), and Captain Hero (a parody of 90s superhero cartoons like Batman Animated Series and Animated Superman).
These character types are all based on their known stereotypes when it comes to appearance, with their appearances never really mixing since these are all different types of cartoons from different styles. You never see a Pikachu with a Batman, or a human unmasker talk to a video game character, or a human princess from a fairy tale talk to a farting pig from the internet. These things never happen in their environment because these things don’t mix. Then the show puts all of these unrelatable characters into a single house to provide random challenges in the same way reality tv does in order to juxtapose the genres.
The art styles also are juxtaposed. Captain hero is drawn with a square jaw, while Toot is drawn incredibly circular and with a giant head. Woldor has giant white eyes while Foxxy only has pupils. Xandir and Claira are drawn rather similar, but even they have their differences with colors and the thickness of the outline. To the untrained eye, these are easy to miss, but to the artist, these are great homages to the very style something is drawn in. An important part to note is that these are all based on other things and are meant to represent them as symbols. There’s no reason for any of this, yet the show does it anyway.
This is what postmodernism is all about: doing things for the sake of doing it. Juxtaposition is a big part of postmodernism. Blending genres and mixing them around is a big part of postmodernism. Subverting tropes to claim originality is a big part of postmodernism. Non-sequitur is a big part of postmodernism. This entire show is one of the most postmodernist things you can find out there and I love everything about it.
You might be thinking “Is Erwin sick? He talks day and night about how postmodernism sucks and then says he loves Drawn Together. Is this an imposter?!”No, it’s me. I’m simply able to understand the purpose of the show, and I love the meta attempt in all of it: the show is a postmodernist attack on… postmodernism. Everything in the show is designed to be a massive middle finger to how postmodernism functions, by being the dysfunctional postmodernist mess it is. From how meaningless the challenges are, to how characters can never die all the way, to how 4th wall jokes stop the show, to how there is a mundane message tacked on at the very end. Everything in this show is a jab at postmodernism, but at the cost of the show’s own integrity.
In the story I’m working on, I would be required to present postmodernism in it so that I can critique it. But, if my entire story revolves around only that, then I would be presenting postmodernism the entire time, which means I can’t separate the thing that I’m attacking from my work, just how a story about the evils of racism would have to feature a racist. Postmodernists attacking postmodernists is the same as a racist saying “racism is fine, but only in the way I do it.”
But is all postmodernism really the same? The show is hated now, after all, right?
Yes, it’s hated now, because it(ironically) went against the grand narrative that postmodernists currently hold, but it was part of the narrative that was held during the early 2000s. Barely 20 years ago, less than half of a generation, millennials were being raised by exploitation. I know that the postmodernists hate it when I use this word to describe nearly all of postmodernism, but by definition, it’s exploitation. You can blame the 80s for this, because once home media became popular, we had movies that went straight to VHS and then later DVDs that were able to push the envelope.
That’s what postmodernism started as: a way to push the envelope.
South Park and Simpsons didn’t do things that were part of the status quo. They went against it to then become the status quo right after. In fact, there’s an amazing joke from the show Bevis and Butthead(another example of postmodernism) that captures this phenomena perfectly, where the two go to a radio show because they were the only caller, and then they influence the radio show by saying stuff sucks and stuff is stupid.
Their own stupidity and negativity was seen as a sort of punk culture by the viewers and so they demanded the radio host, who was angry at them, to do the same. And so, the next day, the radio host does exactly what he threw Bevis and Butthead out for doing. This complete hypocrisy that somehow there are rules, but they can be broken if the money is there, is something Drawn Together also tackled.
The entire first season was all about having pointless challenges with a character called Jew Producer, who was a parody of both Richie Rich and Donald Trump. How did they connect these 3? Easy: Donald Trump had a show called The Apprentice, Richie Rich was a cartoon, and a Jewish producer is a Hollywood cliche that's entirely true. A lot of Jewish people produce Hollywood stuff and TV shows. I don’t know why this is a controversial statement or why the left always gets insulted by that fact, but they constantly freak out the second someone mentions that someone like Harvey Winstein exists.
While I’m talking about controversies, Adam Carolla, the voice of Spanky, was blacklisted by Hollywood because he decided to do the cardinal sin of… demanding free speech in a country with free speech as a constitutional right. I know, how dare he! It shouldn’t surprise us that the former hippies who ran Hollywood on the backbone of free speech and demanded freedom of expression are now against… freedom of speech and freedom of expression. Meanwhile, Tara Strong, a proud jewish woman, voices a character like Princess Clara, with Princess Clara being a racist, homophobic, anti-semite who is also in a sexual relationship with her father.
So, let’s recap: a jewish woman is able to do the voice for such a terrible thing, yet an Italian male comedian is not able to ask for the acceptance to joke about such topics.
Why is this even a thing?Well, at first it really puzzled me, but like when we saw the left defending drag queen acts in front of children, it finally clicked. The problem in Hollywood isn’t that something terrible is said or written or put in a show. A white princess saying terrible things is normal to them, because that’s how they view white people. Their fear is that something might make a non-white person look bad. Something might make the LGBT look bad. There might be an “uncomfortable truth” revealed in a chain of unregulated jokes.
One of the most profitable postmodernist comedians around, Dave Chappelle, was canceled over making trans jokes, despite being a good friend of a trans person who killed themselves after… trans advocates hated the trans person due to being friends with Dave Chappelle. The woke are disgusting people, to put it bluntly. Zero people were harmed by Dave’s comedy, yet the woke harassing people has a death toll that’d make Pol Pot take notes on their efficiency.
So the difference between Tara and Adam is that Adam wants to make jokes about anything, while Tara is just doing her job and reading the script. The free thinker is the threat, while the obedient follower is not. That’s why Tara still gets jobs and Adam is off doing a podcast and somehow still making millions. I’m sure he’s wiping his tears with gold bullion over the thought of no longer being able to do voices for farting animated pigs.
But what exactly makes Drawn Together hated?
To be honest, I didn’t even know someone could hate the show until I was around 20 or so. Some online people I chatted with told me how offended they were by the show and I never understood what offended even meant until that era. I watched the show throughout my teen years without a care in the world. To me, it was another adult animated show that tried to do anything offensive and it was funny all around. Some of the subject matter, contains but is not limited to:

• Incest
• Self harm
• Suicide
• Homoerotic behavior
• Satanic rituals
• Genocide
• Mass murder
• Mass shootings
• Fat jokes
• Donkey shows
• Cannibalism
• Necrophilia
• Pedophila
• Mexican babies getting pregnant
• Asians and their inability to drive
• Black fathers leaving their kids
• Lewd conduct
• Shitting on a pizza
• A live action squirrel with big balls
• An old man with dirty balls
• And let’s not forget the idea that Clara’s vagina is a giant hentai tentacle monster

All of these things are put in the show to offend us, because the show intends on making people go “ew”. If the constant vomit, blood, shit, piss, burps, farts, cum, sweat, and queefs aren’t a dead give away of them trying to gross the audience out, I don’t know what is. The point of the show is to do exactly what the 90s and early 2000s is all about: doing stuff that is gross so you laugh at how gross it is. Nickelodeon was notorious for this intention of grossing people out, to the point where they would throw green slime around just for fun. As fun as it looks to be drenched in green slime like a Leprechaun bukkake, the goal is to make the audience say “ew… cool!” because that is a male oriented reaction.
And this is where we find the split in postmodernism. When postmodernism began as a means of subverting modernism and regulations, it quickly became a cesspool of creative INABILITY thanks to the woke taking over. We went from freedom of expression to being required to advocate, which is a detriment to comedy. Recently, we had a controversy over a show called Big Mouth, which was hated by the right for being considered pedophilic and indoctrination, because the characters were teenagers dealing with puberty monsters and were depicted as being sexualized.
This is one of the many areas the right is losing the battle on, because so many of them are trying to be Platoist or Mohism, meaning they want some kind of hyper utilitarian and aesthetic free environment due to a hatred of art. Plato believed that art was an “imitation”, that it was a “copy of a copy of a form”. It was a corruption and perversion of reality, thus he saw art as evil. Mo-Zi, a Chinese philosopher who shared a lot of his views, also saw art as a pointless distraction because it’s not the responsibility of the government. These kinds of “right wingers” are accidentally falling for philosophies that pave the way for socialism, so it’s hard to take their positions on art seriously when they can’t see how brainwashed their approach is.
I’m going to go with the Jews on this one and say that art is very important, and so is freedom to make art.
Big mouth is not a show that I will say is one of my favorites, but it’s nothing as how the right wanted to depict it as. Obviously these are just people who wanted the next Cuties outrage and they had a swing n’ a miss. The left, on the other hand, is able to say something like Drawn Together is offensive to them and so it must be canceled. And lo, we have the tumblr people unable to reblog about it, we have reddit radio silent about it, we have twitter people afraid to meme with it, but then it’s still prospering in places like youtube.
People want to watch it, but nobody is brave enough to talk about it in fear of being canceled.
The show is a Martyr in two ways:

1. It is a postmodernist work attacking postmodernism
2. It is a dead form of comedy due to both the left and the right trying to cancel things like it

I already went over the second point by talking about Big Mouth, but I will quickly reiterate: the right and the left want to cancel things that are offensive, but for different reasons. Something like Drawn Together would be hated by something like Daily Wire, and yet I am a conservative who loves the show. I understand that the show is making fun of stuff, I understand it’s gross out humor and pointless nonsense. I love that it’s aware of what it is, to the point where they had an episode where Spanky goes to see their #1 critic and it’s a Jewish, conservative, pro-life, born-again, overweight, Asian, homophobic, lesbian broad who cuts herself.
He then straight up tells her that she’s not their audience, so her opinion doesn’t matter on whether or not the show is good. And he’s right, if you aren’t the audience for something, why should anyone listen to your opinion on the thing you instantly don’t like? It’s like if I had an opinion about which sports team is better. I am 100% uninformed about anything sports related, and the only sport I ever willingly watched was professional wrestling. That’s a sport, right?
Either way, the show is aware that it’s offensive. It’s proud to be offensive. Each character has their own way of offending, both when it comes to a group and when it comes to art itself. This is when postmodernism kicks in and subversion is used to create a surreal environment suited for satire and parody.
As a quick reminder: Satire is when a subject is critiqued and parody is when a subject is used for a joke. An example of this would be where satire is when Scream uses movie tropes to figure out a murder and parody is when the alien from Signs pees with his finger in Scary Movie.
Princess Clara is the Disney princess. Usually a Disney princess seeks a prince to live happily ever after, and she is pure of heart. They subvert this by attaching a bit of reality to the word “princess” and have her in a sexual relationship with her father because princesses would sometimes do that to keep royalty in the family. She’s also a racist and Christian, because royalty in Europe was Christian and it’s “old fashion” for a rich white girl to be racist. Although they keep her desire to sing, the lyrics are still going to hold her views about people, so the humor comes in how she delivers terrible things with a cheery tone. Her character is meant to make fun of traditionalist people, all while using the Disney princess as a face.
With the way wokeness is going, I don’t see a difference between Clara and the current Disney princess now.
Foxxy Love is the Hanna-Barbera style mystery character who is meant to solve crimes, most likely inspired by Valerie Brown from Josie and the Pussycats. She suberts the role by causing crimes and being a degenerate all over. She is a slut, she acts ghetto, she constantly has abortions, you know the deal. This juxtaposition comes from the fact that Valerie is meant to be a hippie musician, and black women on reality TV are depicted as ghetto thanks to shows like Flavor of Love. And for those who don’t know, hippie musicians are usually promiscuous and incredibly loose, with zero regard for decency or sticking to one sex partner because they are all about second wave feminism.
Again, ironically the woke have caused this subversion to be their intentional norm for a lot of black female characters, only they see it as virtuous instead of comical.
Wooldoor Sockbat is the Nickelodeon style hyperactive loony toon who is meant to be both stupid and gullible. There’s not much subversion here with personality, but it’s all with how far he’s willing to go with his zany humor, such as randomly threatening to suck someone’s dick and having giant tits out of nowhere, which he will then squish into the camera while crying. He’s meant to be loud and random, just like Spongebob or Stimpy. However, with the way Spongebob has become after their first movie, the only thing separating Wooldoor from something like Spongebob is direct word usage.
Plus, Ren and Stimpy had their adult party cartoon reboot made by the creator, so doing something gay and entirely disturbing is nothing new for that kind of character. I still can’t believe that it came out in 2003. In fact, I can’t believe Ren and Stimpy was on Nickelodeon with the stuff they put in there. But, that’s the appeal of Wooldoor, because he does the stuff people have been doing with characters like him for years. I would even say he’s not much of a satire since he’s so close to the content he’s meant to make fun of.
Xandir Wifflebottom is the 80s action cartoon parody, as well as early video game cartoons. During the 80s and 90s, we had a lot of Nintendo shows like Legend of Zelda, which took after plot scripts like Transformers, GI Joe, He-Man, and other product placement shows during that time. Only a few episodes of Drawn Together make fun of these simple action plots, but this connection between the merchandise advertising shows and video game cartoons is important, since they are the same thing, and it’s a product of postmodernism. Shows during the 80s and 90s that were simply there to sell something with the show, whether it was a game or a toy, were part of this media and real life blur. His gayness comes from how people viewed both He-Man and Link, since Link was a feminine looking elf and He-Man was a muscular dude who didn’t wear a shirt when he’s fighting.
This one is kind of interesting since it touches on the subject of queer coding. The left is so desperate to feel like the LGBT is represented, they will declare something is gay because it “feels gay”. This feeling is based on whoever is attracted to a fictional character, so if gay men are attracted to He-Man, or if they like his outfit, then that means he’s totally gay. Link is a character who has sadly been considered a “gay icon” by websites like Polygon, all because the designers made him rather gender neutral in later games in order for him to appeal to a female fanbase that was growing. And when they say gender neutral, they mean “he’s not muscular and he has a pretty face”, similar to practically any 00s alt rock band memeber.
Apparently, having that and then having gay people make gay fanfics about the character instantly means the character is gay. The show made fun of this queer coding nonsense by making Xandir a raging homosexual that is constantly killed like a Mortal Kombat character.
Captain Hero, my favorite character, is the comic book show hero that we all know and love. He’s meant to save the day from evil villains, but they subvert his role by having him be entirely useless and usually the cause of mass destruction. He has superpowers, but he’s so stupid and useless that he doesn’t use them most of the time, like when he is immune to bullets but he still grabs a random woman to use her as a “hero shield” when getting shot at. His character makes fun of how postmodernist super heroes try to depict the classic hero as a terrible monster or some kind of morally warped anti-hero. This is due to how Batman went from whacky detective to psychotic nut job during the transition from the 60s to the 80s, thanks to influences like Alan Moore’s Watchman and Frank Miller’s The Dark Knight Returns. His character is more like a Superman, which the Bizzaro Superman comics have covered that kind of thing to make way for a super powered idiot who has sex with corpses.
Why does he have sex with dead bodies? Well, because he’s “alien” to us, the point of the joke is that he’s so super powered that he can do whatever he wants, and uses his powers to have sex with something that can’t fight back. Kind of a “he can have any woman he wants, but he would rather have sex with a rotten corpse” kind of thing. Or maybe it’s making fun of how Superman cares about Lois Lane even though she might as well be a rotten corpse to him, because she’s a human and he’s an alien. Either way, it covers a big problem we started to get in the 90s where superheroes were quickly becoming hyper violent assholes who do anything disgusting for the sake of shock value.
Ling-Ling is basically a Pikachu, but here he will battle with anything and cause gory deaths upon his opponent. The joke is that kid shows featuring these little monsters, like Pokemon and Digimon, will have zero blood, and yet the attacks they do are strong enough to cause giant explosions. Thankfully, these go past the typical Dorkly joke and Ling-Ling will also have jokes centered around being Asian and have a made up language that sounds Japanese because he says “kitowa” a lot.
Just like Xandir, Ling-Ling is treated like a punching bag by the others in nearly every episode, and I think it has to do with the video game relation, since Pokemon began as a video game and the show was there as a way of advertising the product. Plus, during the 00s, there was little respect for something like anime, no matter how much someone knew about the golden age of 80s anime.
Spanky Ham is something I’m not really sure what influenced him, but it’s said it might be an early flash cartoon called Evil Piggies. However, there is a flash cartoon from 1997 made by John K, the creator of Ren and Stimpy, called The Goddamn George Liquor Program, that seems more in line with Spanky’s scat fetish. Early internet cartoons usually had people’s faces done in a South Park style, where the mouth moved by cutting the bottom half off and moving that up and down. When I went on Newgrounds during that time, all I would see were stick figures, parodies of existing cartoons, and something like Ctrl+Alt+Del where the characters were drawn as humans in that typical web comic style. He might have also been inspired by Happy Tree Friends, which first came out in 1999, so the idea of cute animals dying randomly, and the crude humor of The Goddamn George Liquor Program might have caused a farting pig to come into fruition.
The joke is that he’s a pig who likes to drink and have sex, as well as be disgusting, but then somehow he’s also like Ren where he has schemes to make money. I forget if there is a word for this kind of character, but he’s the Squidward type who always gets harmed by his own greed. There is also a lot of Fritz the Cat in his character, which was an animated movie based on an underground comic about a cat who would go on sexual escapades. This “cartoon animal doing adult stuff” has been a joke since the 60s, and even Howard the Duck had issues with what Nostalgia Critic calls “duck boobies”. Speaking of adult ducks, there is even a show called Duckman that was made by the same company that made Rugrats.
People treat Bojak Horseman as this hip new thing when it’s simply part of a long line of animated foul mouth farm animals wearing suits.
Finally, Toot Braunstein is the representative of silent cartoons. Betty Boop was seen as sexy for being curvy, and the joke is that Toot is just plain fat and old, with her body hair and repulsiveness, as well as her tits always sagging to her cankles. She is always harming herself because of a self-esteem issue, caused by her weight and age, which is joined by an alcoholic problem due to her being from the roaring 20s. The joke is that she’s that girl in every reality TV show that is completely disgusting to look at, but she’ll see herself as a hot chick despite hitting the wall so hard that illegals can pour through the cracks. Plus, people believe Betty Boop was based on Clara Bow, who was a flapper “it girl” who suffered from hard drug use, schizophrenia, and was constantly rejected for being too fat.
Toot is the only one in the list who’s not directly a product of postmodernism, but there was a particular charm to rubber hose animation(gained its name for how limbs acted like rubber hoses) that continued onward to create things like Ren and Stimpy, Loony Toons, Tom and Jerry, and even some movies that tried to revive properties of the 30s. The Popeye movie is a great example as to how studios in the postmodernist era tried to desperately mix live action with cartoons, and same goes with Who Framed Roger Rabbit with how it was a movie that mixed live action with rubber hose animation.
Part 2

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View Poll

Hi everyone,
To not elaborate too much on it - I've always been an adidas / Reebok fan and wanted to give it a slight twist and see if I could also enjoy Nike shoes. I need some advice, as with current wide offer and almost zero previous exposure to their models I'm a bit lost on what would be a good match for me.
Expectation: shoes for daily stuff (work, a bit of walk around), should be comfortable and would be nice if they were on lighter side (tried on Air Force 1 and they seemed really clunky compared to my other sneakers like adidas Stan Smith) Looks: I'm 30+, not really into 'aggresive' designs, would like something which goes well with casual stuff like jeans and t-shirt, also not very bulky (this is why I like stan smith / superstar, they are just quite 'flat' if you know what I mean). I usually go for white / black shoes which are ideally one color or something not very flashy. Comfort: as mentioned, I would prefer it to be on light side, also without huge drop (considering skateboarding shoes as well). They could be from the running collection, but also not a big fan of typical running shoes to go with my regular outfit.
If you would have any recommendations or could redirect me to some good reviews / other threads, I would really appreciate it! I assume there must have been questions like this in the past, but after some research in this sub I haven't found stuff I would go for yet.
Thanks so much!

Before reporting a bug, please cross-check it against this list to avoid duplicate reports.
Intentional

• On-hit effect visible for dead dinosaurs.
• Throwables have more delay than before.
• Dinosaur-grabbed player also rewarded in event.
• Machete not auto-equipped to the melee slot.
• Shared Closet unavailable in website APK package.
• Time limitation not specified for non-downloaded content.
• DUCATI Panigale V4S lacks PUBG MOBILE logo.
• AR weapons have non-functional auto-single fire mode switch button.
• Moving enemy dinosaurs visible during companion spectating.
• Lucky Outfit Pack lacks preview icon.
• Aiming from sitting position in T-Rex blocks view.
• Map has a circle silhouette in spectator mode while other HUD is invisible.
• Season summary not updated after new season started. (Usually takes 1 day after a season starts.)
• Unable to mark Dino Treasures.
• Armor not hidden behind Ducati outfits.
• Unable to share to status when collected from Virtual Assistant.
• No acceleration option in Cheer Park dinosaur race.
• Royale Pass reward preview different from selection preview.
• Racing Rewards and Penalty Kick Shootout Rewards not reset with new season. (Resets separately.)

Resolved (Completed 2.6 Patch Update)

• Enemy weapons visible in Dinoground's Transform spectator mode.
• Elite Royale Pass not displayed in profile.
• Incorrect localization on Rank Increased interface.
• Exiting match while on plane causes no point deduction but counts as a match, affecting K/D.
• Level 100 Royale Pass outfit missing from inventory after claiming.
• Game stuck on "Updating download list" interface.
• Earned season title not unlocked.
• Moving enemy vehicles visible during companion spectating.
• Grenades thrown despite of cancelling.
• Prime Plus not received when purchasing Prime Plus & RP Prime Plus Subscription Festival pack.

Resolved (Upcoming 2.6 Patch Update)

• Difficult differentiating between certain claimable and unclaimable event rewards.
• Invisible dinosaur object blocks long-distance shots.
• Disabled left-side fire button appears in matches.
• Abnormal vehicle spawns.
• Abnormal Cheer Park friend swing animation.
• Shots towards enemy blocked while under dinosaur.
• Changed username and profile picture not updated in club profile.
• Vanguard displayed as Vanguard One in club profile.
• Unable to run after revived.
• Unable to adjust 6x scope after TDM match starts.
• Helmet skin privacy setting not functional.
• Chat not functional during companion spectating.
• Joystick missing during companion spectating.
• Mismatching C4S11 avatar frame localization.
• Companion tilted during spectating.
• Ducati turns red when seated.

Resolved (Upcoming 2.7 Version Update)

• Inventory search requires double-click.
• Two map markers displayed while playing solo.
• Weapon visible in hand of car driver.
• Dacia vehicle option spawns Coupe in World of Wonder.
• Roses not rendering in World of Wonder unless nearby.
• Video tapes not stacked in backpack.
• Incorrect localization on Friend Posts interface.
• Incorrect localization on Item Preview interface.
• Issue with fully automatic MK47 in Metro Royale.
• Creation mode in World of Wonder refreshes upon entering settings multiple times for non-supported placements.

Hi guys. This is a stupidly long post. If not allowed please delete. I did read the rules, and I definitely do not think I have broken any, but as a sa victim and someone who's been cyberbullied please take this down if it could trigger someone. I never make posts like this anywhere, and I know I'll immediately feel anxious, but Ive been suggested I might find answers in this community.
So, I'm here because.... I don't understand myself. And I don't understand if I'm ace, or if I'm just really very strange, like so many think I am.
Technically I identify as female. I do feel repulsed however, by the constant societal pressures, and think they're stupid. I'm a cis woman, if it matters, and I do go by she/her, despite disliking gender roles and expectations of gender beauty/qualificarions for societal feminity and masculinity.
I technically am not repulsed by sexual things...... In the bounds of my relationship. But outside the strict bounds of anything being between my partner and I.... I won't date or marry someone who watches porn, who wants to watch a lot of sexual content, or who wants to play a lot of games with skimpy clothing, because I'm against these things, and these things strongly turn me off to any potential partner and cause me to distance. I just strongly dislike all of that. I recently refused to go back to a game, because I logged in and the majority of people standing around had bra style tops on or just general very revealing attire on, and several years ago that wasn't the case for that game. Idc if my partner has female friends, he has one that has grown distant but that used to be super close. (She had another baby and we just don't hear from her much since,) I love other women, I just do not want to see their bodies as the human body is precious and super private to me, and again, dating or marriage to someone who doesn't respect or share these things is not possible because I feel repulsed by them. Not jealous, not clingy, just the ick. It can cause me to feel betrayed, as I always discuss these things with potential partners, and we deeply discuss compatibility and boundaries, as well as values before actually dating. I start enjoying their company less the more they participate in those things, so it just doesnt work if they don't share similar values and boundaries, and isn't fair to either of us not to discuss deeply beforehand.. I have a partner who largely feels the same as I do, but he previously put up with that kind of content being common and now he doesn't outside of some things he's slightly more comfortable with than I am. But we found a happy spot.
However, despite all of that, between my partner and myself, I am a sexual person. Within my home I'll gladly wear those things for my partner and for myself... It can be fun even. Again I hate seeing that stuff out and about and I hate the idea of wearing it out and about, outside my relationship it's repulsive to me. I respect everyone's right to wear what they will, I'm not out here trying to change everyone else or their minds, and I'm a grown individual capable of leaving situations, places, or looking away, etc. I'm not trying to control anyone but me myself and I, but I still feel how I feel about it, and the feeling is strong. Within the confines of my relationship I am very happy to explore things with him. But that's it. I don't know why I can't stop feeling this way, or only accepting things between my partner and I, but I can't. I don't even look at other guys and think sexual thoughts, the most that comes to mind is a compliment of their hair or their eyes or thinking they look nice. But nothing sexual. I feel just as repulsed at the naked male body as I do naked or scantily clad female body. Education purposed stuff doesn't bother me, art is dependent, I'm for better education, and I'm also not against public breast feeding.
My question is, does anyone.... Else feel like this? I don't even like playing games where there's a lot of outfits that show off most of the body. But I do enjoy video games. It's very hard to find games that are safe. I've always felt like this, but through traumatic events now there is trauma behind seeing a lot of this stuff too, so whereas I used to begrudgingly tolerate it to a degree, I just don't want to expose myself to it and the people who say they need that stuff in everything, which is something I've heard and had said to me a lot.
I guess I'm trying to find out where I fit into the world. A lot of the people who I've met who say they understand or feel the same visually make it obvious they do not. And it gets very lonely. Franky, this is super dramatic, but I feel like I'm pretty much alone in the world, and I'm not sure if I fit in. I know that's just an emotional response, but sometimes it feels real. I've had people tell me I'm.... Well some words, for not wanting to enter strip clubs, not wanting to enter other clubs, not wanting to play games with lots of bra style tops, etc.... And the comments I see others get have honestly stuck with me as well. If my bf started doing those things, wed talk, get therapy to see what we could do, but if we couldn't compromise and both be happy we'd break up so we could both find better matches... We both agree on this, it's his view as well as mine. I've been told even this idea is abusive by some.
Does anyone else feel like this? Am I normal... Somewhere? Is it possible to find friends to do things with that are like minded? Am I actually as extreme as some people say? Is my unwillingness to date someone I know I won't be happy with really truly that horrible?

Like I have preferences but nothing that will get you farther up the ladder? If that makes sense, its rlly actually based on personalitt and how much we click. Im not much of a looks or outfit type person. Idk just ranting abt stupid shit on reddit at midnight.
Like it matters to me more if your interested in what I say n match my vibe, idc how tall you are, what color your hair is, your style, aesthetic, anything. Just be you and like me for me, thats my "type".

First
Isaak POV
Things had just settled down around the haven, the Empress and her ladies, and almost all the drakewardens had just left towards the horizon, leaving them with two drakewardens who were apparently supposed to be tending to the eggs they had given to Vitmori. Speaking of Vitmori, it looks like he walks among them now. Isaak wasn't too sure what to make of the man; he had listened to the few stories Zasutir had shared of Vitmori's world and the things Vitmori had to survive. Yet, when he saw him, yeah, he could see what Zasutir talked about; the pressure he exuded was on par with veteran adventurers and even paladins of the church he had seen passing by while serving as a guard. Despite the kindness Vitmori displayed, Isaak felt that something was off; he felt Vitmori was far too put together for a man who had slaughtered thousands of undead and slain several dozen men and women. Isaak couldn't even imagine the burden of killing another sentient being, let alone the supposed kill count Vitmori managed to accrue.
It unnerved him, though; at the same time, he couldn't help but wonder how strong someone would have to be to achieve the feats he had heard about, especially as a human in a world without mana. Though as he set up by the old fireplace outside to start sharpening his blade, he spotted a crowd forming as Vitmori and Reonim left the longhouse. The duo made their way into a clearing and started talking, though the fact that people were beginning to cluster around had piqued his curiosity. Making his way over, he sidled up beside Cinco and spoke up. "What's going on here?" He asked in a hushed tone while crossing his arms.
Cinco flashed a grin as he looked at Isaak and was quick to explain. "It seems we're about to get a demonstration on how Vitmori fights." He said as his ears waggled with anticipation, though Cinco looked vaguely startled for a moment but immediately relaxed as the very earth shifted, a sort of sparring ring with a fence forming in mere moments, separating the people from the duo.
Isaak glanced over at Cinco curiously. "You okay?" He asked as the others started to spread out more evenly around the quickly formed ring.
Cinco flashed a bit of a smile. "Yeah, sorry, I just felt the ground shifting; I didn't realize Vitmori could shape the earth so quickly without chanting or preparing a spell. I wasn't expecting it at all." He explained before looking back to the forming spectacle.
Isaak nodded intently, deciding to step closer and watch the fight as closely as he could manage, his hands resting on the stone fence, though he quickly realized he found himself next to Miriam, who seemed to notice him at the same time and greeted him with a smile. "Hey, Isaak." She said quietly with a small hand wave.
Isaak choked on his words for longer than a moment but smiled in response. "Hey, Miri..." He said with a smile on his face.
"And where's my 'hey'?" Trisha asked with an amused look on her face as she peeked around from the other side of Miriam before settling against the stone fence.
He didn't even realize she was there and cleared his throat. "Hey Trisha, what are you all up to?" He asked as he managed to properly collect himself now that he had a topic to focus on, glancing over at Reonim and Vitmori as they seemingly discussed some more, having waved Zasutir over.
Trisha grinned as she looked out at Vitmori and Reonim. "Well, I gotta see how Vitmori fights so I can get an idea of what sort of weapons he uses. I'm the one who'll be equipping him after all." She explained before gesturing over at Sylvia, who was on the other end of the ring, standing with Zasutir. "She's likely doing the same regarding what sort of armor would suit him best." She mentioned before settling on the stone fence again.
Miriam nodded intently at Trisha before looking over to Isaak. "Vitmori asked me to outfit all those in his service; that likely means Vitmori himself, so I'm gonna get his measurements once he's done." She explained as she clapped her hands together. "Besides, it might be fun to watch. There's not much to do by way of entertainment nowadays, and watching your sparring sessions are always good to pass the time with." She enthused cheerfully.
Isaak nodded before looking away as he could feel his cheeks burn at the idea that Miriam had been watching him get his butt handed to him most days to pass the time. "I... I see." He replied slowly before focusing on Vitmori and Reonim.
"Are you sure you don't want armor? I know this is just a spar, but why take the hit if you don't need to?" Vitmori asked Reonim as he looked up at the bullkin.
Reonim offered a confident smile. "I appreciate the concern Vitmori; however, I'll be protected without armor." He stated before continuing as he noticed Vitmori's confused expression. "It's called barkskin, though I can actually go up to stoneskin thanks to you improving my manaheart." Though at Vitmori's continued confusion, he decided to explain a little more. "My mana flows through my body and forms a protective shield in my skin, it takes effort to maintain, but it can protect a warrior if they're caught out of armor or reinforce what armor they have."
At that, Vitmori nodded in understanding. "I see, so I won't worry too much about holding back." He said with amusement as he held out his hands, piles of stone falling from seemingly out of nowhere. He then plunged his hands into the stone, he first drew out what looked like a blunt dagger, tucking it into the waistband of his clothes, next drawing out what looked to be five stones in the shape of throwing knives, tucking those away in his sleeve when he then drew out a stone short sword. "You use an oversized great sword, right?" Vitmori asked as he shaped the remaining stone into a weapon similar to one that Reonim is usually seen carrying before handing it off with a little bit of a struggle. "Damn, I really don't want to be hit by that." Vitmori mentioned with a grin. Reonim responded with a chuckle as he hefted the stone blade onto his shoulder.
Zasutir spoke up once it appeared Vitmori and Reonim were readied. "Alright, we shall have a good, clean fight. The terms of victory are as follows..." He started to say, gesturing to Reonim first. "If Reonim is able to hit Vitmori three times, he wins." Zasutir then gestured over to Vitmori. "If Vitmori is able to knock Reonim off his feet, he wins." With the rules established, Zasutir snapped his fingers before calling out. "Begin!"
At the command, Reonim moved deceptively fast, swinging the massive stone sword in a wide horizontal arc; Vitmori seemed to just barely duck under the swing, having dropped to his hands and knees before rolling to his feet as Reonim brought down a follow-up vertical swing which dented the earth where Vitmori was just moments ago. Vitmori retaliated by flinging out two stone-throwing knives, their dulled edges impacting along Reonim's forearm and wrist, earning a wince from the bullkin as he retaliated with the greatsword in a downward diagonal swing towards Vitmori.
Vitmori moved to dodge, but the sheer wind pressure of the stone blade sent Vitmori tumbling to his hands and knees as he fell to the side. The man had a rather surprised expression on his face from what happened, though it was immediately replaced by an amused grin as he got to his feet. Now drawing his stone short sword, he decided to close the distance with a fierce lunge.
Reonim reacted quickly again, bringing his greatsword around and smashing Vitmori's sword with a downwards vertical slash, following it up with a hard kick to Vitmori's chest while he was vulnerable in the interrupted lunge, which sent the man flying against the stone fence.
The stone fence held against the impact as Vitmori pushed off the fence and got back to his feet, seemingly fine after the impact. "So that's how it's done." He exclaimed to nobody in particular, taking out the stone dagger he tucked away and fusing the remains of the stone blade into the dagger, making the knife a little longer but not quite the same length as the short sword it was before.
Reonim respectfully allowed Vitmori to gather himself before lunging forward, the wind starting to swirl visibly around the stone blade as he did a wide overhead swing, bringing the sword down on Vitmori.
Though instead of dodging away from the blade this time, Vitmori dramatically picked up speed, leaning into the winds of the sword before sliding between Reonim's legs while smacking the stone knife against the bullkin's calves. Though as Vitmori went to get back to his feet, he stumbled and rolled, losing his footing as the speed burst he managed to use a moment ago appeared to run out and ruined his momentum.
Reonim was quick on the backswing, pivoting on one of his hooves as he brought the stone sword down on Vitmori. However, he was anticipating Vitmori to have moved faster to avoid the swing; instead, there was a resounding crack and a sickening crunch as Reonim cleaved through Vitmori's waist.
Screams of panic were heard from the crowd as Isaak's skin went cold, wondering if he just witnessed a death. This was supposed to be a sparring match between two great warriors; how could it have gone this badly?!
Reonim looked relatively calm for someone who just killed someone, though Zasutir was quick to move, leaping over the stone fence and hurrying over to Vitmori's broken body. "Vitmori! Vitmori, are you okay?" He asked as he grabbed Vitmori's torso by the shoulder, turning him around.
Surprisingly, Vitmori responded quickly enough as he sighed audibly. "Damn, I thought I had a chance in the end..." He said, disappointment clear in his voice before he seemed to focus on the moment and looked over to Zasutir. "Whoa, hey, when did you get here?" He asked curiously before furrowing his brows. "Why can't I feel my legs?" He asked, much to Zasutir's apparent confusion as the lizardkin stammered a bit. Being somewhat propped up by Zasutir, Vitmori looked down at himself and seemed somewhat surprised. "Ah... That's why I can't feel my legs... Huh, well, I suppose that's my loss." He said as he looked over at Reonim before glancing up to Zasutir. "Do you mind... Er... Bringing my legs over? I think I should be able to reattach them myself."
Zasutir still looked rather confused but nodded as he gingerly laid Vitmori on his back when he stepped away, going over and grabbing the lower half of Vitmori's body. Though as Zasutir grabbed one of the legs, he immediately realized what was going on as he looked at the others. "He's made of wood. He'll be fine." He explained as he brought the legs over, flipping them around right side up before lining them up to Vitmori's torso.
Reonim looked over at the others who had been watching the fight and quirked a brow curiously. "Did you all not know he was made of wood?" He asked, plunging the end of the large stone sword into the dirt and leaning against it as he seemed rather relaxed despite cleaving a man in half just a few moments ago.
The others needed a moment to wind back down, the shock and subsequent reveal having been a jarring spin of emotions as they now lingered to watch Vitmori put himself back together with morbid curiosity. Vitmori, for his part, set about reconnecting his torso with his legs. Threads of solid wood started reaching out from his waist and had made contact with his legs, similar threads stretching out at that point as the legs were slowly scooted through the dirt until they fused back together. Within moments he managed to start wiggling his toes before pushing up to his feet; he wobbled for a moment, nearly losing his balance, though he caught himself quickly enough before approaching Reonim and holding his hand out. "You were excellent; thank you for showing me how much I've got to work on." He said with a cheerful smile as Reonim gladly met his hand and shook it.
Isaak simply shook his head at the sight before looking over to Miriam and Trisha, addressing Trisha in particular. "Well, what did you make of all that?"
Trisha seemed vaguely unnerved before looking over to Isaak and shrugging a bit. "Not sure. From what I could tell, Vitmori isn't particularly weak, but Reonim simply outclassed him in overall ability." She considered, gradually collecting herself as she spoke. "I think Vitmori likes to be quick on his feet, preferring small blades and throwing knives based on what he made for himself. However, I have a feeling that is what he resorted to using out of convenience. Ultimately, I'll have to ask him what he would like for himself." She explained as she pushed away from the stone fence.
Miriam seemed to have calmed down from earlier, looking rather embarrassed as she was one of the few to have screamed after seeing Vitmori get cleaved in two. "I think I would like to see less dismemberment in sparring matches. Otherwise, it was quite an impressive display from Reonim." She said with a small smile before looking over at Vitmori. "Not to dismiss Vitmori or anything, he performed valiantly against a much more powerful opponent. I'm certain it is only a matter of time until he is able to fight on par with a warrior like Reonim." She expressed encouragingly, though Isaak wasn't sure who she was trying to support since Vitmori was off talking with Reonim while cleaning up the sparring ring. The earth and stone shifted as it all started to sink into the ground; Trisha nearly fell over as she failed to notice the fence disappearing until it was almost too late.
Isaak smirked with amusement at Trisha having to catch herself, though he looked back over at Vitmori and Reonim. Some small part of him felt confident that he could probably take on Vitmori as he is right now. Though another part of him had to wonder; if Reonim was that strong, how powerful was Basti if she managed to slaughter Reonim before he could put up a proper fight?
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RoyalRoad

We return from the commercial, a five-minute video that was just a still image of Dexter Flux.
Babaganoush: The following contest is scheduled for -
Crowd: ONE FALL!
Javier smiles at this response, and he’s clearly got confidence that he’s shook the rust off.
Babaganoush: ...And it is for the WiR Tag! Team! Championship!
Crowd: YAAAAAAAAAAAAY!
Babaganoush: Introducing first, the challengers…
Shit, you judge me on my appearance… face value ennat…
Crowd: BOOOOOOOOOOO!
As “Inglorious” plays, King Mustafa exits from behind the curtain with Eddie Skelter following closely. Mustafa has a suit - a blindingly light-blue Christian Dior one - on over his gear and he curses at the crowd, but Eddie, dressed in red sweats, just mean-mugs and gets up in the faces of a few front row spectators.
Mann: Look, I - I know why people hate these lads. I really do! Not blessed with great social graces and they get off on getting ill-gotten cash and hurting people. But they make for a tremendous team, both covering each other’s flaws and fighting as more than the sum of their parts.
The two of them hop up on the ring apron and remove their outer gear - horrifyingly enough, they take off their pants to reveal their short tights - and point to their chests: Mustafa has a lion symbol on his blue gear, while Eddie has a rose symbol on his red gear.
Babaganoush: …From the United Kingdom, weighing in at a total of 445 pounds, they are King Mustafa and Eddie Skelter… TWO! SMOKING! BARRELS!
Crowd: BOOOOOOOOOOOO! / ENGLAND SUCKS! ENGLAND SUCKS! ENGLAND SUCKS!
Woodbridge: They’re right! They should say it! England DOES suck! That’s why guys like Brendan Byrne came here! He’s a good boy and he’s smart!
Mann: Moving on, and I’d like to apologize to our UK-based fans… as much respect as I have for 2SB, they’ve got their work cut out for them. Because here comes…
Babaganoush: And now, introducing the titleholders…
There is the completely incongruous sound of a blast on a Viking war horn before the jazz classic “Cantaloupe Island” begins to play and champions Jim Baker and Dexter Flux come from behind the curtain together, belts around their waists. Baker has on a chainmail shirt, while Dexter is in a huge fur cloak, which doesn’t even seem to be making them sweat. Their faces are painted with blue woad designs.
Crowd: YAAAAAAAAAAAAAAAAAY! HORDE! HORDE! HORDE!
Flux: OC BABY!
Crowd: YEAAAAAAAAAAAAAH! DEXTER! DEXTER! DEXTER!
Mann: The crowd in Dexter Flux’s home region are giving him love.
Woodbridge: They’re wearing the belts! As it should be! Too much of this damn “I’ll put it over my shoulder” nonsense in wrestling these days.
Mann: And the rejuvenated Horde seems to be taking their name very seriously, judging by those outfits!
Woodbridge: What? What’s that mean?
Mann: Because of the barbarian type clothes -
Woodbridge: I still dunno what you’re talking about.
Mann: sigh I finally am starting to empathize with Allen Paisner.
On their way to the ring, Baker and Flux hand out a bunch of fist bumps; they take a brisk walk up the stairs, get their entrance gear off and hand it to Maurice Chondon for safekeeping, and Baker steps on the middle rope to help Flux in - Dexter is apparently adamant about starting.
Babaganoush: …from Orange County, CA -
Crowd: YEAAAAAAAAAAAAAAAAAAAAH!
Babaganoush: …and Cincinnati, OH, weighing in at a total of 425 pounds, they are the WiR Tag Team Champions - Jim Baker and Dexter Flux, THE HORDE!
Crowd: YEAAAAAAAAAAAAAAAAAAAAAAAAAAH!
Mann: Dexter Flux clearly going to be in the match first, and it looks like out of 2SB, Eddie Skelter wants to start…
Referee Harry Undersach checks over the four competitors - everyone complies even though Mustafa calls him a “chi chi man” - and signals for the match to begin!
DING DING DING!
Skelter offers a lockup to Flux, which the champion accepts, doing his best to ignore King Mustafa pounding on the ringpost and goading him while making rude English gestures at Baker from across the ring. The two wrestlers in the ring grapple - Skelter puts a facelock on Flux, goes to lock his right arm as well, but Flux gracefully gets out and tries to get a headlock on Skelter. Skelter has none of this and pushes Flux off, but Flux gets him down with an arm drag!
Crowd: YAAAAAAAAAY!
Mann: Both of these men are accomplished technical wrestlers. Skelter is obviously more a traditional mat wrestler, Flux is well-known for his high flying, but they’re going to do more of feeling each other out like this, I think.
Skelter attempts to put a wrist hold on Flux while the two are both down, but Flux gets out of his grip and kips up, and Skelter gets into a crouch, rising slowly and deliberately with both his eyes fixed on Flux, who assumes a readied stance but doesn’t go to attack Skelter yet. They re-assume a lockup, seemingly out of mutual agreement - this time, Flux manages to snap off a headlock takeover, bringing Flux to the ground again! Instantly he tries for a jumping elbow drop but Skelter rolls out of the way, and Flux makes a smooth recovery, landing on both his hands and pushing back up.
Crowd: AWWWWWWWWW…
Woodbridge: Both guys still actin’ wary. For now. Even Flux didn’t commit too hard to that elbow drop. Woulda been cool to see him break Skelter’s nose like that, hah.
Mann: Be that as it may, I feel like this pace will pick up soon!
Mustafa shouts a little more while Baker looks on calmly but still at the ready. The two stare each other down, and Skelter decides to take the first swing, throwing a fast but vicious jab towards Flux’s face. Flux, however, is able to dodge backwards and follow through with a forward jumping elbow! It hits Skelter square in the chest and he winces but SLAPS Flux right across the right cheek!
Crowd: OHHHHHHHHHHHHH! / BOOOOOOOOOO!
Woodbridge: The level of disrespect!
Mann: It’s still a legal strike, Mark. And it’s a treasured part of Eddie Skelter’s arsenal.
Mustafa is obviously pleased at the pimp smack, while Jim Baker looks irate, and is about to gesture for Flux to come back to their corner and tag him in. But Baker thinks the better of it, letting Flux avenge the insult himself instead. This he does, with a nice uppercut to Skelter’s jaw, but even as the Brit reels, before Flux can hit a follow-up attack, Skelter ducks behind him and grabs at his arm, a hold which Flux spins out of. But Skelter isn’t unprepared for this and knees Flux in the gut! He brings a chop down towards Flux’s head as Flux doubles over, but Flux is able to block it - Skelter then locks Flux’s arm and attempts to drop Flux with a Russian legsweep - Flux dodges and goes behind but Skelter turns around in time and throws a hard left-handed punch which Flux counters with an elbow, and both men’s strikes connect! They both stagger!
Crowd: OHHHHHHHHHHHHHH!
Woodbridge: Both of ‘em have their fire up! Kill him, Flux!
Mann: No easy task! Now it’s going to be a question of which man is forced to tag out first!
It’s Skelter who gets his head clear first and dives in for a double-leg takedown, which Flux blocks by splitting his legs - Skelter goes under and uses the leverage to attempt to lift Flux onto his shoulders - but Flux is ready for it! He clamps his legs and THROWS skelter with a modified headscissor takedown!
Crowd: YEAAAAAAAAAAAAAAAAAAAAH!
Woodbridge: That tijeras came straight from Guadalajara!
Mann: And now both competitors are on the mat!
Skelter sits up and winces and Flux scrambles to take advantage, but Skelter grabs his ankle and flips him to the mat with an ankle pick! Suddenly both men get about the same idea at the same time - Skelter takes further hold of Flux’s ankle but Flux tries to grapevine one of Skelter’s legs! They battle for a hold on the mat!
Crowd: LET’S GO DEXTER LET’S GO! clap clap LET’S GO DEXTER LET’S GO! clap clap
Meanwhile, dark gray clouds are gathering in the sky above the ring. The venue turns on some extra lights for better visibility.
Woodbridge: We’re onto Indian leg wrestling now!
Mann: That, and it looks like rain.
Woodbridge: You think the Tongva Indians ever used leg wrestling to do a rain dance?
Mann: …I do not think the one thing has to do with the other. Anyhow, the battle in the ring’s been VERY evenly matched so far.
Whilst Skelter goes for a modified figure-four leglock, Flux has something else in mind. He suddenly grips both of Skelter’s ankles, bridges onto his neck, and surprises Skelter by forcing him into a pin!
Woodbridge: DAMN!
Mann: Whoa, a flash pin attempt!
ONE!
TWO!
NO!
Crowd: AWWWWWWWWWWWWWW…
The pin catches Skelter off guard but it’s clearly not enough. Both men spring to their feet and Skelter tries another double leg takedown attempt which is fended off by a flurry of overhead elbows by Flux! Skelter holds his head and decides he’s had enough for now, backing into his corner and tagging in the furiously waving hand of King Mustafa.
Crowd: BOOOOOOOOOOOOOOOOOO!
Mann: His partner Eddie Skelter may have started off, but the big man of Two Smoking Barrels has wanted in all match so far.
Mustafa leaps in the ring and curses at the crowd once more.
Woodbridge: Dexter Flux is standing firm!
Mann: He did well against Skelter, who was his equal in terms of physical strength, but I have a feeling King Mustafa’s going to absolutely overpower him now!
Mustafa steps right up to Flux and proceeds to slap him in the left cheek!
Crowd: BOOOOOOOOOOOOOOOOOOOOOOOOOO!
Mann: The cycle of disrespect is completed by Skelter’s teammate!
Flux backs off, before returning back in for a lockup with Mustafa, who uses his size advantage to throw Flux back into his corner, where he tags Skelter back in, and the two stomp Flux down into the corner. Skelter then immediately tags back out to King Mustafa.
Woodbridge: I can’t judge. Literally can’t. Used that tag team tactic there too many times to count.
Crowd: BOOOOOOOOOO
King Mustafa once again overpowers Flux, using her superior size to launch him into the hard camera turnbuckle. He attempts to charge in, but Flux skitters out of the way! Flux tries to bring down King Mustafa with a kick to the knee, but he doesn’t budge. King Mustafa blocks an attempt at a strike, and throws Flux by the arm off the ropes! As Flux careens towards the opposite end, Baker sticks out his hand, and smacks Flux on the shoulder!
Woodbridge: That’s a legal tag!
Flux baseball slides underneath King Mustafa, who is unaware the tag has been made, while Baker comes in and pearl harbors him! Baker takes control with an overhand right, a blow to the chest, and a Russian leg sweep, before attempting a body slam, which King Mustafa is too large for. Mustafa offers Baker a test of strength, but before Baker can even accept, he kicks him in the gut.
Crowd: BOOOOOO
Mustafa scoops Baker up with ease, and delivers a gorilla press slam, taking a moment to flex for the unappreciative crowd before continuing his assault. Mustafa wrenches the arm of Baker, before tagging Skelter back in. Skelter climbs up to Bret’s Rope, and while Mustafa wrenches the arm, Skelter dives off, and delivers a double axe handle to the trapped arm!
Mann: Some solid teamwork here by The Barrels!
Skelter puts the larger Baker on the mat with a clubbing blow to the back, before delivering a fist drop to the skull. Skelter, relishing his small victory, backs off the ropes and prepares an elbow drop, but Baker rolls out of the way, and tags Flux back in! Flux charges in once again to meet Skelter… and is caught instantly with an arm drag. Skelter brings him down to the mat, and applies a sleeper hold…
Crowd: BOOOOO
But Baker charges back into the ring, and breaks it up! King Mustafa enters the ring to try and chase Baker off, drilling Flux with a shoulder tackle as soon as he lands on his feet with a kip-up, planting him back on the ground. Mustafa returns to his corner, while Skelter ascends a turnbuckle!
Mann: Not something we’re used to seeing! Skelter wants to beat Flux at his own game!
Skelter dives off the top, attempting a flying forearm… and falls short. As he tries to get back to his feet, Flux batters him with a closed fist, before whipping him off the far ropes, but Skelter is able to turn it around. Flux attempts a sunset flip to regain control, but Skelter simply pops down and pokes him in the eye.
Crowd: BOOOOOOOOOOOOOOO
While Skelter is told off by the official, King Mustafa sneaks into the ring to deliver a stomp to Flux, before skittering back to the apron. Skelter picks up Flux, to deliver a forearm, before walk-dragging Flux over to the corner by his hair, and tagging Mustafa back in. Skelter holds Flux by the hair, and Mustafa stomps his boot before delivering a knee to the stomach as Skelter heads back to the apron. Mustafa whips Flux, and as he returns, scoops him up for a powerslam, before rising to his feet, walking to the ropes, and preparing a knee drop, which Flux avoids! Flux crawls on his knees over to the corner before Mustafa can catch him, and tags Baker back in! Flux takes position on the apron, one foot on the second turnbuckle.
Finally, the sky has opened up! It begins to rain on the ring, the crowd, and even the announcers!
Mann: Didn’t I say it was going to rain?
Woodbridge: It’s not bothering anybody one bit!
Crowd: YEEEAAAHHHHHH
Baker charges in, delivering a pair of punches to try and slow down Mustafa, but they fail to knock him off his feet. Baker tries charging in for a clothesline, Mustafa ducks, but as Baker approaches, he attempts a sunset flip!
Crowd: A-LO-HA KING! A-LO-HA KING!
Mann: Uncharacteristic offense from Baker!
Woodbridge: I’ll say! Baker’s a great power guy, but I didn’t think he’d even ever seen one of those!
Mustafa refuses to go down, but as he struggles, Flux suddenly leaps from the apron to the top turnbuckle, before flying in with a dropkick! Mustafa stumbles, and Baker pulls him down for the rollup!
Woodbridge: Oh shit!
Mann: Huge missile dropkick, and the mat’s slick with rain now! Mustafa had to go down!
ONE
TWO
THR-
Skelter breaks up the pin! Skelter then grabs Flux by the hair again, and darts him shoulder-first into his own ringpost. He bends the aching Flux backwards and grabs his neck for a dragon sleeper…
Crowd: BOOOOOOOOOOOOOO! / GO FLUX GO!
Mann: He won’t be able to submit Flux unless Mustafa gets tagged out!
Woodbridge: I don’t think he wants to! This is gonna be Lack of…
Skelter twists Flux around and fires off a fat open-palm thrust to Flux’s throat, making Flux sputter and drop to his knees!
Woodbridge: TRUST! Nasty!
Crowd: BOOOOOOOOOOOOOOOOOOO!
Mustafa, who has recovered from the takedown, then proceeds to deliver an elbow to Flux’s crown! The two work over their opponents in the corners- Skelter attempting to ground Flux with kicks to the knee, Mustafa using his large arms to deliver repeated clotheslines, and with Flux and Baker tied up in opposite corners, Two Smoking Barrels attempt to whip their Horde counterparts into each other! As the two partners head on a collision course, Baker suddenly drops down, in back-body drop position to Flux, who lands on his feet!
Crowd: YEEAAAHHHH
Flux continues his momentum by delivering a running knee to King Mustafa, who is in his corner, before charging back a Baker, who offers a hand, and gives Flux a launching pad to deliver a flying forearm to Skelter! Skelter flops out of the corner, and out of the ring, and with the support of Knott’s Berry Farm behind him, Flux charges, and flies through the ropes with a dive that takes out both men!
A few members of the crowd begin to open up umbrellas, including the fan who got The Milkman’s earlier
Baker approaches Mustafa in the corner, and attempts to lift him to the second rope, but gets met with a boot for his troubles. Mustafa trades places with Baker, and pops him in the jaw, before delivering another one to the ribs, and a third to the temple. Baker blocks a fourth attempt, and turns it around on Mustafa! Baker unloads with a series of right hands of his own! Mustafa powers Baker out of the corner, and throws him to the opposite. Mustafa charges in, but as he tries to charge in, Baker moves out of the way, and attempts another rollup! This time he’s able to get Skelter off balance!
ONE
TWO
Kickout!
Flux ascends from the grass to the apron, and Baker tags him in! Baker attempts to lift Skelter once again, but struggles to, as he breaks free, but Flux delivers a dropkick, and Mustafa stumbles into Baker’s arms, who lifts him for a scoop slam!
Crowd: YEEEAAAHHHHH
Mann: He did it! He slammed him!
Woodbridge: This is where Baker shines! Not only displaying his power, but being great in the clutch!
Skelter tries to get in the ring again, but Flux meets him with a superkick! Skelter tries to keep his balance, but slips on the wet Apron and drops to the grass! Flux grabs the arm, and tags Baker back in, who delivers a clothesline to the trapped Mustafa, dropping him again. Flux gets the tag back in, and ascends the ropes…
And delivers Quantum Flux! He blasts down onto the King, into a puddle of rainwater forming in the center of the ring!
Woodbridge: QUANTUM FLUX! QUANTUM FLUX! DEXTER SEIZES THE MOMENT! MAN HAS FOLLOWTHROUGH!
Skelter tries to scramble back to the ring to make the save, Baker meets him, and holds him down! Flux scrambles into the cover!
ONE
TWO
THREE
DING DING DING
Crowd: YYEEEEAAAHHHHHH
Mann: And The Horde are victorious!
Woodbridge: And damn do they deserve it!
Babaganoush: Your winners and STILL WiR Tag Team Champions, at a time of twelve minutes and forty-three seconds, The Horde!
Flux and Baker hug it out in the ring, holding their tag belts high. Tony “The Milkman” Stevens emerges from the back, knee wrapped in medical tape and casts, limps to the ring, and raises the hands of his stablemates! Everyone is going crazy, especially because the hometown boy defended the stable’s belts by getting the pin!
Flux and Baker each get up on a turnbuckle, holding their tag belts up high, while in the ring, Stevens stands alone in the middle, one leg down, hair slicking back over his face from rain.
Mann: Fans at home, this has been Sound Off! The weather outside has turned frightful, but this show has been delightful! I have been Shay D. Mann filling in for Allen Paisner, alongside Mark Woodbridge. Take us home, Woodbridge!
Woodbridge: I finally feel confident in saying this - it has felt like a wonderful, shine-drunk dream so far - but folks, we are so fucking back. For all of the incredible fighters in WiR, for our whole staff and crew, and for my short-term broadcast partner Shay D. Mann, this has been Sound Off, and I have been Mark Woodbridge - gooooood night everybody!

The sixth Vince episode calls out the Stephanie/Undertaker storyline as one of the worst in WWE history. As terrible as that is, I’d like to offer up another contender. It features Flyin’ Brian Pillman, the wrestler who used a wheelchair when not on camera and a foot brace when he was. TW: fictional rape.
In ‘97, Pillman was in a feud with Goldust, a flamboyant wrestler whose real-life wife played his in-ring manager named Marlena. She was a featured part of his entrance and would sit at ringside during his matches in a gold dress, smoking an enormous cigar. Very boss.
Pillman challenged Goldust to end the feud with a special stipulation match at WWF’s next big event, Ground Zero on September 7th. If Goldust won, Pillman would have to leave the WWF (known as a go home match). If Pillman won, he got Marlena for 30 days as his personal assistant. He made it very clear what he meant by “personal assistant.” The match was advertised as the Indecent Proposal. In the end, Pillman won and immediately kidnapped Marlena from ringside. Everyone sold it well, with Pillman acting like a maniac, Marlena distraught, and Goldust fighting every inch of the way backstage to reach her. Pillman forces her into a car and drives off.
For the next few weeks, Monday night Raw features video packages dubbed the XXX-Files. They feature Pillman taunting Goldust from his hotel room while Marlena huddles on the bed nearby. Whenever Pillman came to the ring, he lead Marlena down the ramp in progressively skimpier outfits. He frequently implied that he’s having sex with her. Thanks to the videos and their dynamic, this can’t be interpreted as anything other than serial rape. As a reminder, she and Goldust are genuinely married and this is known to the audience. For his part, Goldust was continually in pursuit, but could never quite rescue his wife.
The storyline ended on October 5th when Pillman was found dead in his hotel room. October 6th is Vince’s on-air grilling of his widow about drug use, her children, and looming financial instability.

notable Bugs to Fix

• Bot lobby Glitch
• Not showing teammates ping location at the beginning of the matches

General changes i want

• Claim all Button for daily's and weekly's
• On special tab only show achievements for the character you have equipped
• The gacha system has to have a increase percent chance depending on how many boxes you opened then resets after you get a plus ultra crate
• Allow the ability to navigate the menu and access character customization while ready up
• Add a pop up window when friends or people invite you instead of it being hidden in notifications
• Get rid of notifications that informs about people who joined the agency it adds clutter
• Add a Training room
• Add more separate customization other then outfits, customization on the level of ones justice 2
• Make Chat Box more flexable it's to restrictive to really communicate with teammates
• Make pings disappear after a few seconds or make player icons more bright then player pings
• Add more civilians or Make revive cards more accessible
• All Players upon revive get 6 level up cards and two mini health and two mini shields

Buffs/Nerfs <-- this one is subjective but here are my changes
Ida

• Reduce Auto combo lock on
• Reduce damage of auto combo
• Disable abilities when recipro burst effect wear's off
• increase time before recipro burst can be used again

Deku

• Fine as he is

Shigakrai

• Reduce damage of Special B
• Make Aoe on Special B smaller
• decrease the range of his Special A
• Reduce damage on Grab......Thats about it

Bakugo

• Increase range of special C
• Decrease damage of Special A

Uraraka

• Increase range of Special C
• Increase damage of Special C
• Increase time suspended in animation against enemies
• Decrease duration of Special B

Todoroki

• Decrease range of ice slide
• Decrease freeze timer
• Size Down his Special B

Tsu

• Add 1 more round to Special A
• decrease Range on Special B
• Disable cloak for 5 seconds after being knocked out of it

Denki

• Make bolts bigger on Special A
• Increase range of Special A
• Increase stunlock time on all attacks
• Increase Dash Range of Special C
• Increase slow effect on Special C
• Reduce Ability cooldown on special C

Kendo

• Increase Range Of Special A
• Increase Damage of Special A by 10
• Increase Shield size on special B
• After absorbing attacks from enemy she gains a 2x buff on her next special attack and it is increased depending on her sheild durability 90% 2x, 60% 4x, 30% 6x,10% 8X
• Special Y Has the chance to Stun enemys
• Special action allows her to launch herself or just rework it

Allmight

• Minor decrease of texas smash.........Yeah thats about it never had problems with all might nor i played him that much.
• Increase Cooldown on Jump

Cementos

• Add secondary attack to special A that doesn't have a pillar effect hold r2 to use
• Increase Wall height on special b
• Increase Wall duration by 2 seconds on special b
• make Structural slab lv 4 his base Ability
• Increase durability of pillars
• Add more pillars to special A
• Reduce cooldown on all abilities

Mt Lady

• Minor Damage Decrease on Special A
• Increase time to Special B follow up attack by 0.19 seconds but increase the range
• increase distance of Special Y

Toga

• Reduce damage of knifes
• Reduce Rounds of knifes or add a cooldown upon 5 uses or something bro these knifes are annoying and are ridiculous
• everything else is fine

Dabi

• Decrease stagger time on his special B
• Special A Either reduce range or Reduce homing lock on
• Special Y Minor damage reduction on
• Decrease rounds by 1 to special A

Mr.Compress
BUFF THIS DUDE OUT THE ASS

• Buff the amount of Hp restored while being compressed
• Decrease time it takes to activate Special Y
• Make Smoke of special Y more effective
• Increase Range of Special A
• Increase rounds of Special A
• Increase Damage of special A
• Special B either rework it or
• Increase Damage reflected
• Increase Size of Shield
• Allies can be compressed by going to him and pressing triangle
• Rework idea:Mr compress can use any characters attack against them with his special A Ex:Dabi uses his projectile mr compress uses shield and now mr compress can use dobis projectile using his special A or something

Wishlist

• A healthy amount of free cosmetics to earn even if they are just recolors
• Stain,Mirko,Overhaul,Aizawa,Endeavor,Fatgum,Red riot etc just add characters
• don't Reuse other characters special action all the time im noticing how many characters have the same or similar special action hope this doesn't become a trend
• U.A Map,Forest Map, Otheon from the heroes mission movie,Yakuza hideout just more maps
• Frequent Events and Modes like every month or so
• Community communication don't go silent on us
• Servers that Aren't SO CRAP
• More unique and interesting achievements and emblems
• More Promotion for this game like seriously i didn't even knew this game existed until globku made a video on it
• Ones justice 2 level of customization not just skins only

And that's about it........ Yeah well this beta was hella fun but these are the things i want to see changed before the official release and i know the buffs and nerfs section gonna cause some discourse.But im not to sold on the changes maby you can sudgest some nerfs and buffs...well
See you lot on full release
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